George Sanders Movies
Throughout much of his screen career, actor George Sanders was the very personification of cynicism, an elegantly dissolute figure whose distinct brand of anomie distinguished dozens of films during a career spanning nearly four decades. Born in St. Petersburg on July 3, 1906, Sanders and his family fled to the U.K. during the Revolution, and he was later educated at Brighton College. After first pursuing a career in the textile industry, Sanders briefly flirted with a South American tobacco venture; when it failed, he returned to Britain with seemingly no other options outside of a stage career. After a series of small theatrical roles, in 1934 he appeared in Noel Coward's Conversation Piece; the performance led to his film debut in 1936's Find the Lady, followed by a starring role in Strange Cargo.After a series of other undistinguished projects, Sanders appeared briefly in William Cameron Menzies' influential science fiction epic Things to Come. In 1937, he traveled to Hollywood, where a small but effective role in Lloyd's of London resulted in a long-term contract with 20th Century Fox. A number of lead roles in projects followed, including Love Is News and The Lady Escapes, before Fox and RKO cut a deal to allow him to star as the Leslie Charteris adventurer the Saint in a pair of back-to-back 1939 features, The Saint Strikes Back and The Saint in London. The series remained Sanders' primary focus for the next two years, and in total he starred in five Saint pictures, culminating in 1941's The Saint at Palm Springs. Sandwiched in between were a variety of other projects, including performances in a pair of 1940 Alfred Hitchcock thrillers, Foreign Correspondent and the Best Picture Oscar-winner Rebecca.
After co-starring with Ingrid Bergman in 1941's Rage in Heaven, Sanders began work on another adventure series, playing a suave investigator dubbed the Falcon; after debuting the character in The Gay Falcon, he starred in three more entries -- A Date With the Falcon, The Falcon Takes Over, and The Falcon's Brother -- before turning over the role to his real-life brother, Tom Conway. Through his work in Julien Duvivier's Tales of Manhattan, Sanders began to earn notice as a more serious actor, and his lead performance in a 1943 adaptation of the W. Somerset Maugham novel The Moon and Sixpence established him among the Hollywood elite. He then appeared as an evil privateer in the Tyrone Power swashbuckler The Black Swan, followed by Jean Renoir's This Land Is Mine. A pair of excellent John Brahm thrillers, 1944's The Lodger and 1945's Hangover Square, helped bring Sanders' contract with Fox to its close.
With his portrayal of the world-weary Lord Henry Wooten in 1945's The Portrait of Dorian Gray, Sanders essayed the first of the rakish, cynical performances which would typify the balance of his career; while occasionally playing more sympathetic roles in pictures like The Strange Affair of Uncle Harry and The Ghost and Mrs. Muir, he was primarily cast as a malcontent, winning a Best Supporting Actor Oscar for his venomous turn in 1951's All About Eve. The award brought Sanders such high-profile projects as 1951's I Can Get It for You Wholesale, 1952's Ivanhoe, and Roberto Rossellini's 1953 effort Viaggio in Italia. However, his star waned, and the musical Call Me Madam, opposite Ethel Merman, was his last major performance. A series of historical pieces followed, and late in the decade he hosted a television series, The George Sanders Mystery Theater. In 1960, he also published an autobiography, Memoirs of a Professional Cad.
