Johnny Sands Movies

Perry (Raymond Burr) receives an envelope containing $500 from Marian Fargo (played by a redheaded Angie Dickinson), who wants him to exchange the money for documents pertaining to her brother, a fugitive from justice. Things get sticky when the "drop-off" point turns out to be a murder scene. Compelled to clear Marian of charges that she killed not only a blackmailer named Renault (Jan Arvan) but her own husband Arthur (Peter Adams), Perry must rely upon a witness (Dorothy Green) whose eyesight is very seriously impaired--and who may have a hidden agenda of her own. (In an unintentionally amusing scene, Perry complains that the coffee in an expensive French restaurant costs an outrageous one dollar per cup!) ~ Hal Erickson, All Movie Guide

Onetime big-league independent producer Walter Wanger had to make do with Monogram Pictures' distribution channels for his low-budgeter Aladdin and His Lamp. Johnny Sands plays the title role, but it's Patricia Medina, as "Jasmine", who is afforded top billing. The traditional story is honored to the letter, with pickpocket Sands using his three wishes to woo and win Medina. The golden-throated John Dehner is a persuasive villain, though he's a tad too young for the assignment. The two-toned Cinecolor process adds a touch of class to this threadbare costumer. ~ Hal Erickson, All Movie Guide

Set during WW II, Target Unknown follows the exploits of a group of American flyers who crash behind enemy lines. Captured by the Germans, the flyers are interrogated separately. The Nazi higher-ups are eventually convinced that they've gleaned enough information to know where and when the next Allied bombing will occur, but the Americans prove to be a step ahead of them. Mark Stevens stars as Air Force captain Jerome Stevens, while Robert Douglas is Col. Von Brock, Steven's German opposite number. The feminine angle is handled by Suzanne Dalbert and Malu Gatica, cast respectively as a loyal Frenchwoman and Nazi sympathizer. ~ Hal Erickson, All Movie Guide

Two Flags West is set in the waning days of the Civil War. Colonel Clay Tucker (Joseph Cotten) is one of several Confederate prisoners who agree to fight alongside Union soldiers against the Indians in New Mexico. Tucker's Union commander Kenniston (Jeff Chandler) despises all "Johnny Rebs," holding them responsible for the death of his brother. Kenniston has other problems too; he is deeply in love with his sister-in-law Elena (Linda Darnell), but refuses to express his devotion out of loyalty to his dead sibling. He also hates Indians with a passion, and has endangered the safety of his fort by brutally killing a chief's son. There seems to be only one way for Kenniston to purge the demons within him, and he finds that way during a climactic Indian attack. ~ Hal Erickson, All Movie Guide

Set in the early 1900s, Adventure in Baltimore is a romantic comedy about the woman's suffrage movement. Shirley Temple plays a student at an exclusive girl's school who "sees the light" and begins campaigning for women's rights. This doesn't sit well with her minister father (Robert Young) nor with Temple's boyfriend (John Agar, then married to Temple). Eventually, Temple's dad is won over to his daughter's point of view, and delivers an impassioned sermon on tolerance and individual rights for the edification of the hidebound townspeople. Like most of Shirley Temple's "grown up" films, Adventure in Baltimore was a disappointment at the box office. ~ Hal Erickson, All Movie Guide

Fans of William "Wild Bill" Elliot vastly prefer his B westerns to his big-budget Republic "specials", though the latter films have their adherents. In The Fabulous Texan, Elliot emulates his idol William S. Hart in the role of ex-Confederate officer Jim McWade. Returning to Texas to find his home turf under the jurisdiction of corrupt, despotic carpetbaggers, McWade shoots it out with the authorities after his father is slain. Forced to flee to the mountains with his war buddy John Wesley Barker (John Carroll), McWade vows revenge on those bluecoated thugs who've ravaged his beloved Texas. Eventually, McWade realizes that he'd be better off cooperating with the Federal government to rid his state of its plunderers, but Barker comes to enjoy the life of an outlaw, and refuses to surrender his independence. Thus it comes to pass that McWade is obliged to hunt down his old friend, thereby restoring Law and Order to Texas. Catherine McLeod costars as Alice Sharp, the woman who will become McWade's wife-- and, in old age, the torchbearer of his memory. ~ Hal Erickson, All Movie Guide

The romantic, dangerous and fast-paced world of professional midget auto racing provides the backdrop for this dramatic tale of a young driver who decides to follow in his late father's footsteps and win the big race. Johnny Randall is aware of the risks. His father died in a fireball during a race. Still he wants to win and so enlists the aid of Breezy Bradley, an experienced mechanic to help him restore his father's ruined racer. He also finds time to fall in love with Breezy's beautiful daughter. ~ Sandra Brennan, All Movie Guide

The Stranger is often considered Orson Welles' most "traditional" Hollywood-style directorial effort. Welles plays a college professor named Charles Rankin, who lives in a pastoral Connecticut town with his lovely wife Mary (Loretta Young). One afternoon, an extremely nervous German gentleman named Meineke (Konstantin Shayne) arrives in town. Professor Rankin seems disturbed--but not unduly so--by Meineke's presence. He invites the stranger for a walk in the woods, and as they journey farther and farther away from the center of town, we learn that kindly professor Rankin is actually notorious Nazi war criminal Franz Kindler. Conscience-stricken by his own genocidal wartime activities, Meineke has come to town to beg his ex-superior Kindler to give himself up. The professor responds by brutally murdering his old associate. If Kindler believes himself safe--and he has every reason to do so, since no one in town, especially Mary, has any inkling of his previous life--he will change his mind in a hurry when mild-mannered war crimes commissioner Wilson (Edward G. Robinson) pays a visit, posing as an antiques dealer. ~ Hal Erickson, All Movie Guide

Sometimes dismissed as a derivation of Samuel Goldwyn's The Best Years of Our Lives, RKO Radio's superb Till the End of Time was actually based on Niven Busch's novel They Dream of Home, and was completed and released several months before the Goldwyn film. The story concentrates on three ex-marines: Cliff Harper (Guy Madison), Bill Tabeshaw (Robert Mitchum) and Perry Kincheloe (Bill Williams). Harper falls in love with emotionally distraught war widow Pat Ruscomb (Dorothy McGuire); Tabeshaw endures one disappointment after another as he tries to buy his own ranch; and Kincheloe, rendered legless by the war, intends to spend the rest of his life wallowing in self-pity. All three men find a new lease on life when they engage in a cathartic barroom brawl against a bigoted group of self-styled patriots led by hate-spouting Ray Teal (forever typecast as rabid racists during the postwar years). It was this climactic scene, which remains the most memorable aspect of Till the End of Time (outside of its Chopin-inspired theme song) that caused a lot of headaches for producer Dore Schary, screenwriter Allen Rivkin and director Edward Dmytryk during the House Unamerican Activities hearings a few years later: what was accepted as pro-American in 1946 would soon be labelled "Pinko" by the anti-Red zealots. ~ Hal Erickson, All Movie Guide