Diana Sands Movies

African-American actress Diana Sands built her theatrical reputation in the 1950s upon her adamant refusal to be stereotyped. Despite resistance from certain producers and directors who shall remain nameless, Diana insisted upon playing the classic stage roles (Medea, Antigone, Portia and the like) normally assigned to white actresses. Even so, for her portrayal of American black woman Beneatha Younger in Raisin in the Sun Diana won the Outer Circle Critics' Award in 1959. She successfully repeated this characterization in the 1961 film version of Raisin, then settled into a series of less prestigious film roles. She continued headlining on Broadway, appearing in such hits as 1969's The Owl and the Pussycat. Diana Sands' final films, Willie Dynamite (1973) and Honeybaby Honeybaby (1974), were released posthumously, after her sudden death from cancer at the age of 39. ~ Hal Erickson, All Movie Guide
1974  
PG  
In this comedy, filmed in Beirut, an American interpreter wins a trip to the Middle East and finds gets a lot more than a guided tour when she hires an adventurer, who is taking the body of a deposed African leader to its final resting place. ~ Sandra Brennan, All Movie Guide

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1973  
R  
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Willie Dynamite (Roscoe Orman) is a Manhattan pimp whose life and career are documented in this blaxploitation flick. Willie makes it to the top of his precarious profession, only to hit rock bottom again in record time. In her last movie role, Diana Sands plays an ex-hooker who becomes a social worker. She tries to get Willie to clean up his act before it's too late. Willie Dynamite was produced by Richard Zanuck and David Brown, who shortly afterward collaborated on a more upbeat project, The Sting. ~ Hal Erickson, All Movie Guide

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1972  
R  
Diana Sands stars in the provocative romantic drama Georgia, Georgia. While performing in Sweden, black singer Georgia (Diana Sands) falls in love with white photographer Michael Winters (Dirk Benedict). The issue of miscegenation weighs heavily upon the proceedings, though it is Georgia's black travelling companion Alberta (Minnie Gentry), rather than Michael's white friends, who is most upset by the interracial relationship. Alberta despises all whites with a vengeance, and it is her hatred that formulates the film's explosive climax. Scripted by Maya Angelou, Georgia, Georgia can't help but seem dated when shown today; its principal virtues are Diana Sands' performance and Andreas Ballas' cinematography. ~ Hal Erickson, All Movie Guide

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1970  
PG  
Wealthy, insensitive young Beau Bridges buys an inner-city tenement, planning to evict the present occupants and construct a luxury home for himself. But once he ventures into the tenement, he grows quite fond of the low-income ethnic types who dwell within. He even kicks over the traces of his WASP upbringing by romancing black tenants Diana Sands and Marki Bey. Though essentially a comedy, The Landlord offers several painful truths about ghetto existence. Essentially, Beau Bridges acts as the audience's "eyes:" we learn as he learns, we grow as he grows. The Landlord represents the first directorial effort of Oscar-winning film editor Hal Ashby. ~ Hal Erickson, All Movie Guide

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Starring:
Beau BridgesLee Grant, (more)
1970  
R  
Among a cliquish set of country club doctors and surgeons, it seems that sleeping around is the norm. Early in the film, however, one husband murders his promiscuous wife (Dyan Cannon) while she is in bed with a rather unlikely adulterer. The various alliances and rivalries in this close-knit community are further stressed as the murderous husband uses his knowledge of the community for a wide-ranging blackmail scheme. While the police investigate, the doctors who do open-heart surgery on their patients experience heart-rending situations themselves. The film has a large and distinguished cast of actors, including Richard Crenna, Dyan Cannon, Caroll O'Conner, Ralph Bellamy, Gene Hackman, John Colicos, Diana Sands and Janice Rule. The story is based on Doctors' Wives by Frank G. Slaughter. ~ Clarke Fountain, All Movie Guide

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Starring:
Dyan CannonRichard Crenna, (more)
1966  
 
