Albert Salmi

Originally titled Judith Krantz' Till We Meet Again, this two-part soaper covers forty-three years in the lives of three women. In 1913, French chanteuse Lucy Gutteridge embarks upon a successful showbiz career. She marries a champaigne heir and bears two daughters, played by Courtney Cox and Mia Sara. The story follows the trials and tribulations of mother and daughters through three wars and an infinite number of romances. A dash of adventure is provided by Courtney's activities as a stunt pilot, while there's glamour aplenty as Mia becomes a world-renowned movie star. The best scenes take place during World War 2, with the horrors of the battlefield running second place to the ladies' boudoir escapades. Barry Bostwick, who seems to have been in every Judith Krantz movie ever made (at least, that's what TV Guide told us back in 1989), costars as Courtney's erstwhile lover. Partly filmed in England, Till We Meet Again was first telecast November 19 and 21, 1989. ~ Hal Erickson, All Movie Guide

In another variation of a familiar Mission: Impossible theme, the IMF is assigned to prevent a neo-Nazi uprising. Making the task all the more difficult is the fact that several white-supremacist groups have melded into an international coalition. Posing as a pro-Nazi computer genius, Phelps unearths a diabolical scheme to take over the world with an army of genetically cloned children. Albert Salmi guest stars as Kester, the would-be head of the new Fourth Reich. Written by Frank Abatemarco, "The Fuhrer's Children" was originally broadcast on November 16, 1989. ~ Hal Erickson, All Movie Guide

This fact-based TV movie is an account of a small-town nurse who is arrested for caring for her desert neighbors without a medical license. ~ Jason Ankeny, All Movie Guide

In an anti-Russian film that is a hangover from Cold War polemics, three young Americans knowingly cross the Finno-Russian border while on a hunting trip and land in a grim Soviet prison. While U.S. diplomats work on the Americans' release, prisoners are dying in a macabre game of chess in which they are pawns. Anxious to get out of prison as of yesterday, the red-white-and-blue trio plan their escape with the involvement of a mysterious black American prisoner. As action sequences and prison scenes unfold, violence erupts on a regular basis. ~ Eleanor Mannikka, All Movie Guide

In Hard to Hold, pop singer Rick Springfield is cast as an immensely successful recording artist named James Roberts. As a result of a fender-bender accident, Roberts meets and falls in love with child psychologist Diana Lawson (Janet Eilber), who is not the least bit impressed with James' wealth or fame. He spends the rest of the picture following Diana all over San Francisco, much to the discomfort of his lovelorn writing partner Nicky Nides (Patti Hanson). ~ Hal Erickson, All Movie Guide

Flamboyant, giallo-style gore effects are the only highlight of this otherwise pedestrian supernatural horror film, which was originally filmed in 1981 as The Witch and shelved for four years, before it experienced a mild midnight-movie revival in the wake of The Evil Dead's success. The ghastly goings-on begin when a clergyman (Larry Pennell) and his family move into an eerie mansion built near the lake where a powerful local witch was drowned four centuries earlier. It soon becomes evident that the spirit of this evil sorceress, whose powers have increased exponentially after her death, is not content with conducting the standard haunted-house scare tactics, and the bodies begin to pile up at an incredible rate. (These audacious death scenes peak with one poor soul's dismemberment courtesy of a flying circular saw.) When a homicide detective (Albert Salmi) and a minister (James Carl Houghton) discover the cause of the macabre mayhem, they prepare to conduct an exorcism (in the mode of The Amityville Horror), much to their own peril. Overblown performances, a scatter-shot screenplay, and hilariously messy gore effects make this movie impossible to take seriously, but it does have a certain tacky charm. ~ Cavett Binion, All Movie Guide

An Arab sheik and his tribe wage war on 2 American oil riggers in the Middle East in this action adventure film set in 1908. ~ All Movie Guide

