Ralph Sanford Movies

Glenda Farrell reprises her fast-talking girl reporter persona in PRC's Night for Crime. Ms. Farrell is cast as Susan, a big-city sob sister who investigates the murder of movie extra Ellen Smith (Marjorie Manners). Adding to the confusion, movie star Mona (Lina Basquette) disappears in the middle of an important production. As clues and suspects pile up, Susan and detective Joe (Lyle Talbot) try to solve the mystery without ending up as murder victims themselves. A Night for Crime was based on a story by Hollywood columnist Jimmy Starr, who appears on-screen with his journalistic colleagues Erskine Johnson, Edwin Schallert (father of actor William Schallert) and Harry Crocker. ~ Hal Erickson, All Movie Guide

A wounded aerial gunner tells his story in this wartime propaganda film. He begins with his recruitment and basic training before the war. There he discovers that his sergeant is one of his foes, and that both of them are fighting for the affection of the lovely sister of a fellow recruit who becomes terrified of flying and suffers a plane crash during training. Eventually all is overcome and the new squadron prepares to fly for the South Pacific. The two rivals end up landing on an island overrun by Japanese troops. They frantically try to repair their downed plane. Later the brave sergeant sacrifices his life to save his rival who takes off and somehow makes it back to safety. ~ Sandra Brennan, All Movie Guide

Set in the new state of Alaska, this 1959 "B" drama features both a romantic quadrangle, if not pentagon, and a failing trucking company. Al (Bill Williams) manages the company out of a small town where the trucks make regular runs to Fairbanks. On top of rock slides and bad weather, he now has to handle the visit of his off-site partner Mason (Leslie E. Bradley) and his wife Janet (Lyn Thomas). This is more complex than usual because the company is in the red, and Janet was Al's former girlfriend -- she left him for Mason and his money. Add in the attractive Tina (Nora Hayden) who has her own interest in Al, who is interested in Janet, who is not that interested in Mason anymore, and the story could be set anywhere. ~ Eleanor Mannikka, All Movie Guide

Al Goddard, (Alan Ladd) special investigator for the U.S. post office, is assigned to collar two criminals who've murdered a postal detective. Goddard must first locate the only witness to the crime, attractive young nun, Sister Augustine (Phyllis Calvert). Posing as a crook, Goddard gains the confidence of the murderers' boss Earl Boettiger (Paul Stewart), who has worked out a scheme to defraud the post office of one million dollars. Once they've tumbled to the deception, the crooks take Goddard and the nun prisoner, leading to a fight to the finish in a lonely industrial district. Appointment with Danger tends to draw chuckles rather than shivers nowadays, thanks to the casting of future Dragnet co-stars Jack Webb and Harry Morgan as the murderers -- and as icing to the cake, viewers are treated to a scene in which Webb bumps off Morgan! As a whole, the film, the last of Alan Ladd's series of film noir, is uneven and generally unsuccessful. However, it contains some crisp, tough dialogue and some terrific action sequences which make it worthwhile. ~ Hal Erickson, All Movie Guide

Blackjack Ketchum, the real-life gunslinger who'd previously been a peripheral character in several westerns, is herein afforded his own feature-length "vehicle". Howard Duff plays the title role, who at the beginning of the film is doing his best to live down his reputation. This proves impossible when land baron Jared Tetlow (Victor Jory) and his brood muscle into the territory. Hoping to champion the cause of his fellow ranchers, Ketchum once more straps on his guns and prepares to do battle against Tetlow's henchmen. Naturally, Ketchum's sweetheart Nita Riordan (played by Maggie Mahoney, the mother of actress Sally Field) would prefer that Our Hero abstain from gunplay, but.Blackjack Ketchum, Desperado was based on a novel by Louis L'Amour. ~ Hal Erickson, All Movie Guide

