Will Sampson Movies

A full-blooded Muscogee-Creek Indian, Will Sampson spent most of his adult life as a successful artist. The towering Sampson was spotted at an art show by an assistant to actor/producer Michael Douglas; Douglas then cast Sampson in the important role of enigmatic sanitarium inmate Chief Bromden in the 1976 Oscar-winner One Flew Over the Cuckoo's Nest. It was the beginning of a ten-year acting career that would embrace both films (Buffalo Bill and the Indians, The Outlaw Josey Wales) and television. In the latter medium, Will Sampson had a recurring role on the Robert Urich private eye series Vegas (1978-1981), and starred as a taciturn Native American police officer in the 1977 TV pilot film Relentless. ~ Hal Erickson, All Movie Guide
1986  
 
The 3-part TV miniseries Roanoak traces the history of North Carolina's "Lost Colony". The story begins in 1584, when British settlers land upon Carolina's shores. There they are confronted by Native Americans who at first regard the visitors as evil spirits. This mistrust is briefly reciprocated before the settlers and Indians learn to depend upon one another. One of the Englishmen, artist John White (Victor Garber), endeavors to teach the English language to two of the tribesmen, Manteo (Tino Juarez) and Wanchese (Joseph Runningfox), who are then selected to return to England with White, there to acquaint the locals with Indian customs and traditions. Part Two takes place during the first winter at Roanoak, as a diminishing food supplies rekindles hostilities between the whites and the Indians. And in Part Three, Sir Walter Raleigh gives White permission to return to the Roanoak colony-which has mysteriously vanished from the face of the earth. A collaborative effort of the PBS network and South Carolina Educational Television, Roanoak first aired May 26, June 2 and June 10, 1986, on the American Playhouse anthology series. ~ Hal Erickson, All Movie Guide

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1985  
 
In this episode, an assassin poses as Buffalo Bill so he can get closer to the Spanish ambassador he is supposed to kill. Fortunately, the Wildside Chamber of Commerce is there to stop him. ~ Sandra Brennan, All Movie Guide

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1984  
 
The five-hour miniseries The Mystic Warrior began life in 1979 when producer David L. Wolper announced plans for a ten-hour adaptation of Hanta Yo, an epic historical novel by Ruth Beebe Hill. Using as her main source a full-blooded Sioux named Chunksa Yuha, Hill fashioned what amounted to a Native American version of Roots, chronicling the history of the Matho tribe of the Ogala Dakota Sioux. Although Hill was briefly the darling of the literary cognoscenti, her book was ultimately attacked and discredited by a veritable army of Indian historians, teachers, and activists, who accused her of distorting and falsifying truths in order to promote her own (and Yuha's) sociopolitical agenda. Suddenly, all of the Native American support that had been promised to the miniseries version of Hanta Yo evaporated; even the filming location had to be changed from New Mexico to Thousand Oaks, CA, so as not to offend the Indian tribes in the former state. When the project finally aired on May 20 through 21, 1984, its running time (and budget) had been cut in half, and the producer was obliged to qualify the credits by noting that the teleplay was based partially on Hill's book, but mostly on "other sources." Judging by the results, those sources would seem to have been such Hollywood fictional films as Cheyenne Autumn and A Man Called Horse. Set in the years 1802 to 1808, the finished film focused on a young brave named Ahbleza (Robert Beltran), the son of a Matho chief. Blessed with supernatural visionary powers by the ancient Mahto seer Wanagi (Ron Soble), Ahbleza set about to save his people from the devastations of the future, among them the invasion of the white man. After a lengthy, truth-seeking odyssey fraught with tragedy and sacrifice, Ahbleza assumed his rightful place as spiritual leader of his tribe. Mystic Warrior was entertaining enough, but failed to draw viewers away from such formidable competition as The Jeffersons, Alice, and One Day at a Time. ~ Hal Erickson, All Movie Guide

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Starring:
Robert BeltranDevon Ericson, (more)
1980  
 
