Eva Marie Saint Movies

Garry Marshall directed this film which starts as a light comedy but moves into heavy-duty drama later on. David Basner (Tom Hanks in a good performance) works in an ad agency, where he enjoys bantering with his co-workers and meets a lot of women. He hasn't been especially close to his father (Jackie Gleason) and never thought about him much until his Dad is left devastated when his wife of 36 years walks out on him. He is soon faced with serious health problems as well. This propels the elder Basner on a downward slide that affects David and their relationship. ~ Eleanor Mannikka, All Movie Guide

This made-for-Disney drama is the fact-based account of Morris Frank (Timothy Bottoms), who, during the 1930s, trained America's first seeing-eye dog. ~ Jason Ankeny, All Movie Guide

Malibu is a two-part, four-hour adaptation of William Murray's best-selling novel. William Atherton and Susan Dey play a green-as-grass married couple from Milwaukee who take a vacation in Malibu. Amidst the elite and their million-dollar beach houses, Atherton starts up an affair with divorcee Valerie Perrine, while Dey fends off the attentions of TV star Steve Forrest before succumbing to the charms of tennis pro Chad Everett. Other Southern California satyrs and nymphs wandering in and out of Malibu include James Coburn, Eva Marie Saint, Ann Jillian, Kim Novak, Richard Mulligan, and (who else?) George Hamilton. The multiple story lines all come to a head during a climactic tennis match. Malibu is trash, true, but it's trash cultivated from the highest-quality refuse heaps. ~ Hal Erickson, All Movie Guide

William Inge's sexual-awakening drama had already been satisfactorily filmed by director Elia Kazan 1961, twenty years before this TV movie made its debut. Melissa Gilbert and Cyrill O'Reilly are not a completely fair trade for the original film's Natalie Wood and Warren Beatty, but the players are game and the results are occasionally worthwhile. The faults lie principally in Inge's dated storyline about a teenaged middle-class "good girl" being seduced by the town's richest boy during the 1920s. The elements of class-consciousness and "retribution for sin" don't play as well in 1981 as they had two decades earlier. Nor does director Richard Sarafian's decision to slavishly follow the Kazan original scene for scene help to make the 1981 version anything of an improvement. ~ Hal Erickson, All Movie Guide

Originally made for television, the film centers on an Egyptian archaeological expedition, and the discovery of the tomb of the famed Pharaoh. After it is opened, disturbing events mark the trip. ~ John Bush, All Movie Guide

The Macahans is a two-hour TV movie utilizing characters originally created for the 1962 Cinerama extravaganza How the West Was Won. In his first post-Gunsmoke project, Zeb Macahan stars as frontiersman Zeb Macahan, who in the early 1860s returns to Virginia to visit his family. It takes only the slightest encouragement for Zeb's brother (Richard Kiley) to agree to bring his family along with Zeb on another westward trek. Eva Marie Saint, the brother's wife, isn't keen on leaving her cozy Southern household, but neither is she anxious to be in Virginia when the Civil War breaks out. Narrated by William Conrad (who had coincidentally starred on the radio version of Gunsmoke) and jam packed with action, The Macahans served as the pilot for the subsequent James Arness TV series How the West Was Won, which ran from 1978 to 1979. ~ Hal Erickson, All Movie Guide

Irvin Kershner directed this comedy-drama about one man's struggle with relationships and himself. Brooks (George Segal) is a middle-aged commercial artist who is at a personal and professional crossroads; he wants to take a stab at a career in fine art, but he can barely land enough assignments to support himself as it is. And while his marriage to Selma (Eva Marie Saint) is starting to collapse, his mistress Grace (Janis Young) suggests that she would like a relationship of greater permanence with him. Hoping to land an important commission from Lepridon (Sterling Hayden), a powerful business mogul, Brooks attends a party at an exclusive private club, but after a few cocktails too many, Brooks gets into a screaming match with one of the club's leaders. Brooks is depressed, figuring that he's blown what could have been a major career opportunity, when word travels through the grapevine that Lepridon was amused and impressed by Brooks' dressing-down of the club's topkick and is ready to give him the job. Brooks is elated, but he wants to keep his good news a secret for the time being; in a celebratory mood, he goes to a party where Selma, Grace, and a number of his friends are also in attendance. Brooks is approached by Nelly (Nancy Phillips), the wife of his neighbor Will (David F. Doyle); Nelly wants Brooks to join her for a quickie, and he eagerly agrees, not realizing that the children's playroom where they've chosen to meet is monitored by a closed-circuit TV camera, with the other party-goers an audience for their lovemaking. Loving garnered many enthusiastic reviews and became something of a cult item among film buffs in the 1970s; Sherry Lansing, who would later become a powerful producer and studio president, appears in a small role as Susan. ~ Mark Deming, All Movie Guide