Scott Harper (Ron Foster) is frustrated and angry as a police detective because he keeps getting passed over for a promotion to lieutenant. Meanwhile, he is assigned to gain the confidence of Holly Taylor (Patricia Blair), the girlfriend of a suspect in a robbery/homicide. Predictably, the two fall in love, conspire to kill Holly's boyfriend, and plan to run off with the proceeds. ~ Steve Press, All Movie Guide

Carrie is based on Sister Carrie, a novel by Theodore Dreiser. Dreiser's clumsy, unwieldy prose is streamlined into a neat and precise screenplay by Ruth and Augustus Goetz. Jennifer Jones stars as Carrie, who leaves her go-nowhere small town for the wicked metropolis of Chicago. Here she becomes the mistress of brash traveling salesman Charles Drouet (Eddie Albert), then throws him over in favor of erudite restaurant manager George Hurstwood (Laurence Olivier). Obsessed by Carrie, George steals money from his boss to support her in the manner to which he thinks she is accustomed. Left broke and disgraced by the ensuing scandal, Carrie deserts George to become an actress. Years later, the conscience-stricken Carrie tries to regenerate George, who has fallen into bum-hood. If Laurence Olivier seems a surprising casting choice in Carrie, try to imagine what the film would have been like had Cary Grant, Paramount's first choice, accepted the role. ~ Hal Erickson, All Movie Guide

While far from the only good film on boxing, Champion is perhaps the best drama ever based on the fight game. It is remarkable for a number of things: the unrelenting, grinding logic that leads to the hero's tragic fate; the beautiful cinematography and editing that make it a masterpiece of light and shadow; near-perfect performances by everyone, from Kirk Douglas as Midge Kelly, down to the actor who plays a sleazy small-time ring manager; and the boost it gave to the budding careers of Douglas and others. The basic story has been told many times, but never so powerfully: a poor, ambitious boy accidentally learns that he is a "natural" boxer, and that he might "go all the way." He wins his early fights with ease and, at last, in the big one, he becomes champion of the world. Then rot sets in. He lives it up, deserts his loved ones and best friends, and loses his physical and moral advantages. Near the end -- out of condition, demoralized -- the champion loses (or almost loses) his boxing crown. Finally, he grits his teeth, returns to rigorous training and to people he really likes, and he regains (or holds onto) the championship.

Part of Champion's dramatic superiority is in its brilliant revealing of the boxer through the eyes of other people in his life. There are good guys: Midge's brother Connie (Arthur Kennedy); his tough but honest trainer (Paul Stewart); his wife, Emma (Ruth Roman); and Johnny Dunne, the up-and-coming contender he eventually beats. There are bad guys: the manager who cheats him in his first, amateurish fight; two successive "owners," of the diner where Midge and Connie try to be entrepreneurs and end up as dishwashers; the blonde siren (Marilyn Maxwell) who abandons Johnny Dunne and helps corrupt Midge; and the mob-connected promoter Harris, who gets Midge his championship bout. There are ambiguous in-betweens, like Palmer (Lola Albright) who is Harris' wife, but who loves Midge and is, perhaps, loved in return. Then there is Midge himself. Unlike Charlie in Body and Soul (John Garfield, 1947) or the hero of the Rocky quintuplets (Sylvester Stallone, 1976-1990), Midge is not a basically nice guy who's been led astray. His ambition, arrogance, and stubbornness make him at once villain and hero. These "fatal flaws" contain, as surely as in Macbeth or Othello, the seeds of the champ's ultimate dissolution. Midge is dealt his share of life's unfairness and bad luck. Yet it is not the events themselves, but his bitter, violent responses to each blow that seal his doom. The final irony comes when he makes his comeback. In the last round of the last fight, his most manly virtues -- bull-like strength and stubborn stamina -- bring about both victory and defeat.