Filmed on location at Alcatraz Island, this two-part "whole story" actually concentrates on a handful of the denizens behind the cold grey walls of "The Rock". Michael Beck plays the real-life Clarence Carnes, an Oklahoma Choctaw Indian said to be the youngest man ever incarcerated in the notorious maximum security prison. Serving a 99-year sentence for a gas station holdup and murder, Carnes makes periodic attempts to escape, the final attempt being the most violent. Many of the subordinate characters are fictional (as are most of the details concerning Carnes' escape efforts); the one exception is Robert Stroud, the "Birdman of Alcatraz", here portrayed by Art Carney as a gentle, kindly philosopher. Telly Savalas, a costar of the Burt Lancaster vehicle Birdman of Alcatraz, also guest starred in the 1980 film. Originally titled Alcatraz and Clarence Carnes, this made-for-TV movie wavers between gritty realism and "I'm bustin' outta here!" artifice. ~ Hal Erickson, All Movie Guide

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Starring:
Michael BeckTelly Savalas, (more)
1979  
 
Having previously spawned an Academy Award-winning film, which starred Burt Lancaster, Deborah Kerr, and Frank Sinatra, James Jones' best-selling military novel From Here to Eternity was adapted into a six-hour miniseries in 1979. Set in Honolulu in 1941 in the days prior to the December 7 attack, the film concerns four principal characters: Sergeant Milt Warden (William Devane), who yearns for a promotion; Karen Holmes (Natalie Wood), the restless wife of Warden's CO, who enters into a torrid affair with the sergeant; Private Robert E. Lee Prewitt (Steve Railsback), a sensitive soul who loves the army but instinctively rebels against everyone wearing stripes; and prostitute Lorene Rogers (Kim Basinger), with whom Prewitt falls in love. The TV version is able to sidestep the censorship restrictions of the original movie, which means that the Warden/Holmes affair is conducted in bed as well as on the beach, and that Jones' indictments of military iniquities isn't subject to "official" approval. Originally telecast on three consecutive weeks in February 1979, From Here to Eternity led to a brief weekly series in 1980, with Devane and Basinger carried over from the miniseries, but with Don Johnson as Prewitt (who dies in the original novel) and Barbara Hershey as Karen Holmes. ~ Hal Erickson, All Movie Guide

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Starring:
Natalie WoodWilliam Devane, (more)
1979  
 
Add Fish Hawk to QueueAdd Fish Hawk to top of Queue
Native American actor Will Sampson (One Flew Over the Cuckoo's Nest) plays the title role in Fish Hawk. Sampson's character starts out on the wrong foot by getting roaring drunk at the slightest opportunity. In response to a hero-worshipping young farm boy (Charlie Fields), the man swears off booze and becomes a useful member of the community. ~ Hal Erickson, All Movie Guide

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Starring:
Will SampsonCharlie Fields, (more)
1979  
 
Since their invention, Hollywood movies have generally portrayed Native American Indians as bloodthirsty villains, anonymous and deadly forces of nature, or as noble savages. And speaking roles tended to go to Anglo-Saxons in red-skinned versions of minstrels. Who can forget Rock Hudson as the warrior chief Young Bull in the classic Winchester '73? Narrated by genuine Native American Will Sampson, who played Chief Bromden in the Academy award-winning One Flew Over the Cuckoo's Nest, Images of Indians is a five-part documentary that shines a light on Hollywood stereotypes of Indians. This first part examines how much of Buffalo Bill's Wild West Show was real and how much was just show. The West as a mythic realm envisioned by revered Western director John Ford is compared to reality. The series was written, produced, and directed by Phil Lucas and Robert Hagopian. ~ Steve Blackburn, All Movie Guide

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1979  
 
Since their invention, Hollywood movies have generally portrayed Native American Indians as bloodthirsty villains, anonymous and deadly forces of nature, or as noble savages. And speaking roles tended to go to Anglo-Saxons in red-skinned versions of minstrels. Who can forget Rock Hudson as the warrior chief Young Bull in the classic Winchester '73? Narrated by genuine Native American Will Sampson, who played Chief Bromden in the Academy award-winning One Flew Over the Cuckoo's Nest, Images of Indians is a five-part documentary that shines a light on Hollywood stereotypes of Indians. This second episode examines how U.S. history as wrought by Hollywood has enshrined the 19th century racist philosophy known as Manifest Destiny -- the notion that God intended for the United States to extend from sea to shining sea for white people. Highlights include numerous cowboy-and-indian battle scenes from various movies. The series was written, produced, and directed by Phil Lucas and Robert Hagopian. ~ Steve Blackburn, All Movie Guide