Sanders spent virtually all of the 1960s appearing in little-seen, low-budget foreign productions. Exceptions to the rule included the 1962 Disney adventure In Search of the Castaways, the 1964 Blake Edwards Pink Panther comedy A Shot in the Dark, and 1967's animated Disney fable The Jungle Book, in which he voiced the character of Shere Khan the Tiger. After appearing on Broadway in the title role of The Man Who Came to Dinner, Sanders appeared in John Huston's 1970 thriller The Kremlin Letter, an indication of a career upswing; however, the only offers which came his way were low-rent horror pictures like 1972's Doomwatch and 1973's Psychomania. Prior to the release of the latter, Sanders killed himself on August 25, 1972, by overdosing on sleeping pills while staying in a Costa Brava hotel; his suicide note read, "Dear World, I am leaving you because I am bored." He was 66 years old. ~ Jason Ankeny, All Movie Guide
- 1945
Fabric designer Harry Quincey (George Sanders) has the unhappy task of caring for his tiresome unmarried sisters, Lettie (Geraldine Fitzgerald) and Hester (Moyna MacGill). When Harry falls in love with Deborah Brown (Ella Raines), Hester is delighted, but Lettie smolders with jealousy. Upset at Lettie 's opposition, Harry would like nothing better than to do her in. Does he? And what has really happened here? When originally presented on Broadway, Thomas Job's play Uncle Harry utilized a complex flashback technique in unfolding its story, which was capped by a grimly ironic ending. Stephen Longstreet's screenplay not only takes a more linear approach, but also radically alters the ending to conform with the censorship strictures then in effect. The Strange Affair of Uncle Harry was one of several Universal film noirs of the 1940s produced by longtime Alfred Hitchcock associate Joan Harrison. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Ella Raines, (more)
The Picture of Dorian Gray was writer/director Albert E. Lewin's fascinating follow-up to his expressive-esoterica masterpiece The Moon and Sixpence. Hurd Hatfield essays the title character, a London aristocrat who would sell his soul to remain handsome and young--and, in a manner of speaking, he does just that. Under the influence of his decadent (albeit witty) friend Lord Henry Wotton (George Sanders), Dorian Gray becomes the embodiment of virtually every sin known to man. The greatest of his sins is vanity: Gray commissions artist Basil Hallward (Lowell Gilmore) to paint his portrait. Admiring his own painted countenance, Gray silently makes a demonic pact. The years pass: everyone grows older but Gray, who seemingly gets younger and more good-looking every day. Hallward eventually stumbles upon the secret of Dorian's eternal youth: he finds his painting hidden in the attic, the portrait's face grown grotesquely aged and disfigured. Gray kills Hallward so that his secret will remain safe. Later on, Gray falls in love with Hallward's niece Gladys (Donna Reed). Certain that Gray is responsible for Hallward's death, Gladys' ex-boyfriend David Stone (Peter Lawford) sets out to prove it. He is joined in this mission by the brother of dance hall performer Sybil Vane (Angela Lansbury), who killed herself after Gray betrayed her. Essentially a black and white film, Picture of Dorian Gray bursts into Technicolor whenever the picture is shown in close-up. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Hurd Hatfield, (more)
- 1945
Set in turn-of-the century London, this period thriller stars Laird Cregar as George Harvey Bone, a composer who suffers from a rather severe case of artistic temperament. Driven to distraction by the discordant sounds of the city, the usually sensitive Bone occasionally snaps when exposed to undue stress, and the results can be deadly; he sometimes blacks out and commits murders that he can't quite recall the next morning. Working on a major concerto, Bone is at his wit's end, and when an antique dealer tries to cheat him, the salesman turns up dead. Dr. Allen Middleton (George Sanders), a psychologist with Scotland Yard, questions Bone about the crime; he claims to know nothing about it, but the perceptive doctor suggests that Bone needs to relax more. Taking Middleton's advice, Bone visits a music hall that evening and sees Netta London (Linda Darnell), a singer with whom Bone immediately becomes entranced. This makes the composer even less patient with his sweetheart Barbara Chapman (Faye Marlowe), whose father, the wealthy Sir Henry Chapman (Alan Napier), has commissioned Bone's latest work. When Barbara tells Bone that his concerto is not up to snuff, she only narrowly escapes with her life, and while Bone believes that he's found true love with the beautiful Netta, the singer finds herself in danger when Bone suspects her of infidelity. Hangover Square gave character actor Laird Cregar his first starring role. Sadly, it was also his last film; Cregar, who struggled with weight problems all his life, tipped the scales at nearly 300 pounds when he made this film. Eager for more starring roles, Cregar went on a dangerous crash diet, and while he soon lost 100 pounds, it put his health into serious disarray, and the actor died of a heart attack at the age of 28, shortly before the release of his first starring vehicle. ~ Mark Deming, All Movie Guide
- Starring:
- Laird Cregar, Linda Darnell, (more)
- 1944
Summer Storm is a remarkably effective Hollywood filmization of Anton Chekhov's The Shooting Party. Linda Darnell stars as the young and beautiful wife of a middle-aged Russian civil servant (Hugo Haas). Darnell becomes the object of the affections of her husband's employer, a lecherous count (Edward Everett Horton). The girl in turn is enamored of a provincial judge (George Sanders). At first, all flirtations are playful and harmless, but the judge takes Darnell so seriously that he ends up killing her in a jealous rage. Her husband is blamed for the crime, but the Count gets his comeuppance during the 1917 Bolshevik revolution (which didn't figure into the original Chekhov story, inasmuch as the author died in 1904). The big surprise in this is not that it works as well as it does, but that it features comic actor Edward Everett Horton in a straight, almost unsympathetic role, which he underplays beautifully. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Linda Darnell, (more)
- 1944
Exiled from his own country during WW2, French filmmaker Leonide Moguy worked briefly in Hollywood, where he directed the patriotic thriller Action in Arabia. George Sanders stars as Gordon, an American newspaperman at large in Damascus. When a colleague is murdered, Sanders wants to find out why. He is helped along by glamourous secret agent Yvonne (Virginia Bruce), who is on the trail of a group of Nazi saboteurs. It turns out that the murder is tied in with a plan to destroy the Suez Canal in the name of Der Fuehrer. Though economically produced, Action in Arabia benefits from several rather spectacular-looking scenes of desert combat-most of these lifted from a never-finished 1933 filmed biography of Lawrence of Arabia. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Virginia Bruce, (more)
- 1944
The Lodger was the third film version of Mrs. Marie Belloc-Lowndes' classic "Jack the Ripper" novel, and in many eyes it was the best (even allowing for the excellence of the 1925 Alfred Hitchcock adaptation). Laird Cregar stars as the title character, a mysterious, secretive young man who rents a flat in the heart of London's Whitechapel district. The Lodger's arrival coincides with a series of brutal murders, in which the victims are all female stage performers. None of this fazes Kitty (Merle Oberon), the daughter of a "good family" who insists upon pursuing a singing and dancing career. Scotland Yard inspector John Warwick (George Sanders), in love with Kitty, worries about her safety and works day and night to solve the murders. All the while, Kitty draws inexorably closer to The Lodger, who seems to have some sort of vendetta on his mind?..Some slight anachronisms aside (for example, the villain falls off a bridge that hadn't yet been built at the time of the story), The Lodger is pulse-pounding entertainment, with a disturbingly brilliant performance by the late, great Laird Cregar. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, George Sanders, (more)
- 1943
In this provocative WW II drama, an American agent sneaks into a Nazi spy ring to learn the identities of certain double-agents. The hero works for the FBI, but was born in Germany and speaks the language like a native. First he assumes a dead spy's identity and in that guise, contacts the Nazi superiors. He is then placed aboard a U-boat and sent to the US. Things go well until his cover is blown. Fortunately, he manages to escape. He then is forced to appear in a lengthy court case to help convict the treacherous spies. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Sanders, Anna Sten, (more)
