Walter Santesso Movies

1962  
 
Wearing the veneer of a play on the legendary love of Don Quixote's life Dulcinea, this drama by Vicente Escrivá carries some subtle criticisms of the Catholic Church as well. During the 16th-century, the time of Cervantes, Don Quixote's sidekick, the faithful Sancho Panza (Folco Lulli), comes into the local tavern bearing a forlorn good-bye letter from Quixote to the love he never knew, Dulcinea. The barmaid Aldonza (Millie Perkins) is so moved by the altruistic passion of the letter that she rushes to the bedside of the dying Don Quixote and swears to him that she is his Dulcinea. Inspired by his idealism, she dedicates herself to working for the disenfranchised and the sick -- until the Church accuses her of being a witch. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Millie PerkinsCameron Mitchell, (more)
1960  
 
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In one of the most widely seen and acclaimed European movies of the 1960s, Federico Fellini featured Marcello Mastrioanni as gossip columnist Marcello Rubini. Having left his dreary provincial existence behind, Marcello wanders through an ultra-modern, ultra-sophisticated, ultra-decadent Rome. He yearns to write seriously, but his inconsequential newspaper pieces bring in more money, and he's too lazy to argue with this setup. He attaches himself to a bored socialite (Anouk Aimée), whose search for thrills brings them in contact with a bisexual prostitute. The next day, Marcello juggles a personal tragedy (the attempted suicide of his mistress (Yvonne Furneaux)) with the demands of his profession (an interview with none-too-deep film star Anita Ekberg). Throughout his adventures, Marcello's dreams, fantasies, and nightmares are mirrored by the hedonism around him. With a shrug, he concludes that, while his lifestyle is shallow and ultimately pointless, there's nothing he can do to change it and so he might as well enjoy it. Fellini's hallucinatory, circus-like depictions of modern life first earned the adjective "Felliniesque" in this celebrated movie, which also traded on the idea of Rome as a hotbed of sex and decadence. A huge worldwide success, La Dolce Vita won several awards, including a New York Film Critics CIrcle award for Best Foreign Film and the Palme d'Or at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide

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Starring:
Marcello MastroianniYvonne Furneaux, (more)
1960  
 
Vittorio Gassman showcases his comic talents in this farce by director Dino Risi about the growing success of a con artist. Gerardo (Gassman) starts out as a vaudeville performer and noting that acting abilities can be used for less legit purposes, he creatively assumes different guises in order to con people out of anything from a pair of shoes to ultimately mucho lira. In one of his escapades he passes himself off as Greta Garbo, donning an appropriate disguise, and has all manner of paparazzi ready to take the bait. He did not learn all his inventive and often spontaneous tricks alone, his cellmate Chinotto (Peppino de Filippo) was a great mentor. But even his cellmate could not coach him on how to remain single after his girlfriend Annalise (Anna Maria Ferrero) sets her heart on matrimony. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Vittorio GassmanDorian Gray, (more)

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