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1979  
 
Since their invention, Hollywood movies have generally portrayed Native American Indians as bloodthirsty villains, anonymous and deadly forces of nature, or as noble savages. And speaking roles tended to go to Anglo-Saxons in red-skinned versions of minstrels. Who can forget Rock Hudson as the warrior chief Young Bull in the classic Winchester '73? Narrated by genuine Native American Will Sampson, who played Chief Bromden in the Academy Award-winning One Flew Over the Cuckoo's Nest, Images of Indians is a five-part documentary that shines a light on Hollywood stereotypes of Indians. This third installment focuses on the prejudice suffered by Native American film actors who have the audacity to seek roles as Indians. Highlights include interview footage with director King Vidor. The series was written, produced and directed by Phil Lucas and Robert Hagopian. ~ Steve Blackburn, All Movie Guide

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1979  
 
This five-part series looks at the stereotypical Hollywood treatment of Indians throughout the years. Each program is available individually. ~ All Movie Guide

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1979  
 
Since their invention, Hollywood movies have generally portrayed Native American Indians as bloodthirsty villains, anonymous and deadly forces of nature, or as noble savages. And speaking roles tended to go to Anglo-Saxons in red-skinned versions of minstrels. Who can forget Rock Hudson as the warrior chief Young Bull in the classic Winchester '73? Narrated by genuine Native American Will Sampson, who played Chief Bromden in the Academy award-winning One Flew Over the Cuckoo's Nest, Images of Indians is a five-part documentary that shines a light on Hollywood stereotypes of Indians. This fourth program deals with the ignorant and/or intentional misrepresentation of various American Indian religions and the inaccurate depiction of the role of women in Native American societies. The series was written, produced, and directed by Phil Lucas and Robert Hagopian. ~ Steve Blackburn, All Movie Guide

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1979  
 
Narrated by genuine Native American Will Sampson, who played Chief Bromden in the Academy award-winning One Flew Over the Cuckoo's Nest, Images of Indians is a five-part documentary that shines a light on Hollywood stereotypes of Indians. This final installment features guests Dennis Banks, spokesman for the American Indian Movement (AIM), and Vine Deloria Jr., author of Custer Died for Your Sins: An Indian Manifesto, reviewing Hollywood's historical stereotyping of Native Americans. Highlights include film clips from various movies. The series was written, produced, and directed by Phil Lucas and Robert Hagopian. ~ Steve Blackburn, All Movie Guide

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1978  
 
In this film, the whereabouts of a runaway teenage girl are sought by a Las Vegas detective (Robert Urich), whose investigation uncovers more than he bargained for. ~ Iotis Erlewine, All Movie Guide

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1978  
 
Made for television, Standing Tall guest-stars Chuck Connors as one Major Roland Hartline. A proud, ruthless Depression-era cattle baron, Major Hartline carries on a range war with half-breed rancher Luke Shasta (Robert Forster). This isn't The Rifleman, so Chuck Connors is the bad guy. On Luke Shasta's side is full-blooded Native American Lonnie Moon (One Flew Over the Cuckoo's Nest's Will Sampson) and Luke's ex-schoolmarm wife (Linda Evans). Standing Tall first stood on its own two feet on January 21, 1978. ~ Hal Erickson, All Movie Guide

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1977  
 
In this made-for-TV pilot film, Donna Mills stars as the title character, an undercover cop on the run after the mob frames her for murder. ~ Jason Ankeny, All Movie Guide