In Washington DC for a secret meeting with a journalist who believes in his innocence, Kimble (David Janssen) saves the life of African ambassador Unawa (Ivan Dixon). Out of gratitude, Unawa allows Kimble to hide out in his country's embassy building, where the fugitive is protected by diplomatic immunity. Unforunately, Unawa's wife Davala (Diana Sands) is planning to turn Kimble over to the cops in a desperarte efforts to improve relations between her country and the U.S. Brock Peters rather surprisingly shows up unbilled in the role of an embassy servant. ~ Hal Erickson, All Movie Guide

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1964  
 
When contact is established between Earth and the planet Chroma, located ten light years away, an exchange is proposed between inhabitants of the two worlds. This is to be done by matter-transmitter, using technology provided by the Chromoites -- as it is a dangerous experiment, the first Earth subject, Chino Rivera (Henry Silva), is chosen from the ranks of convicts serving life sentences. As it turns out, both Rivera, who is twice as smart and three times more clever than the project director, Dr. Kellander (Michael Higgins), and the Chromoite visitor, a walking, human-sized crustacean, immensely strong, with nasty claw-like appendages and various openings that gulp, suck, and grind, are up to something other than what they're supposed to be doing, possibly involving murder. Rivera is injured in an escape attempt before he can be transmitted and, while recovering, attempts another breakout, only to find himself accused of killing one of the scientists on the project. Only one of his captors, Dr. Julia Harrison (Diana Sands), believes that he is innocent, and suspects that something far more sinister than even murder is taking place. ~ Bruce Eder, All Movie Guide

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1964  
 
This episodic drama is set in New York and chronicles the sexual lives and difficulties of three people as they describe their romantic woes. One is an aging fashion model who clings to her young lover because she knows that she will never have another. Two others are married, unhappy, and totally neurotic. ~ Sandra Brennan, All Movie Guide

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1964  
 
In Volume 29 of a collection culled from the 1963-1965 science fiction anthology television series, a neighborhood is transported from Earth to an alien world that plans to use humankind as its slaves. ~ Jason Ankeny, All Movie Guide

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1964  
 
The crew of the USS Reluctant is at it again in this comedy sequel to Mister Roberts. The story opens toward the end of WWII as the great ship drops her cargo at various island bases. Their captain is an unbending tyrant. Young Pulver aspires to become a doctor just like his hero and mentor, the ship's physician. A terrible storm erupts and the ruthless captain is knocked overboard by a rogue wave. Brave Pulver dives over to save the commander and together the two end up stranded on a deserted island. When the captain suddenly doubles over with appendicitis it is up to Pulver to save him via a radio and the ship's doctor's instructions. Fortunately, it all comes out well in the end. ~ Sandra Brennan, All Movie Guide

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Starring:
Burl IvesWalter Matthau, (more)
1961  
NR  
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While this original movie version of Lorraine Hansberry's award-winning play may have dated somewhat, it was groundbreaking when first released in 1961, and a wealth of future plays, films, and TV productions have taken their lead from this socially conscious drama about a struggling African-American family. Lena Younger (Claudia McNeil) is a strong, proud woman who has raised a family in a crowded apartment on the South Side of Chicago. Her son Walter Lee (Sidney Poitier) works as a chauffeur; intelligent and ambitious but impulsive and often angry, he desperately wants to get ahead in a world that offers him few opportunities. His wife Ruth (Ruby Dee) takes in laundry to help make ends meet and watches over their son. Younger daughter Beneatha (Diana Sands) is a college student who wants to become a doctor and often speaks of searching for her cultural identity. On the death of her husband, Lena becomes the beneficiary of a $10,000 life insurance payment, and suddenly the family is in conflict over how the money should be spent. Lena wants to use the money for a down payment on a house. Beneatha is hoping that Lena will help her pay for medical school. And Walter Lee wants to go into business with friends who plan to open a liquor store, which he's convinced will be a sure money maker. The cast, nearly all reprising their roles from the original Broadway production, offers a collection of superb performances; also keep an eye peeled for a young Louis Gossett Jr. as George Murchison. While Daniel Petrie's direction never takes A Raisin in the Sun very far from its roots as a stage play, it captures the power and tension of a strong ensemble cast working with an intelligent and moving script. ~ Mark Deming, All Movie Guide

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Starring:
Sidney PoitierClaudia McNeil, (more)

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