Julian Sands Movies

Anthony Hopkins essayed the title role in the four-part British miniseries A Married Man. During his annual holiday, contentedly married barrister John Strickland (Hopkins) found himself casually entering into a brief extramarital affair. As noted by author Piers Paul Read, upon whose novel the miniseries was based, to fully understand the disastrous events following Strickland's indiscretion, one must have a basic knowledge of the English Legal Profession. By the time the story had ended, there was nary a viewer who didn't possess that knowledge. Co-produced by Channel 4 and London Weekend Television, A Married Man first aired in 1983. ~ Hal Erickson, All Movie Guide

This television miniseries derives its plot from The Sun Also Rises, the 1926 novel by Ernest Hemingway (1899-1961). Set in France and Spain, the miniseries follows the lives of several expatriate Americans and their acquaintances in the decade after World War I. These expatriates -- part of the so-called lost generation of Americans bitter about the war and disillusioned by prevailing U.S. values -- drink, roam, ruminate, and chase women. The central character, journalist Jake Barnes (Hart Bochner), pals up with fellow countrymen Bill Gorton (Zeljko Ivanek), an amiable war veteran, and Robert Cohn (Robert Carradine), a novelist and college-trained boxer, to enjoy Paris night life. Barnes runs into beautiful and sophisticated Lady Brett Ashley (Jane Seymour), whom he romanced in England while she was a volunteer nurse and he was recuperating from a war wound that left him impotent. She is soon to divorce her husband to marry Mike Campbell (Ian Charleson), a hard-drinking Scot. Still smitten by her, Barnes follows her everywhere. So do Gorton and Cohn. Cohn falls hard for her. But Lady Brett says she wants to live happily ever after with many men, not just one, in spite of her betrothal to Campbell, a liaison with Cohn, and her affection for Barnes. Such is the scope of her appetite for men. For a new diversion, bullfighting, all of the principals -- including Campbell -- go to Pamplona, Spain. There, matador Pedro Romero (Andrea Occhipinti) whets Lady Brett's appetite all over again with his derring-do in the bullring. After Cohn discovers her in bed with Romero, he beats the bullfighter livid. It is all for naught. To Lady Brett, Cohn is an interesting toy, nothing more. The story reaches its conclusion when Romero -- purple with Cohn's bruises -- enters the arena to challenge a bull. Will Romero survive? Will Lady Brett choose him over Barnes? Will she marry Campbell? ~ Mike Cummings, All Movie Guide

A movie version of the stage play The Doctor and the Devils, written in the 1950s by Welsh poet/playwright Dylan Thomas, had been planned and shelved by several filmmakers before producer Mel Brooks and director Freddie Francis finally brought the project to fruition in 1985. Essentially, the story is the old one about grave robbers Burke and Hare and Scottish surgeon Dr. Robert Knox (which also yielded the 1945 Val Lewton classic The Body Snatcher). Timothy Dalton plays 18th century doctor Thomas Rock, who must rely upon the disreputable Robert Fallon (Jonathan Pryce) and Timothy Broom (Stephen Rea) to provide fresh cadavers for Dr. Rock's teaching hospital. When they can't dig up corpses fast enough to suit Dr. Rock, Fallon and Broom decide to streamline their methods via murder. ~ Hal Erickson, All Movie Guide

In this otherwise routine film, John Hurt is outstanding as the deceptively unbalanced Peter, brother of Laurence (Julian Sands), an inmate for the last many years in a mental institution in Geneva, Switzerland. An unusual accident cost the life of Laurence's twin brother, when they were just little boys, and sent Laurence to the Geneva clinic. For reasons of his own, Peter, a respected anthropology professor, gets Laurence released from the institution's care and then sets them both up in a low-end apartment in the city. When Pascale (Victoria Abril), a young college student, starts to fall for Laurence, Peter's own mental state is called into question. ~ Eleanor Mannikka, All Movie Guide

The classy made-for-TV Harem managed to get away with plot devices that dated back to the days of Rudolph Valentino. Nancy Travis heads the cast as Jessica Gray, a turn-of-the-century American woman who is kidnapped and ensconced in the harem of Turkish sultan Hasan (Omar Sharif). Jessica immediately runs afoul of Kadin (Ava Gardner, in her TV-movie debut), Hasan's jealous head wife. All petty squabbles are forgotten as the plot picks up momentum, incorporating murder, political revolutions, and near-escapes. Sumptuously photographed in such locations as London, Tunis and Spain, Harem originally aired in two parts on February 9 and 10, 1986. ~ Hal Erickson, All Movie Guide