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1977  
 
J. Lee Thompson directs Charles Bronson in this strange western variation on Herman Melville's Moby Dick. Bronson plays a man named James Otis, who is disturbed by dreams of a giant white buffalo. He returns to the west under his new name --Wild Bill Hickok. Amongst his travels, he meets Chief Crazy Horse (Will Sampson), who is roaming the plains in an obsessive search for the giant white buffalo that killed his young daughter. Chief Crazy Horse wants to slay the beast in revenge for his daughter's death, and Wild Bill Hickok teams up with him to hunt down the giant white buffalo. ~ Paul Brenner, All Movie Guide

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Starring:
Charles BronsonJack Warden, (more)
1977  
 
Native American actor Will Sampson is top-billed as an Arizona state trooper, known to his companions as "Relentless" because of his dogged determination in bringing in lawbreakers. Sampson is on the trail of a gang of well-armed bank bandits, who have murdered his uncle and taken a woman (Marianna Hill) hostage. Encamping in the mountains during a raging blizzard, and keeping their hostage in full view of their pursuers as a human shield, the robbers are certain that they'll be allowed to escape. But they've reckoned without Sampson, who knows the mountain country better than any man in the state. Adapted from a novel by Brian Garfield, Relentless was the pilot film for a never-sold series starring Sampson, who'd recently attained celebrity for his costarring role in the Oscar-winning One Flew Over the Cuckoo's Nest (1975). ~ Hal Erickson, All Movie Guide

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1985  
R  
Add Insignificance to QueueAdd Insignificance to top of Queue
Using four famous but unnamed individuals to symbolize a notorious era in American politics, as well as to explore the nature of despair, director Nicolas Roeg has created an intriguing drama. Based on a play by Terry Johnson, the story begins with the blond Theresa Russell as a sex-goddess actress working on a scene over a subway grate, with her skirts billowing out in the updraft. A famous Professor from Princeton with white hair opens his door to the actress, who takes out a few props and goes through her rendition of the theory of relativity. Between her theatrical mode of speech and his world of mathematics, there is a certain entente. Enter the ballplayer who is her husband (Gary Busey), in love but without a clue as to the actress' inner sadness. Throw in the senator from Wisconsin (Tony Curtis) before whose sub-committee on Unamerican Activities the Professor has to appear, and the undercurrent of a societal witch-hunt that ruined many careers in Hollywood, in academics, in sports, and in politics is churned into the story. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Gary BuseyTony Curtis, (more)
1976  
R  
Add Buffalo Bill and the Indians, or Sitting Bull's History Lesson to QueueAdd Buffalo Bill and the Indians, or Sitting Bull's History Lesson to top of Queue
"Truth is whatever gets the loudest applause." Debunking western myths even more than he did in McCabe and Mrs. Miller (1971), Robert Altman's Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) sardonically explores the gap between western history and legend in show biz-obsessed America. Megalomaniac "Buffalo Bill" Cody (Paul Newman) assumes the legend created for him by writer Ned Buntline (Burt Lancaster), aided and abetted by his producer (Joel Grey) and his publicist (Kevin McCarthy), perpetuating myths of white triumph over savage "Injuns" in his Wild West show, as audiences cheer him on and buy his merchandise. But when Sitting Bull (Frank Kaquitts) joins the troupe with his interpreter (Will Sampson), his request for authenticity threatens to throw a wrench into the proceedings. Regardless of how Bill may feel about the facts, he must bow to the preferences of the paying public. ~ Lucia Bozzola, All Movie Guide

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Starring:
Paul NewmanJoel Grey, (more)
1975  
R  
Add One Flew Over the Cuckoo's Nest to QueueAdd One Flew Over the Cuckoo's Nest to top of Queue
With an insane asylum standing in for everyday society, Milos Forman's 1975 film adaptation of Ken Kesey's novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama's boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other's worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy's message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions. ~ Lucia Bozzola, All Movie Guide

