Patrick Billingsley Movies

Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, Rovi

Jane Fonda stars in this made-for-TV movie, which uses the backdrop of World War II and urbanization to tell the story of one woman's fight to keep her family together. Gertie Nevels (Fonda), the wife of a Kentucky sharecropper, wants nothing more than to one day own her own farm. Thriftily hiding her savings from husband Clovis (Levon Helm), she prepares to make her dream come true -- until Clovis summons her to come join him in Detroit, where he's gone to work in a factory to help with the war effort. Arriving with her children in tow, Gertie finds Clovis all settled into a tenement-like block house and living the life of a union man. Soon, though, the downside of urban life -- from monstrous neighbors and repressive schools to the pitfalls of the industrial landscape itself -- threaten Gertie's family both individually and as a whole. Despite Clovis' freewheeling way with money and his propensity to blame her for the family's problems, Gertie continues to save money. A lifelong whittler, she begins selling hand-crafted wooden dolls, and when the union goes on strike, Gertie finds herself supporting the family. Adapted from Harriet Arnow's novel by Hume Cronyn and Susan Cooper, who would go on to collaborate on the similarly themed Foxfire in 1987, The Dollmaker was directed by feature and TV veteran Daniel Petrie. It debuted on ABC on May 13, 1984, and earned Fonda an Emmy for her work. ~ Brian J. Dillard, Rovi

Christopher Reeve got away from Superman and related costume roles in this dramatic fantasy film, adapted from Richard Matheson's 1960s vintage novel Bid Time Return. A young playwright, Richard Collier (Reeve), is approached by an elderly woman on the occasion of his first triumph in 1972 -- all she says to him is "Come back to me" and leaves him with a watch that contains a picture of a ravishing young woman. Eight years later, he visits the Grand Hotel on Mackinac Island and comes upon a photograph of the same woman, whom he discovers was an actress who made an appearance at the hotel in 1912. He becomes obsessed with the image and what the woman -- who died the night she approached him in 1972 -- meant by what she said. In a manner somewhat reminiscent of the film Laura, he falls in love with her and her image as he learns more about her life and career. Then he comes upon the suggestion of a professor at his former college that time travel may, in fact, be possible, using an extreme form of self-hypnosis to free the person from the place they occupy in the time-stream. Collier's feelings for the woman are so strong that he succeeds, bringing himself back to the hotel in 1912 on the eve of her triumph. He meets the actress, Elise McKenna (Jane Seymour), and the two fall in love despite the machinations of her obsessive, autocratic manager (Christopher Plummer), who feels threatened by Collier's presence. ~ Bruce Eder, Rovi

Based on a true story, Dummy stars LeVar Burton as Donald Lang, a deaf-mute teenager accused of killing a prostitute. Paul Sorvino co-stars as Lowell Myers, the hearing-impaired public defender who takes Burton's case. The court, deciding that Lang is incompetent to stand trial, orders the boy to be shunted away to a mental institution. Doggedly following the evidence trail, Myers argues for "due process" in the treatment of his client. While the film's ending is upbeat, real life does not always turn out so well, as the ironic closing title (which details what has happened to Burton's character since this case was resolved) demonstrates. Initially telecast May 27, 1979, Dummy was adapted by Ernest Tidyman from his own book. ~ Hal Erickson, Rovi