Season Two of A-Team begins with a nailbiting episode that owes more than a little to the French film classic The Wages of Fear. Though still officially outlaws and fugitives, the A-Team manages to avoid the American military authorities and make its way to Zulabwe, Africa, there to help Toby Griffith (Kristen Meadows), daughter of a murdered diamond-mine owner. The villains, led by Jonathan Fletcher (Albert Salmi), are determined to drive Toby off her property and claim it as their own. In exchange for ten percent of Toby's earnings (plus an uncut diamond), the Team agrees to transport explosives to her mine, navigating some of the most treacherous terrain ever seen on a TV program. And of course, a stolen helicopter figures prominently in the climax! ~ Hal Erickson, All Movie Guide

Based upon the true story of a woman's battle to raise her baby in prison after having become pregnant by a prison guard while serving a twenty-year stretch for robbery, Amy Madigan, in her debut film, delivers an impressive intensity and range as Terry Jean Moore, a wild young woman with a chip on her shoulder. The story begins as Terry is hitchhiking with her equally wild cousin Jesse (Lewis Smith). They are picked up by a passing motorist and Jesse tries to rob the motorist of five dollars. When they are caught, Jesse takes the rap for her cousin and winds up in jail. Her temperament does not endear her to the prison authorities, although she is befriended by a young lesbian, J.J. (Mackenzie Phillips), and a sympathetic guard, Jack Hensen (Beau Bridges). Jack and Terry fall in love and have an affair in prison. Terry becomes pregnant and fights to raise her child in prison. At the same time, being pregnant forces Terry to reconsider her life and adopt a more responsible attitude. ~ Paul Brenner, All Movie Guide

Susan Swift plays the dual role of Loreen and Ann in The Coming (aka Burned at the Stake). The story takes place in modern-day Salem, Massachusetts. Demons who've been seeking revenge since the witch trials of 1692 have reemerged in the quiet New England community. The ghost of a sorceress insinuates herself into the mind and body of her look-alike descendant. Albert Salmi and Guy Stockwell co-star. Its theatrical release scattered and limited, The Coming attained its biggest audience when it premiered in an 80-minute time slot as a CBS Late Night Movie in 1988. ~ Hal Erickson, All Movie Guide

Portrait of a Rebel: The Remarkable Mrs. Sanger was written by Blanche Hanalis, a specialist in turning out quality teleplays with a feminist slant. Bonnie Franklin stars as pioneering birth-control advocate Margaret Sanger, who in the early part of the 20th century conducted a 25-year battle to have her views legitimized by the puritanical, male-dominated medical establishment. The film covers the years 1912 through 1917, starting with Sanger's work as a New York City public health nurse. Appalled by the deaths brought about by self-induced abortions, Sanger campaigns to enlighten uneducated "lower-class" women in the proper methods of birth control, eventually opening her own clinic. Her efforts are rewarded with public scorn, attacks from various censorship advocates (her informational pamphlets are deemed "pornographic") and frequent jail terms. In order to spice up an already fascinating story, the film places undue emphasis on the brief romance between Ms. Sanger and British sexual-liberation guru Havelock Ellis (Richard Johnson). Portrait of A Rebel might make a piquant double feature with the 1995 cable-TV Margaret Sanger biopic, which starred Dana Delany. ~ Hal Erickson, All Movie Guide

Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, All Movie Guide

The made-for-TV Great Cash Giveaway Getaway offers a great deal of screen time to a brace of unknowns. David Kyle and Elissa Leeds play teenagers Jim and Hallie, who find themselves in possession of $250,000. The money belongs to drug kingpin Hightower (George Hamilton), who intends to reclaim the dough and bump off the kids. While escaping Hightower, Jim and Hallie begin arbitrarily giving away their money to total strangers. In so doing, they become minor-league folk heroes, which serves only to further anger the vengeful villain. The Great Cash Giveaway Getaway debuted April 21, 1980. ~ Hal Erickson, All Movie Guide