- 1943
This French Underground melodrama stars George Sanders as a seemingly apolitical Parisian doctor who is actually a resistance leader. Sanders' nurse (Brenda Marshall) is likewise a French patriot--less so the nurse's husband (Philip Dorn), who has become disillusioned after two years in a POW camp. The husband changes his mind and joins the Resistance, though he and several other freedom fighters lose their lives to German bullets. Worth noting in Paris After Dark is the fact that several of the personnel involved were actual French refugees, including director Leonide Moguy and husband-and-wife supporting actors Marcel Dalio and Madeleine LeBeau. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Philip Dorn, (more)
- 1943
This wartime melodrama stars George Sanders as Keith Wilson, a disillusioned Britisher who becomes a "Lord Haw Haw"type at a Nazi radio station. All the time he's dispensing anti-British propaganda over the airwaves, however, Wilson is actually a secret agent in the employ of the His Majesty's government. It is Wilson's intention to use his intimate relationship with the Germans to expose a worldwide Nazi spy ring. Romance enter the picture in the form of Ilse Preissing (Marguerite Chapman), the sister of a Nazi agent whose decision to join Wilson's side results in her death. Veteran movie villainess Gale Sondergaard also appears in the film, cast against type as a courageous British intelligence agent. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Marguerite Chapman, (more)
- 1943
Written by Dudley Nichols and directed by French expatriate director Jean Renoir, This Land is Mine is one of those "inspirational" wartime dramas that just don't hold up too well when seen today. The scene is an unnamed European country, recently overrun by the Nazis (this takes place during a "silent" opening sequence that's the best thing in the film). Charles Laughton plays Albert Lory, a mama's-boy schoolmaster who is the object of his students' ridicule. A craven coward, Lory is held responsible when resistance fighter Paul Martin (Kent Smith), the brother of beauteous teacher Louise Martin (Maureen O'Hara), is executed by the Nazis, though in fact it was Lory's panic-stricken mother (Una O'Connor) who betrayed Paul by informing on him to his friend and collaborator George Lambert (George Sanders).
~ Hal Erickson, All Movie Guide
~ Hal Erickson, All Movie Guide
- Starring:
- Charles Laughton, Maureen O'Hara, (more)
- 1943
The Moon and Sixpence, W. Somerset Maugham's account of the life of artist Paul Gauguin, was brought to the screen as a labor of love by writer/director Albert Lewin. George Sanders plays Charles Strickland, a staid London broker who kicks over the traces to become an artist. Strickland pursues his dream to the extent of leaving his family, betraying his friends and associates, and living a life of unending hedonism in Tahiti. An undeniably brilliant painter, Strickland is also a thoroughgoing louse, until he is forced to confront himself on the threshold of death. Herbert Marshall plays the Somerset Maugham character (as he would later in The Razor's Edge), who narrates the story as he attempts to make some sense of Strickland's rakish ways. Director Lewin's obsessive fascination with extraneous exotica -- notably feline statuary and obscure poetry -- is ideally suited to the subject matter of The Moon and Sixpence. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Herbert Marshall, (more)
Perhaps unintentionally, the 1942 Technicolor swashbuckler The Black Swan is a bondage fetishist's dream, with hero and heroine Tyrone Power and Maureen O'Hara taking turns being tied up and imprisoned throughout the film's brisk 85-minute running time. Very loosely adapted by Ben Hecht and Seton I. Miller from a novel by Rafael Sabatini, the film casts Power as rogueish, hot-tempered buccaneer Jamie Waring, who considers the day wasted when he hasn't sacked a Spanish galleon or plundered a rich coastal town. Jamie's partner in crime is pirate king Henry Morgan Laird Cregar, an alliance that comes to an end when Morgan is appointed governor of Jamaica. Disgusted by this defection, Jamie considers joining the scurrilous Redbeard George Sanders, but eventually decides to reform his ways when he falls in love with Margaret Denby Maureen O'Hara, the gorgeous daughter of the former Jamaican governor Lord Denby George Zucco. Before the final obligatory sail into the sunset, however, Margaret is kidnapped and manhandled on a seemingly hourly basis, while Jamie is subjected to even more abuse at the hands of pirates and officials alike. Henry King handles the derring-do in Black Swan with commendable sobriety, leaving the story's tongue-in-cheek elements in the capable hands of the cast and the screenwriters. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Maureen O'Hara, (more)