In this made for TV drama, two youthful strangers endeavor to rent the room already owned by a strange woman and her almost comatose husband. ~ Sandra Brennan, All Movie Guide

Julian Sands oozes maleficence as a warlock of the 1600s cast forth to 1980s Los Angeles, where he continues to work his deviltry. The story begins in 1691 Boston when a warlock is condemned to die. Calling for Satan's help, the warlock is sent forward in time to contemporary Los Angeles, where he comes crashing through the window of Kassandra (Lori Singer) and her roommate Chas (Kevin O' Brien), who think that the warlock is a LA drunk and let him stay the night to sleep it off. The next day, the warlock brutally murders Chas and then locates a spiritualist (Mary Woronov) who, possessed by the devil, tells the warlock that he must find the three parts of the Grand Grimoire, the witches' bible that contains the secret name of God. Meanwhile, Kassandra, grieving over the death of Chas, comes upon Giles Redferne (Richard E. Grant), a warlock hunter from the 16th century, sent into the future to find the warlock. While Giles is busily putting together a "witch-compass" to track the warlock, Kassandra calls the police and has him arrested. But then the warlock returns and puts a curse on Kassandra. She blacks out, only to awaken the next morning to discover that she has aged twenty years. Realizing she has put the wrong representative from the 16th century in jail, she bails out Giles and they both go in search of the warlock. ~ Paul Brenner, All Movie Guide

This Polish political melodrama examines the days leading up to the German invasion of Poland and centers upon two newlyweds. The husband is Uruguayan and comes from German-English parents. The woman is British. They have come to Poland to do some family business and end up visiting a good friend's country estate. There the woman is thrown from a horse and is critically wounded. Though her body heals, her mind is damaged. Her husband's cruelty toward her makes matters worse. The husband then learns that his factory is working with Germany as it plans a Polish invasion. ~ Sandra Brennan, All Movie Guide

The ideas that non-Southerners have about the American south don't bear thinking about for too long. It seems that just about everyone in the world has seen Deliverance or one of the Smokey and the Bandit films one time too often. In this film by a Swiss director, all the fears generated by these films become realities for Leighton (Julian Sands), a paranoid English lawyer who has come to the U.S. to do a simple job in Nashville. In only one weekend he experiences a mysterious car chase by people who try to chase him off the road, is jailed briefly, and must appear before a frighteningly peculiar Southern judge (Rod Steiger). ~ Clarke Fountain, All Movie Guide

In this film, Tolsoy's classic story Father Sergius is translated from 19th century Russia to 19th century Italy. As in the original story, Sergio (Julian Sands) is a nobleman and a military cadet who is posted in a position close to the (in this case Neapolitan) throne. He is about go through with an arranged marriage linking him with a higher-ranking noblewoman (Natassja Kinski) when he discovers that she has been the King's mistress. Disgusted, he renounces the world and becomes a churchman and a hermit. At his hermitage, he encounters a woman who considers any priest, especially an ascetic one, fair game. She attempts to seduce him and he nearly succumbs, narrowly avoiding that fate by chopping off a finger, in a scene harking back directly to the 1918 Russian silent classic Otets Sergey. Soon after that, he begins to acquire a reputation as a miracle worker. However, by now he has succumbed to his ever-present demon of sexual temptation in the form of a conniving young girl, and he knows he is not worthy of the adulation he is receiving. Devastated by his lapse, he leaves the hermitage and wanders around Italy as a homeless beggar. ~ Clarke Fountain, All Movie Guide

In this film, Australian rodeo men Bronco and Rick pick up hitchhiker Lucy on their way to a rodeo. However, after taking a wrong turn, their car breaks down in a spooky town and they are forced to ask for help at the decrepit Terminus Manor. When they discover that the manor residents are actually a group of hungry vampires, the trio must struggle to fight off the bloodsuckers and get out of town. ~ Iotis Erlewine, All Movie Guide

In this futuristic sci-fi political drama, the minerals of the moon are being exploited by both Russian and American mining companies. When a terrorist threatens an American mining company, a KGB agent teams up with a NASA investigator to stop them. The two agents are attracted to each other and this nearly derails their assignment. ~ Sandra Brennan, All Movie Guide