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Brad Sanders Movies

1994  
R  
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Writer/director Rusty Cundieff's satire of gangsta rappers, focusing on a hiphop trio who release a Christmas album called "Ho Ho 'Hos." ~ Nicole Gagne, Rovi

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Starring:
Rusty CundieffLarry B. Scott, (more)
 
1992  
PG13  
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The first mainstream animated feature film directly aimed at African American audiences, Hyperion Productions' Bebe's Kids is based on a comedy routine by the late Robin Harris. Voiced by Faison Love, Harris endures a "date from hell" when he goes out with the lovely Jamika. His romantic rendezvous is ruined when he is stuck with Jamika's son-as well as Bebe's kids, three little horrors spawned from three different fathers. The worst of the batch is unhousebroken baby Peewee. The film manages within its 74 minute timeframe to skewer such topics as Hip-Hop music, urban riots and whitebread theme parks. Further proof that this is not a Disney flick was provided by the folks from the Motion Picture Production Code office, who bestowed a PG-13 rating upon the film. Bebe's Kids was released theatrically in tandem with the cartoon short Itsy Bitsy Spider, which was later spun off into a TV series. ~ Hal Erickson, Rovi

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Starring:
Faizon LoveVanessa Bell Calloway, (more)
 
1987  
R  
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This satirical look at the ambivalent relationship between Hollywood power brokers and African-American performers marked the writing, producing, and directing debut of Robert Townsend. The filmmaker also stars as Bobby Taylor, a struggling actor looking for his big break despite his family's and co-workers' reservations about his chosen career path. While working a day job flipping burgers, Bobby heads out to insulting cattle calls where white casting agents pass judgement on whether he seems "black enough." Meanwhile, he imagines himself playing Sam Spade, Rambo, and other movie heroes rather than the stereotypical roles actually available to him. When Bobby actually does win one such pimp-daddy part, however, he is forced to choose between accepting work that opens doors, but ultimately demeans him and returning to obscurity with his principles intact. Hollywood Shuffle's enormous supporting cast includes a wealth of black actors, from then-unknowns such as Damon Wayans to veterans such as 227 star Helen Martin. Self-financed and filmed on scraps of hand-me-down celluloid, the film helped establish actor Townsend as a director of note and also kick-started the career of co-screenwriter and co-star Keenen Ivory Wayans, who would cast Townsend in his own directorial debut the following year. ~ Brian J. Dillard, Rovi

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Starring:
Robert TownsendAnne-Marie Johnson, (more)
 
1985  
PG  
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The seventh cinema adaptation of the venerable stage farce Brewster's Millions stars Richard Pryor as Montgomery Brewster, a third-rate baseball player. Much to his amazement, Brewster discovers that he is related to deceased millionaire Rupert Horn (Hume Cronyn, who appears only in a videotaped "living will"). Even more amazing is the fact that Horn has left Brewster his entire $300 million fortune. The catch? Brewster must spend $30 million within 30 days, or he'll be left with nothing (in the earlier incarnations of Brewster's Millions, the hero was required to spend only a million, but this was, after all, the inflationary '80s). Aiding and abetting Brewster in his efforts to divest himself of his money are his catcher pal (John Candy) and an erstwhile lady friend (Lonette McKee), while his principal antagonist is a snotty attorney (Stephen Collins). ~ Hal Erickson, Rovi

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Starring:
Richard PryorJohn Candy, (more)
 
1981  
 
Vicki Lawrence makes her third series appearance as Alvinia Plout, the overbearing WAC sergeant who made life a Living Heck for Laverne (Penny Marshall) and Shirley (Cindy Williams) during the girls' brief Army hitch. Having gone AWOL, Sgt. Plout takes refuge in the girls' Burbank apartment. When it becomes obvious that Alvinia is an even bigger pain in the posterior as a "civilian" than she'd been in uniform, L&S try to cook up a scheme to get rid of the woman without getting in trouble with the authorities themselves. ~ Hal Erickson, Rovi

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