Julian Sands Movies

Laetita Masson directs this hallucinatory dream-like work about dancing on the beach, Elvis impersonators, and sailors longing to live and work in Taipei. Sandrine Kiberlain, Johnny Hallyday, and Julian Sands are just a few of the many cast members. ~ Jonathan Crow, Rovi

Director Mike Figgis, creator of the Academy award-winning Leaving Las Vegas, presented this film's world premiere at the 1999 Sundance Film Festival. The story is made up of non-linear, interconnected episodes about a man at different stages of his life, all of which explicate thematically the film's title. The film also juxtaposes a retelling of the classic biblical fall-from-grace tale of Adam and Eve. We see the leading character, Nic, at 5 years old as a boy in colonial Kenya, at age 16 in swinging London in the '60s, and as a grown man working as a film ethnographer. Each sequence shows how he lost some degree of his sexual innocence, whether it be through love, puberty, or masturbation. Shot all over the world, including Tunisia, Italy, and England, the film is an exploration of sex and loss through the life of one individual. ~ Arthur Borman, Rovi

Jay Anania wrote and directed this drama that opens on New Year's Eve, 1971. Diane Thwaite (Paulina Porizkova) hits something with her car, stops to check, and faints next to her car. Flash forward to 24 years later, when she's working as a NYC botanical illustrator and friends with Cyril (Jeff Webster), while the mysterious figure of Michael James (Julian Sands) wanders the city. When Diane hears Auld Lang Syne, it triggers memories of the incident in 1971. More recollections are refreshed by a combination of hypnosis, research, and a confession from James. Suppressed memories surface, including a baby's cry, a van, and a missing mother and child. Small-town waitress Phoebe (Julianne Nicholson) may hold the key to the mystery. The music track features moody vocals by Judy Kuhn. This is the first film to take the technical path of a Super-16 original transferred to HDTV and then to a 35mm negative. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, Rovi

In this romance, a wealthy, single woman dutifully dotes upon her ailing father while watching the man she once loved fool around with a pair of younger lassies. ~ Sandra Brennan, Rovi

Race Bannon is forced to negotiate the same obstacle course where he once set a record for Special Force Recruits, this time in the company of Jonny. The race has been set up by an old enemy of Race's, who doesn't intend to let the contestants survive to the finish line. Dr. Zin, a holdover from the original Jonny Quest series, makes his first Real Adventures of Jonny Quest appearance in this episode, which originally aired on December 16, 1996. ~ Hal Erickson, Rovi

Mike Figgis' grim drama documents a romantic triangle of sorts involving prostitute Sera (Elisabeth Shue), failed Hollywood screenwriter Ben (Oscar-winner Nicolas Cage), and the constant flow of booze which he loves more dearly than life itself. Arriving in Las Vegas with the intention of drinking himself to death, Ben meets Sera, and they gradually begin falling for one another. From the outset, however, Ben warns Sera that no matter what, she can never ask him to quit drinking, a condition to which she grudgingly agrees. A darkly comic tragedy, Leaving Las Vegas charts the brief romantic convergence of two desperately needy people who together find a brief flicker of happiness. ~ Jason Ankeny, Rovi

While investigating an infidelity case, an unconventional private detective discovers a far-reaching conspiracy in the magical world of 1950s Hollywood -- and in this film, the word "magical" is meant literally. Director Paul Schrader's comic mystery, originally made for cable, is set in an alternate universe where witchcraft is commonplace and magic just another modern convenience. The magic trend is particularly prominent in Hollywood, where detective H. Phillip Lovecraft is considered unusual for preferring to do things the old-fashioned, non-magical way. Still, Lovecraft is successful enough to be hired by famed movie star Kim Hudson, who suspects that she's being cheated on by her husband, wealthy producer N. G. Gottleib. It seems like a cut-and-dry case, until Gottleib winds up dead, the victim of a magic spell. Lovecraft's subsequent investigation finds this murder is part of a conspiracy centering around a secret, magic-run brothel and somehow involving Senator Lance Crockett, a McCarthy-like conservative leading a popular campaign to outlaw magic. When Crockett frames one of Lovecraft's friends as the witch responsible for Gottleib's death, it is up to Lovecraft to reveal the truth before his friend is burned at the stake. ~ Judd Blaise, Rovi

Forty-three years after the first screen treatment of Terence Rattigan's play about a teacher facing the end of his career, Albert Finney takes on the role of Mr. Crocker-Harris, the Latin teacher forced into early retirement by a heart condition. After teaching in a public school for twenty years, Crocker-Harris is being put out to pasture in a less stressful job teaching English to foreigners. Meanwhile, his home life is also falling apart: his wife (Greta Scacchi) is having an affair with the American chemistry teacher (Matthew Modine), who nevertheless admires Crocker-Harris for his dignity and decency. Through it all, Crocker-Harris hides his pain behind his stiff British reserve. ~ Don Kaye, Rovi

The sequel to Warlock, this film features the return of the evil warlock (Julian Sands) who is on a quest to search out and obtain a set of six magical runestones needed to summon the Devil to Earth. However, a group of powerful druids have become aware of the sinister plans afoot, and it is up to them to defeat the warlock and prevent Armageddon. ~ Iotis Erlewine, Rovi

This film offers yet another film version of Henry James classic supernatural thriller. It all begins when an aristocratic uncle hires a nanny to watch over his innocent niece and nephew who are living in a large country manse. Soon she discovers that the poor children have been possessed. She also finds herself victimized by her own obsession. Tragedy follows when she tries to free the children from evil. ~ Sandra Brennan, Rovi

Set in South London, this surreal and atmospheric low-budget film takes an interesting approach to the vampire genre by focusing almost exclusively on the emotions of its tormented central character: reclusive, intellectual vampire Alex (Julian Sands). Alex chooses to prey only on criminals and street derelicts, devoting more of his time to pursue a greater hunger for books on the occult, a passion surpassed only by his tragic love for a beautiful woman whom he lost to his ancient rival, the vampire-hunting Edgar (Kenneth Cranham). Alex's past returns to haunt him in more ways than one: as he enters a tenuous relationship with a quiet, morose librarian (Suzanna Hamilton) whose sad-eyed beauty reminds him of his lost love, the still-vindictive Edgar -- now a vampire himself -- returns to settle the score by abducting her. Though leisurely paced, this seldom-seen sleeper is driven by excellent performances, gorgeous photography, and a simple but compelling script that artfully combines subtle chills with bittersweet romance (including fitting excerpts from Edgar Allan Poe's "Annabel Lee"), all draped in a fog-bound Gothic ambience of dripping candles, billowing curtains, and crumbling stone pillars. ~ Cavett Binion, Rovi

In this futuristic sci-fi political drama, the minerals of the moon are being exploited by both Russian and American mining companies. When a terrorist threatens an American mining company, a KGB agent teams up with a NASA investigator to stop them. The two agents are attracted to each other and this nearly derails their assignment. ~ Sandra Brennan, Rovi

This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, Rovi