- 1942
Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Boyer, Rita Hayworth, (more)
- 1942
The plot of the RKO Radio programmer The Falcon Takes Over will be instantly recognizable to anyone who has seen the 1944 Philip Marlowe mystery Murder My Sweet: indeed, both films were based on the same Raymond Chandler novel, Farewell My Lovely. It all begins when brutish prison escapee Moose Malloy (Ward Bond) forces nervous Broadwayite Goldie Locke (Allen Jenkins) to drive him to a posh nightclub, where Moose hopes to be reunited with his old girlfriend. Unable to find his elusive sweetheart, Moose tears the joint apart, obliging Goldie to flee for his life. As it happens, Goldie is the assisant of private eye Gay Lawrence (George Sanders), aka The Falcon, who has been hired by foppish socialite Lindsey Marriot (Hans Conried) to ransom a necklace stolen from Marriot's lady friend Diane Kenyon (Helen Gilbert). Shortly afterward, Marriot is murdered, and the Falcon discovers that there's an inextricable link between the dead man and the inimitable Moose Malloy. The rest of the film follows the plot convolutions set down by Chandler in Farewell My Lovely, carefully retailed to suit the breezy urbanity of George Sanders as the Falcon. Though Murder My Sweet is the better of the two versions of the Chandler novel, The Falcon Takes Over has a few advantages of its own, notably the casting of future Oscar winner Ann Revere as blowzy murder suspect Jessie Florian. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Lynn Bari, (more)
This period swashbuckler film is based on the adventure novel Benjamin Blake by Edison Marshall, who also wrote The Vikings (1958). When his brother dies, scheming Arthur Blake (George Sanders) kidnaps his own nephew, Benjamin (played as a youth by Roddy McDowall and as an adult by Tyrone Power). Arthur's purpose is to claim his brother's dukedom for himself. Put to work as a stable boy, Benjamin grows up and develops a crush on his own cousin Isabel (Frances Farmer). When Arthur discovers this, he mercilessly beats Benjamin, who runs away and sails to India on a cargo ship to make his fortune. In Polynesia, he and a friend, Caleb (John Carradine), jump ship and set up camp on a tropical island paradise. There, Benjamin and Caleb become rich mining pearls, while Benjamin falls in love with a native girl, Eve (Gene Tierney). Now that he has amassed wealth, however, Benjamin is determined to return to England and get his revenge on Uncle Arthur. ~ Karl Williams, All Movie Guide
- Starring:
- Tyrone Power, Gene Tierney, (more)
- 1942
A public library at night is the setting for this fast-moving crime caper. George Sanders is a gentleman crook specializing in selling forgeries of rare books. In the company of phony policemen, Sanders enters the library unmolested and pilfers a priceless Shakespeare folio in order to expedite his operation. The criminal's girl friend/accomplice Gail Patrick is willing to go along with the crime until Sanders begins displaying a homicidal streak. She calls in a detective (Richard Denning) to foil the criminal. A murder or two later, Sanders is tracked down amidst the dark, forbidding library shelves. It's no small trick to make a library exciting, but Quiet Please, Murder pulls this off with speed and economy. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Gail Patrick, (more)
- 1942
When George Sanders announced that he was leaving the "Falcon" series, RKO Radio came up with the perfect replacement: Sanders' own brother, Tom Conway. The transition was handled with style in The Falcon's Brother, with private detective Gay Lawrence (Sanders), aka The Falcon, incapacitated early in the proceedings. Anxious to break up an Axis spy ring, Gay calls upon his brother Tom (Tom Conway) to help out. The villains intend to foment a rift in the relationship between North and South America, which Tom, with the aid of intrepid heroine Marcia (Jane Randolph) and dopey sidekick Goldy (Don Barclay), hopes to prevent. By film's end, Tom Lawrence has assumed his brother's mantle as the Falcon, and the Falcon he would remain for the next eight entries in the series. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Tom Conway, (more)
