Dominique Sanda Movies

Two very different policemen seeking the truth about separate crimes find a terrible common link in this thriller from France. Pierre Niemans (Jean Reno) is a noted French detective assigned to investigate a brutal murder at a prestigious college located high in the Alps; the victim was first disfigured and dismembered, then strangled to death. Niemans soon realizes the murder was not an isolated incident when several similarly mangled corpses are discovered. Meanwhile, in a town 150 miles away, a young police investigator, Max Kerkerian (Vincent Cassel), is called in to investigate when the grave of a ten-year-old girl is dug up and ransacked. While interviewing the mother (Dominique Sanda) of the young girl, he crosses paths with Niemans, whose investigation has led him to the same town, and the two men begin to realize a surprising and troubling link between the crimes. ~ Mark Deming, All Movie Guide

Noted French filmmaker Demy's wife Agnes Varda helmed this intensely personal tribute to her late husband. It is her third such tribute and is the only one to look deeply into Demy's vision as a director and his filmmaking techniques. To do so, she uses perfectly preserved film clips from each of the director's works and interviews with those who knew and loved him. Those interviewed include actress Catherine Deneuve, actress Anouk Aimee, actor Michel Piccoli, composer Michel Legrand, his own children and others, including female fans whose lives where influenced by his work. Also included are intimate home movies of him during a visit by Francois Truffaut and the late Jim Morrison. ~ Sandra Brennan, All Movie Guide

Kissing seems to be a popular activity in this Swiss epic costume drama based on an 1880 novel. The story begins in Munich with lots of people vigorously kissing in the midst of a bacchanalia carnival. Two men, Lys and Henry are even going at it. Henry, a sensitive artist, is wearing a green suit which symbolizes his jealousy and immaturity. He, angry at Lys for cheating on his fiancee, challenges Lys to a duel upon the morrow. What Henry is really angry at is his own failure to marry his true love. The movie jumps back to Switzerland during Henry's childhood soon after he lost his father. He wants his mother's love, but she remains strict and aloof. At school Henry is picked on and it is only when he finds the theater that he meets the beautiful actress Judith. He becomes enamored and forgets all about his love affair with cousin Anna. Time passes quickly and an older Henry returns home to find dear Anna. His attentions are again diverted when the ageless Judith again appears. He does not realize that beloved but unappreciated Anna is soon to die of tuberculosis. Tragedy ensues. ~ Sandra Brennan, All Movie Guide

This made-for-television film Voyage of Terror: The Achille Lauro Affair chronicles the true story of the 1985 hijacking of an Italian cruise ship by a group of Palestinians. Voyage of Terror is primarily told through the viewpoint of Leon and Marilyn Klinghoffer (Burt Lancaster and Eva Marie Saint), an elderly couple who happen to be on board during the hijacking, yet the film also follows the ordeals of other hostages and the terrorists themselves, who are led by Joseph Nasser in a compelling performance. Voyage of Terror was shot on the actual Achille Lauro cruise ship and was originally aired as a two-part mini-series. ~ Stephen Thomas Erlewine, All Movie Guide

Originally titled simply Decimo Clandestino, this Lina Wertmuller "miniature" began life as an Italian TV drama. Piera Degli Esposti plays the widowed, impoverished mother of a huge farm family. The woman moves her nine children to Bologna, where their living conditions are deplorable. To avoid a hike in rent, she tells her landlady (Dominique Sanda) that she is living alone. Also known as To Save Nine (a curiously brief English-language title for a Wertmuller film!), IL Decimo Clandestino was expanded from 60 to 90 minutes for its theatrical release. ~ Hal Erickson, All Movie Guide

This symbolic drama from director Benoit Jacques underscores the characters' human need for affection. Children steal lemons for the thrill, while women steal other women's men from them just to prove they can. Drug smuggling, clandestine love affairs, and two lovers involved with the production of Shakespeare's Othello carry on with their own off-stage tragedy. ~ Dan Pavlides, All Movie Guide

Basically an updated take on "Bringing Up Baby," this screwy French comedy centers on the travails of a paleontologist (Gerard Depardieu) whose delight at finding the skeleton of the first French woman is dampened by the presence of an aggressive advertising executive (Sigourney Weaver) who is determined to exploit the find to sell her perfume. Both of the rivals also compete to earn a generous grant from an aging philanthropist (Dr.Ruth Westheimer). ~ Sandra Brennan, All Movie Guide

In the style of an operetta, like director Jacques Demy's more famous film the Umbrellas of Cherbourg, this melodramatic story is set in Nantes in 1955 and centers around the tragedies of three or four intertwined lives. First, there is the young steel worker (Richard Berry) who is out on strike and has rented a room from an upper-class widow (Danielle Darrieux), a woman in sympathy with the strikers. The blue-collar worker has a girlfriend he finds less and less interesting just as she is more and more pregnant, and their relationship seems fated to end, one way or another. Then there is Edith (Dominique Sanda), the daughter of the widow, married to a wealthy, impotent, skinflint of a merchant caught up in his own neuroses, and, whether for that reason or several others, Edith is a part-time hooker. One evening she shows up in the worker's rented room, wearing a fur coat and nothing else -- and the two share a night of passion. Now mother, daughter, the worker, and the daughter's husband have formed a very unstable chain of relationships, due to snap because at least one link is exceedingly weak. Enhanced by excellent choreography, this film still did poorly at the box office when it was first released. In order to save it and encourage audiences to see it for its own merits, 76 French critics took out an ad in Le Monde to promote the film, and some critics said that if this movie failed, so would all of French cinema. Perhaps it is not surprising then that Chambre En Ville won the French Critics' Prix Méliès in 1982. ~ Eleanor Mannikka, All Movie Guide

Very loosely based on the plot of Henry James' Wing of the Dove, this film resets the story about two lovers trying to steal everything from a dying millionairess, by putting it in the late-20th century instead of late-19th century; it has the lovers be a French prostitute and Italian low-life instead of an Englishwoman and a journalist; and the dying woman is now French instead of American. Once adjusted to those changes, viewers may no longer have any expectations of a homage to Henry James in this French-Italian adaptation. ~ Eleanor Mannikka, All Movie Guide

Roland des Roncesvalles is a legendary knight from the age of chivalry in France. In the 11th-century epic La Chanson de Roland, he is depicted as a key figure in halting the advance of the Arabs into France. In this story, the 10th-century legend is staged by a group of 12th-century pilgrims using the 11th-century poem. Their acting is interrupted by a violent peasant uprising, which kills many of their number. However, one of the survivors, who was playing Roland (Klaus Kinski), is converted to the peasant cause and later speaks out in favor of more just treatment for the downtrodden. ~ Clarke Fountain, All Movie Guide