Jennifer Salt Movies

As a woman hoping to jog her Alzheimer's Disease-stricken husband's rapidly fading memory approaches Christian and Sean about operating to make her look like she did when the couple first met, the surgeons begin work on a Carver victim whose physical attributes don't line up with the rest of the maniac's victims. ~ Jason Buchanan, All Movie Guide

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

Sean is touched by his consult with Megan O'Hara(Julie Warner), a cancer patient who, after having had a mastectomy, wants reconstructive breast surgery. Still deeply upset about Julia's miscarriage, Sean decides to get a vasectomy in order to prevent another accidental pregnancy from occurring. Meanwhile, Christian and Grace fluctuate from furious shouting matches to passionate sexual romps, and Christian mistakenly believes a former patient of his is responsible for vandalizing his car. Christian decides to get back together with Kimber(Kelly Carlson), his ex-girlfriend, and Matt engages in an awkward threesome with his girlfriend and one of her fellow cheerleaders. ~ Tracie Cooper, All Movie Guide

The made-for-TV Deadly Care stars Cheryl Ladd as an intensive-care nurse. The pressures of her job, coupled with problems at home, lead Cheryl to resort to desperate "coping" measures. She develops an addiction to drugs and liquor, a deadly combination for anyone in the medical profession. Only after a near-disaster during a delicate heart transplant operation does she realize she needs help, and needs it fast. Written by Lane Slate, Deadly Care was originally telecast March 22, 1987. ~ Hal Erickson, All Movie Guide

Lydia McCarthy (Julia Montgomery) hires Magnum (Tom Selleck) to locate a jewel thief, whom she identifies as her chauffeur. It soon develops that the "jewel" in question is Lydia's own son, who may have been kidnapped by his father--and once Magnum has these facts at his disposal, his next step is to flush out a rather vicious black-market adoption ring. Meanwhile, Higgins is having "kid problems" of his own with a rowdy group of underprivileged youngsters. ~ Hal Erickson, All Movie Guide

With Dandy Don Meredith in the cast, the made-for-TV movie Terror Among Us bears a resemblance to the 1970s series Police Story. Meredith plays a police sergeant who is desperately trying to track down serial rapist Ted Shackleford. Newly paroled, Shackleford may very well carry out the threats he's made on the five women who testified against him. Meredith enlists the aid of parole officer Jennifer Salt to stop the wave of terror before it begins. Terror Among Us first aired January 12, 1981. ~ Hal Erickson, All Movie Guide

The death of Jessica Tate (Katherine Helmond) was the big shocker at the end of Soap's third season. So imagine everyone's surprise when, as the series launched season four, Jessica was brought back to life -- following a brief stopover in Heaven to commiserate with all her ex-lovers! In another dangling plot strand resolved by the fourth-season opener, Jessica's son, Billy Tate (Jimmy Baio), is rescued from the bullet fired by his scorned lover, Leslie Walker (Marla Pennington). Additionally, the Tates have acquired a new butler named Saunders (Roscoe Lee Browne), replacing their former retainer Benson (actor Robert Guillaume had of course left Soap to star in his own sitcom, titled -- you guessed it -- Benson). The many subplots wending their way through the series' final network season include the election of Jessica's brother-in-law, Burt Campbell (Richard Mulligan), as sheriff leading to Burt's run-in with mob-connected hooker Gwen (Jesse Welles) -- with whom Burt's stepson, Danny (Ted Wass), becomes enamored. Also highlighted are the long-delayed wedding of Jessica's daughter, Eunice (Jennifer Salt) and ex-convict Dutch (Donnelly Rhodes); the long, anguished search by Danny's brother, Jodie (Billy Crystal), for his missing daughter; and Jessica's abduction to South America, where she falls in love with revolutionary leader El Puerco (Gregory Sierra), culminating in her divorce from Chester (Robert Mandan). As in previous years, season four of Soap ends with a cliffhanger as Jessica Tate faces a South American firing squad. This time, however, there was to be no resolution -- the series had been canceled! ~ Hal Erickson, All Movie Guide

The cliffhanger that brought season one of Soap to a climax is resolved in season two when Jessica Tate (Katherine Helmond) is cleared of the murder of her lover (and step-nephew!) Peter Campbell. Jessica's husband, Chester (Robert Mandan), confesses to the crime whereupon he is convicted and sent to prison. Later on, Chester escapes with fellow con Dutch (Donnelly Rhodes), who, while holding the Tate family hostage, sleeps with Jessica's far-from-unwilling daughter, Eunice (Jennifer Salt), leading to an elopement. As for Eunice's daughter Corrinne (Diana Canova), she marries defrocked priest Father Tim (Sal Viscusco), with whom she has a child -- who, alas, is possessed by Satan!. Still later, Chester loses his memory and wanders westward, ultimately getting a job as a fry cook. To find her missing husband, Jessica hires Detective Donahue (John Byner), with whom she falls in love! Meanwhile, Jodie Dallas (Billy Crystal), the gay son of Jessica's sister, Mary Campbell (Cathryn Damon), opts to give women a try and to that end moves in with Carol David (Rebecca Balding) -- who happens to be carrying Jodie's baby. Later on, Jodie will have a fling with a sucidal lesbian named Alice (Randee Heller). Elsewhere, Jodie's mobster brother, Danny (Ted Wass), forced into a relationship with Mafia daughter Elaine (Dinah Manoff), tries to figure out various ways of getting rid of her. But when Elaine is kidnapped and subsequently killed, a heartbroken Danny swears vengeance. And what of Danny and Jodie's stepfather, Burt (Richard Mulligan)? Well, he has his hands full trying to convince his family that he has seen a UFO. As season two rushes to a close, Jessica Tate is compelled to choose between hubby Chester and Detective Donahue, Billy Tate (Jimmy Baio) is being held captive by a religious cult called the "Sunnies," and befuddled Burt is abducted by those "non-existent" aliens. ~ Hal Erickson, All Movie Guide

"Stubborn old patriarch" TV movies can rise or fall depending on the leading man. Richard Boone is the star who makes Great Niagara tolerable, even in its most irritatingly macho passages. Boone plays an ill-tempered old codger who has been crippled by attempting to go over Niagara Falls in a barrel. Despite his own lack of success, Boone demands that his sons maintain family tradition by challenging the Falls themselves. Produced by Playboy Films, The Great Niagara is a satisfactorily exciting effort, given texture by being set during the Depression. ~ Hal Erickson, All Movie Guide

Incorporating themes from horror films of both the '50s and the '70s, this suspenseful TV movie stars Cornel Wilde and Jennifer Salt as an archaeologist and his daughter, who discover a strange skull on display at a roadside tourist trap. After the museum owner is killed during an attack from an unseen foe, the pair are subsequently pursued across the American Southwest by a tribe of humanoid creatures that bear a striking resemblance to the gargoyles of myth, leading to a manic game of cat-and-mouse across the desert. This enjoyably spooky film essentially riffs on this one-note premise for over 70 minutes -- sort of an inversion of Night of the Living Dead's claustrophobic scenario -- and fortunately comes off quite well thanks to superb use of the desert locations, an eerie score, uniformly good performances, and Emmy award-winning monster costumes from Stan Winston. A young Scott Glenn appears as a roguish biker who throws in with the good guys after taking a shine to the professor's daughter. ~ Cavett Binion, All Movie Guide