- 1942
No one will ever know what possessed MGM's reigning screen queen Norma Shearer to select the tired old stage farce Her Cardboard Lover as her final film. Set in Florida, the creaky plotline finds Consuelo Croyden (Shearer) attempting to make her disinterested sweetheart Tony Barling (George Sanders) jealous. To this end, Consuelo orders her personal secretary, Terry Trindale (Robert Taylor) to pretend to be her lover. This suits Terry fine, since he's always been crazy about Consuelo. And on and on it goes, with the three stars trying to make this wearisome old yarn worth watching. Of the three film versions of Her Cardboard Lover, this one isn't anywhere near as entertaining as the 1932 Buster Keaton vehicle The Passionate Plumber (which was no great shakes itself!) ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Robert Taylor, (more)
- 1941
A hunter finds himself in a world of danger when he decides to stalk Adolf Hitler in this taut WWII thriller. Capt. Thorndike (Walter Pidgeon) is an expert big-game hunter from England. While hunting in Bavaria, he happens upon Hitler's Berchtesgaden estate and spots the Fuhrer; he has his rifle in tow, and he toys with the idea of firing at the dictator, even raising the unloaded weapon, putting Hitler in the crosshairs, and pulling the trigger to make the gun click. Unfortunately, this draws the attention of Maj. Quive-Smith (George Sanders), a Gestapo leader assigned to guard the Führer, who promptly apprehends Thorndike, drags him off and attempts to force him to sign a confession. When he refuses, he's brutally beaten and dumped into a hole in the woods, and must climb out and make his way to safety, by hiding as a stowaway on a Danish steamer. The poor fellow then runs afoul of the menacing Mr. Jones (John Carradine), who steals his passport and identity. By the time Thorndike returns to London, the hunter has become the hunted, with Gestapo agents combing the streets looking for the would-be assassin. Thorndike finds an unlikely ally in Jerry (Joan Bennett), a seamstress and sometimes streetwalker who takes him in and helps him hide from the German forces closing in around him. And meanwhile, he must still contend with teh nefarious doings of Mr. Jones Man Hunt was directed by Fritz Lang, the great German director who fled to Paris in 1933 rather than accept a commission from Joseph Goebbels to make Nazi propaganda films. He came to America the following year. ~ Mark Deming, All Movie Guide
- Starring:
- Walter Pidgeon, Joan Bennett, (more)
- 1941
This second entry in RKO Radio's "Falcon" series begins with Gay Lawrence (George Sanders), aka the Falcon, promising to give up his private-eye activities for the sake of fiancee Helen Reed (Wendy Barrie). This resolves lasts for about eight minutes, whereupon Lawrence tackles the case of a missing scientist named Waldo Sampson (Alec Craig), the inventor of a synthetic-diamond process. Kidnapped by Sampson's abductors, Lawrence manages to escape, only to be kidnapped again and later accused of murder. The resolution of the plot hinges on the old mistaken-identity device (one of the principal characters has an identical twin, and that's all that can be said without giving the game away). Carryovers from the first "Falcon" film include Allen Jenkins as Lawrence's dimwitted sidekick Goldie and character actor Hans Conried, here cast as a snotty hotel night clerk. A Date with the Falcon was unofficially remade as The Falcon's Adventure, the final entry in the RKO series. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Wendy Barrie, (more)
- 1941
George Sanders makes his final appearance as crook-turned-detective Simon Templar, a.k.a. "The Saint," in The Saint in Palm Springs. The gimmick in this one is a set of rare stamps, smuggled from England. Wendy Barrie is the true heir to this treasure, and the Saint is engaged to protect her and the stamps. Our hero meets Barrie in a posh Palm Springs resort, where a gang of homicidal thieves have converged to relieve the girl of her inheritance. Three murders and one kidnapping attempt later, the villains are foiled by the Saint, with the aid of his onetime partner in crime Pearly Gates (Paul Guilfoyle). The Saint in Palm Springs is the sixth in RKO's series of films based on the character created by Leslie Charteris. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Wendy Barrie, (more)