Too bad that this wonderful film -- nominated for six Oscars including Best Actor -- won only an Academy Award for Film Editing (Harry Gerstad) and a Golden Globe Award for Best Cinematography (Franz Planer). All the acting performances are superb: Champion was the breakthrough role for Douglas; his Oscar nomination led to many later starring vehicles. Champion also launched the careers of actresses Roman and Albright, and has what is probably Marilyn Maxwell's finest performance as the unforgettable gold digger Grace Diamond. And all that terrific acting certainly implies some credit for director Mark Robson, who went on to do award winners like Bright Victory and The Inn of the Sixth Happiness. Regardless of what Oscars it won or didn't win, Champion is a landmark film that should be on everyone's must-see list. ~ Michael P. Rogers, All Movie Guide

Groucho Marx made his first solo film appearance away from his brothers in the musical comedy Copacabana. Groucho plays two-bit theatrical agent Lionel Q. Devereaux, whose favorite client--indeed, his only client--is fireball Brazilian entertainer Carmen Novarro (Carmen Miranda). Hoping for a double commission, Devereaux gets Carmen two different singing jobs at the Copacabana nightclub, through the simple expedient of having Carmen wear a veil and pose as a French chanteuse. Steve Hunt (Steve Cochran), manager of the Copa, falls in love with one of the Carmens, much to the dismay of pretty bookkeeper Anne (Gloria Jean). ~ Hal Erickson, All Movie Guide

At first glance, Cow Town seems to be a documentary, as an unseen narrator describes the changes made in the Old West by the advent of barbed wire. Before long, however, the audience is assured that this will be a typical Gene Autry western. Autry plays a ranch owner who incurs the wrath of his neighbors by placing barbed wire around his turf. The local cowboys are certain that the new "invention" will mean the end of their jobs, since there will no longer be a need for ranch hands to keep the cattle from roaming free. Feeding into these fears is a group of "concerned citizens," who turn out to be a band of cattle rustlers. Autry manages to round up the baddies, smooth the ruffled feathers of the cowboys, and sing several old favorites. The supporting cast includes Gail Davis, who'd later star in the Autry-produced TV series Annie Oakley, and ace stunt men Jock Mahoney and Ted Mapes. ~ Hal Erickson, All Movie Guide

This film features two mystery stories featuring Hugh "the Beaver's TV Dad" Beaumont. First, he is hired to go to an auction and buy a particular saxophone. Unfortunately, soon after he obtains it he is knocked unconscious and loses the instrument to the bidder he beat. Later he discovers that the horn is filled with valuable stolen jewels. He also learns that a murder is involved and so launches an investigation to solve it all. In the second tale, Beaumont is paid to escort a beautiful woman to a yacht party. Once he gets there, he discovers that he is the only guest and she is out to seduce him. During their lovemaking, a sleazy detective is busy photographing their every move. The gumshoe was working for the woman's jealous husband who is later found slain, causing the hapless Beaumont to stand accused. Fortunately, he is able to prove his innocence and solve the crime. ~ Sandra Brennan, All Movie Guide

Down in San Diego was previewed as Young Americans, which is why prints still exist bearing both titles. The film is essentially a gussied-up MGM version of an "East Side Kids" pictures, even unto casting Leo Gorcey in a major role. A gang of teenagers with too much time on their hands decide to pool their energies when the marine-cadet brother of pretty Betty Haines (Bonita Granville) gets into trouble. It all leads to the roundup and capture of a Nazi spy ring, bent on sabotaging San Diego harbor. Much of the film appears to be an audition for several of MGM's fresh young contractees, including singer-dancers Ray McDonald and Dan Dailey Jr. Down in San Diego was also a milestone of sorts, representing the 100th film made by supporting player Henry O'Neill within an eight-year period. ~ Hal Erickson, All Movie Guide

In this pastoral drama, a ruthless gang of fugitives, hide from the law on a remote farm. There they find themselves profoundly affected by the old blind man and his loyal dog that lives there. They also gradually begin to respect the honest toil and simple rewards of country life. When the gang leader finally asks them to come out of hiding, the former criminals turn him in. ~ Sandra Brennan, All Movie Guide