Penny Santon Movies

Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide

When Emily Rocco (Judy Holliday) waddles into view at the beginning of Full of Life, her appearance marked a cinematic breakthrough; seldom had so pregnant a leading lady ever appeared on an American movie screen. With her baby's birthdate only a month away, Emily and her husband Nick (Richard Conte) prepare for first-time parenthood. What they aren't prepared for is Nick's Italian-bricklayer father (Salvatore Baccaloni) who descends upon their humble household with the intention of ruling the roost. Most of all, Papa wants Nick and Emily to go through a proper Catholic wedding, since he doesn't consider their civil ceremony valid. This situation is good for a few laughs, but far funnier is the all-too-typical erratic behavior of expectant mother Emily. Adapted by John Fante from his own novel, Full of Life effortlessly runs the gamut from warm family comedy to outrageous slapstick and back again. ~ Hal Erickson, All Movie Guide

This was the first film directed by Paul Stanley, and its theme of second-generation Puerto Ricans living in New York's Spanish Harlem would be picked up again in 1961's smash success, West Side Story. Miguel Estrada (John Saxon) was a member of a local gang before he went to prison for a year, and now that he is out he wants to walk the straight-and-narrow. His attempts at getting away from the life that binds him to the gangs are not anything his father can understand, and the gangs are not going to let him just walk away. At one point, he is forced into a knife fight with a gang member. A counterpoint to Miguel's dilemma is found in Sarita (Linda Cristal), a local "hostess" who prefers single bliss to marriage and its problems. ~ Eleanor Mannikka, All Movie Guide

A father-son team of circus aerialists, Gino and Mario Patruzzio (Robert Carricart, Mike Conners), quarrel bitterly over Mario's slatternly young wife Carlotta (Yvette Vickers) just before beginning their act. An accident occurs in mid-air, causing Gino to plunge helplessly to the ground. Though exonerated of any blame, Gino still feels responsible for the tragedy and becomes dangerously suicidal. Can Gino save his son from destroying himself--even though the elder Patruzzio lies paralyzed in a hospital bed? ~ Hal Erickson, All Movie Guide

Little Joe and Hoss set out for Monterey, CA, bearing the cash with which they intend to purchase a prize bull for their father Ben. En route, they are ambushed by bandits. But this is hardly the end of their troubles, as the two brothers also contend with a youthful thief, a pack of starving Indians, and a strange woman named Cayetena (Barbara Luna). Veteran actor/director Ricardo Cortez appears as Don Xavier. First shown on January 2, 1960, "El Toro Grande" was written by John Tucker Battle. ~ Hal Erickson, All Movie Guide

Having been on the side of the law as one of the original "Untouchables" in the series' two-part pilot film, Keenan Wynn returns in the despicably villainous role of Augie "The Banker" Ciamino. Terrorizing his fellow Italian immigrants into submission, Ciamino forces them to set up small stills in their homes, enabling him to ship thousands of gallons of bootleg booze right under the Feds' noses. In order to break Ciamino's back, Elliot Ness (Robert Stack) must win the trust of the hapless immigrants. To this end, he enlists the aid of night-school English teacher Mr. Lee (Bernard Kates), who passes along coded messages via blackboard. Unfortunately, one of Mr. Lee's students, baker Renzo Raineri (Will Kuluva), has a son named Paul (Lee Phillips) who works as Ciamino's bookkeeper--and Paul isn't the sort of guy who can keep a secret. ~ Hal Erickson, All Movie Guide

Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, All Movie Guide

Gregory Peck plays a benevolent God-like figure in a white smock as Captain Josiah Newman, the head of a psych-unit at a Southwestern army base during the waning days of World War II. Newman is a patriarchal protector to his patients, preferring to keep him in his ward, rather than return them to certain death on the battlefield. The matriarchal figure of the ward is Lieutenant Grace Blodgett (Jane Withers), but Newman is more interested in his assistant Lieutenant Francie Corum (Angie Dickinson), with whom he is having an affair. Further help is provided by human nature expert, Corp. Jackson Laibowitz (Tony Curtis), the orderly. And Newman needs all the help he can get. Particularly with three patients: Colonel Bliss (Eddie Albert) is suffering from a guilt complex from all the men he has sent to death; Corporal Tompkins (Bobby Darin, in an Academy Award-nominated performance), although decorated for bravery in combat, calls himself a coward for failing to save his pal from a burning plane; and Captain Winston (Robert Duvall) is guilt-ridden and has lapsed into catatonia because he had hidden for over a year in the basement of a building in Germany. Although Newman wants to cure these men of their psychological problems, he doesn't want to see them returned to the war to be killed. ~ Paul Brenner, All Movie Guide

Allegedly based on the 1946 film starring Ray Milland but bearing no real resemblance to it, this is the story of the fight for statehood in California. The Californians want to break from Mexico, but Mexico doesn't want them to. This tale brings to the screen two brothers who are fighting on opposite sides in the battle. Not one of the best of Hollywood's efforts. ~ Tana Hobart, All Movie Guide

In a bombed-out French village, Saunders (Vic Morrow) is astonished to come across a well-tended rose garden completely unscathed by the ravages of war. The garden is watched over by a young, mentally challenged girl named Jeanine (Antoinette Bower), who having lost her entire family has retreated into a world of her own. Saunders must convince Jeanine and her elderly guardian Celeste (Penny Santon) to leave the village before the arrival of the Germans, but the girl refuses to budge: she is convinced that as long as her garden is safe, no harm will ever come to her. ~ Hal Erickson, All Movie Guide

In this episode from The Man from U.N.C.L.E. series, the two good guy spies must stop a criminal mastermind from altering the course of the Gulf Stream. ~ Sandra Brennan, All Movie Guide

In this sequel to the previous season's "The Big Shadow of the Land", Jack Kruschen returns as Giorgio Rossi, the bombastic patriach of a family of Italian winegrowers. Hoping to improve the Rossis' financial situation, Ben Cartwright grants Giorgio eighty acres of Ponderosa property, which the effusive immigrant immediately converts into a lush vineyard. A crisis develops when Ben's nasty neighbor Gurney (Donald Woods shuts off Rossi's water supply. Also making return appearances are Penny Santon and Brioni Farrell) as Giorgio's wife Maria and daughter Regina. Written by William F. Leicester as the pilot episode for a projected TV series, "The Deed and the Dilemma" first aired March 26, 1967. ~ Hal Erickson, All Movie Guide