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Starring:
Jack NicholsonLouise Fletcher, (more)
1986  
PG13  
One of the more effectively spooky and financially successful horror films of the '80s got an inevitable sequel with this effects-heavy installment. The Freeling family is trying to grapple with the devastation wrought by the ghosts and ghouls that destroyed their lives. The insurance company doesn't believe their story about what happened to their house, so Steve (Craig T. Nelson), Diane (JoBeth Williams), and their kids, Carol Anne (Heather O'Rourke) and Robbie (Oliver Robins), have been reduced to living in the home of Diane's mother, Jess (Geraldine Fitzgerald). Unfortunately for the Freelings, however, their new residence, just like their last, is situated on a haunted patch of unholy ground. A century before, the mad cult leader Kane (Julian Beck) slaughtered his followers nearby, and his evil spirit has returned in an effort to kidnap Carol Anne. When the Freelings realize what's happening, they call upon the psychic medium Tangina Barrons (Zelda Rubinstein) to help them again, and they also receive aid from a kindly Native American spiritualist, Taylor (Will Sampson). Noticeably absent from the sequel was older daughter Dana, who had been played by actress Dominique Dunne; Dunne was killed in 1982 by her obsessed boyfriend. ~ Karl Williams, All Movie Guide

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Starring:
JoBeth WilliamsCraig T. Nelson, (more)
1986  
PG  
Add Firewalker to QueueAdd Firewalker to top of Queue
Firewalker stars Chuck Norris as Max Donigan, an ex-Marine, and Louis Gossett, Jr. as his buddy, Leo Porter. Both set out to help Patricia Goodwyn (Melody Anderson) find a lost Aztec city and a temple filled with gold. After a few misadventures, their nemesis "El Coyote" (Sonny Landham) comes into view for awhile to make it clear that they are not without serious competition. Barroom brawls and a capture by hostile Native Americans throw roadblocks in their path, but the fearless trio forge onward toward the temple and their destiny. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Chuck NorrisLouis Gossett, Jr., (more)
1977  
PG  
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Another big-budget monster movie from producer Dino de Laurentiis, Orca concerns the mutual revenge pact between an obsessive whaler (Richard Harris) and an angry killer whale, whose pregnant mate Harris killed. The whale strikes back by biting off Bo Derek's leg, so Harris and concerned biologist Charlotte Rampling follow it to frozen northern waters for the climactic showdown. Just in case you like Jaws better than Moby Dick, there's a killer shark thrown in for good measure. Ponderous, pretentious, and dull, this opportunistic disaster fittingly sank at the box office. ~ Robert Firsching, All Movie Guide

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Starring:
Richard HarrisCharlotte Rampling, (more)
1976  
PG  
Add The Outlaw Josey Wales to QueueAdd The Outlaw Josey Wales to top of Queue
Clint Eastwood's fifth film as a director and eighth Western as a star (ninth if you count Paint Your Wagon), The Outlaw Josey Wales chronicles the hero's violent journey westward after the Civil War. With fresh memoris of his family's slaughter by Red Leg soldier Terrill (Bill McKinney), Confederate Josey Wales (Eastwood) refuses to join his captain Fletcher (John Vernon) and the rest of his comrades in surrender to a U.S. Army regiment. Deemed a dangerous outlaw after a bloody one-man battle with that regiment, Josey is pursued by U.S. cavalry soldiers led by the unwilling Fletcher and the murderous Terrill, as well as by bounty hunters who eventually learn how coolly lethal Wales can be. Despite his desire to remain a lone fugitive, Josey soon has a crew of travelling companions that includes Cherokee Lone Watie (Chief Dan George) and the pretty Laura Lee (Sondra Locke) and her vigorous Grandma Sarah (Paula Trueman), settlers on their way to a ranch near ghost town Santa Rio. The few Santa Rio residents welcome the group, but their peace and Josey's burgeoning romance with Laura Lee are soon interrupted by Terrill's arrival. A skillfully violent man of few, well-chosen words, Josey Wales resembles Eastwood's previous Western heroes in Sergio Leone's trilogy, A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966). However, the emphasis on friends and family served notice that, in the words of one critic, "the Man With No Name doesn't live here anymore." Indeed, Josey Wales would be Eastwood's last western before 1985's Pale Rider. Although it did not garner similar critical praise when it was released, Eastwood considers The Outlaw Josey Wales to be the equal of the Oscar-winning Unforgiven (1992). ~ Lucia Bozzola, All Movie Guide

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Starring:
Clint EastwoodChief Dan George, (more)

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