Lee Sandman Movies

Canadian actor/director Philip Borsos made a couple of interesting films before an untimely death in his early forties, including The Grey Fox (1982) and this crime thriller starring Kurt Russell as police beat reporter Malcolm Anderson. Happily abandoning the Miami Daily for which he's labored for years, he takes a job on a small town paper hoping to take life in the slow lane for a time. Of course, he's soon caught up in a career-making story, after a serial killer (Richard Jordan) likes his account of a murder he's committed and decides to use the journalist as his mouthpiece. As the killings continue, Anderson begins to receive national attention, and the Numbers Killer, motivated primarily by a desire for the limelight, becomes jealous, and decides to kidnap Anderson's girlfriend (Mariel Hemingway) to teach him a lesson. As he has with Anderson, the killer soon develops a relationship of sorts with the woman, and slowly reveals the workings of his bizarre personality while the police search desperately for the pair. ~ Michael Costello, Rovi

Dave Speed is no ordinary Miami cop--he is an irradiated Miami cop who has developed super powers. Unfortunately, he doesn't quite know how to use them and this gets him in trouble with his long-suffering partner. The film was also known as Supersnooper. ~ Sandra Brennan, Rovi

Adapted by Julian Barry from his own Broadway play, Lenny manages to be both brutally frank and highly romanticized in detailing the short life and career of influential, controversial stand-up comedian Lenny Bruce. The chronology hops, skips and jumps between Lenny (Dustin Hoffman) in his prime and the burned-out, strung-out performer who, in the twilight of his life, used his nightclub act to pour out his personal frustrations at great, boring length. We watch as up-and-coming comic Bruce courts his "Shiksa goddess," a stripper named Honey (Valerie Perrine). With family responsibilities, Lenny is encouraged to do a "safe," conformist act, but he can't do it. Constantly in trouble for flouting obscenity laws, Lenny develops a near-messianic complex, which fuels both his comedy genius and his talent for self-destruction. Worn out by a lifetime of tilting at Establishment windmills, Lenny Bruce died of a drug overdose in 1966. Director Bob Fosse chose to film Lenny in black-and-white, giving the film the texture of a documentary. Though a film as verbally graphic as Lenny could not have been made when the real Lenny Bruce was alive, audiences in 1974 responded, to the tune of an $11 million gross. ~ Hal Erickson, Rovi