- 1941
When the film rights to its "Saint" series proved too expensive to renew, RKO Radio came up with a lookalike property in the form of "The Falcon", even engaging George Sanders, the best of the "Saint" impersonators, to play the studio's newest gentleman detective. The Gay Falcon opens as Gay Lawrence (Sanders) -- aka the Falcon -- is hired to guard a priceless diamond. When the owner of the gem is murdered, suspicious immediately falls upon Lawrence's ex-con chauffeur Goldie (Allen Jenkins). Two more killings occur before Lawrence is able to uncover the insurance scam behind it all. Along the way, he romance a pair of toothsome leading ladies, Helen (played by series regular Wendy Barrie) and Elinor (Anne Hunter). Hans Conried contributes a sparkling bit as a snide police sketch artist. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Wendy Barrie, (more)
Adapted by Barre Lyndon from his own Saturday Evening Post short story, Sundown takes place in Africa during WW2. British army major Coombes (George Sanders) cannot abide the local Arab population, and he has even less time for district commissioner Crawford (Bruce Cabot), who has befriended the natives. Crawford is particularly fond of the beautiful Zia (Gene Tierney), whom Coombes suspects of being a Nazi sympathizer. But when the British troops must make their way through treacherous uncharted territory, they are forced to rely upon the guidance of the enigmatic Zia. Cedric Hardwycke spouts reams and reams of symbolic dialogue as the local British bishop, while among the native extras is a very young Dorothy Dandridge. Impressively photographed (by Charles Lang) and directed (by Henry Hathaway), Sundown just misses being as profound as it obviously wants to be. ~ Hal Erickson, All Movie Guide
- Starring:
- Bruce Cabot, Gene Tierney, (more)
- 1941
A Rage in Heaven was based on a novel by James Hilton, who thanks to Lost Horizon and Goodbye Mr. Chips was a "hot property" in 1941. Going through many of the same paces he'd trod in Night Must Fall, Robert Montgomery stars as British steel mill owner Philip Monrell, whose outward charm and insouciance disguises the fact that he suffers from hereditary insanity. Throughout his life, Monrell has successfully sidestepped responsibility by hiding behind the accomplishments of his best friend, Ward Andrews (George Sanders). When he marries Stella Bergen (Ingrid Bergman), his mother's pretty travelling companion, the neurotic Monrell becomes obsessed with the belief that Andrews is trying to steal Stella away from him-and thanks to his paranoia, Andrews and Stella do indeed fall in love. Unsuccessful in his efforts to murder Andrews, Monrell decides to exact a bizarre revenge by committing suicide and planting enough clues so that Andrews will be charged with his murder! Though absent from the final half-hour of A Rage in Heaven, Robert Montgomery continues to dominate the proceedings; indeed, for a while it looks as though he will "win" in the end after all. Making her third Hollywood film appearance, Ingrid Bergman felt that the role of Stella Bergen was inadequately suited to her and did her best to drop out of the picture; reportedly, she was mollified when MGM promised to let her play against type as the "bad" girl in Dr. Jekyll and Mr. Hyde. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Ingrid Bergman, (more)
Though set in 1865, The Son of Monte Cristo is a thinly disguised indictment against 20th century dictatorships. Louis Hayward plays the title character, Edmond Dantes Jr., who while posing as an epicene dandy works tirelessly to topple the regime of fascistic Balkan despot Count Gurko (George Sanders). Under cover of night, Hayward dons mask and cape as "The Torch", a Zorro-like dogooder rallying the peasantry to rise up against Gurko and his ilk. As a bonus, he rescues the lovely Grand Duchess Zona (Joan Bennett) from an arranged marriage with the usurping Count. Produced by Edward Small as a followup to his 1939 version of Man in the Iron Mask, The Son of Monte Cristo benefits from a carefully chosen supporting cast, including Clayton "Lone Ranger" Moore and Ralph "Dick Tracy" Byrd. ~ Hal Erickson, All Movie Guide
- Starring:
- Louis Hayward, Joan Bennett, (more)