Adapted from a novel by Theodore V. Olsen, The Stalking Moon opens in the Arizona of the Old West, as the U.S. calvary is in the process of relocating Native Americans to reservations. One of the calvary men is Sam Varner (Gregory Peck), an aging scout who is ready to retire to his New Mexico home after this mission. Varner is called upon to sneak into a small Apache camp in order to disarm the guards before the rest of his troupe rides in to round up the whole tribe. After the round-up, a white woman is discovered among the Americans. Her name is Sarah Carver (Eva Marie Saint), and she was captured ten years ago by a mysterious and vicious warrior named Salvaje (Nathaniel Narcsisco), who is not among those captured in the round-up. Held against her will, she now has a nine-year-old son by Salvaje. Although her English is very rusty from disuse, she lets Varner know that she and her son would like to be taken away from the tribe. He agrees to transport her to his home, and they set out together for New Mexico, having to overcome obstacles such as a sandstorm to get there. Along the way, they seem to sense that someone is following them, and after they arrive at Varner's cabin, they find themselves set upon by the vengeful Salvaje. Enlisting the aid of a half-breed scout Robert Forster that he raised from childhood, Varner tries to fend off Salvaje, who seems to be toying with them before moving in for the final kill. ~ Craig Butler, All Movie Guide

Just because The Russians are Coming, the Russians are Coming was vastly overrated by contemporary critics does not make it any less amusing. The story gets under way when a Soviet submarine accidently gets lodged in a sandbar on the coast of a New England town. In his feature film debut, Alan Arkin plays the sub's second-in-command, who is ordered by commander Theodore Bikel to free up the sub and skeedaddle before an international incident erupts. Hoping to secure a power boat to tug the sub out to sea, Arkin and his men call upon vacationing TV writer Carl Reiner, passing themselves off as Norwegians. When this ruse fails, Arkin is reluctantly compelled to force Reiner at gunpoint to fetch his motorboat, while gentle-natured Russian sailor John Philip Law is left behind to guard Reiner's wife Eva Marie Saint and pretty neighbor girl Andrea Dromm (yes, love blooms). The plot thickens when the locals, notably bullnecked sheriff Brian Keith and superpatriot Paul Ford, spread the word that the Russians have "invaded" their little community. Several slapstick complications later, the Russians and the locals face each other down in the center of the village, weapons at the ready. Fortunately, World War 3 is averted when the Russians and the villagers band together to rescue young Johnny Whittaker from falling to his doom. Enormously popular upon its first release, The Russians are Coming, the Russians are Coming still works on a slick sitcom level. The film was based on a novel by Nathaniel Benchley, the son of humorist Robert Benchley and the father of Jaws author Peter Benchley. ~ Hal Erickson, All Movie Guide

In 1950, Maj. Jefferson Pike (James Garner), an Army intelligence agent who served with distinction in World War II, awakens in a hospital with severe amnesia. He isn't sure where he is, how he got there, or even who the woman at his side is, even though the doctor tells him that her name is Anna (Eva Marie Saint) and that she is his wife. The doctor instructs Pike to recall, in as much detail as possible, what he was doing before the accident that caused his traumatic memory loss. But the doctor isn't a doctor, Anna isn't Pike's wife, it isn't 1950, and he isn't in an American hospital. World War II is still very much in progress, and Pike is being duped in an elaborate scheme prepared by Maj. Walter Gerber (Rod Taylor), a German intelligence agent. Gerber is trying to trick a drugged and suggestible Pike into telling him everything he knows, as the injured soldier lies in a Bavarian military hospital after being taken prisoner. Will Pike be able to see through the cracks in Gerber's facade before he spills the beans that could mean death and defeat for American soldiers? 36 Hours was later remade for TV under the title Breaking Point. TV fans will want to keep an eye peeled for bit parts by James Doohan from Star Trek and John Banner from Hogan's Heroes. ~ Mark Deming, All Movie Guide

In one of his first roles, Warren Beatty plays a callous, self-involved young man who is idolized by his younger brother Brandon DeWilde. When Beatty and DeWilde's parents Karl Malden and Angela Lansbury take in Eva Marie Saint as a boarder, Beatty makes violent love to the poor (but not entirely unwilling) girl. Saint becomes pregnant, a contingency which brings out the absolute worst in Beatty. When he deserts her, she kills herself. Only at this point does DeWilde (who has worshipped Saint from afar) realize that Beatty has feet of clay. Attempting to kill his older brother, DeWilde relents when he decides that Beatty is more pathetic than evil. Playwright William Inge adapted the screenplay for All Fall Down from a novel by James Leo Herlihy. So dependent is this film on its stark black and white photography that the currently available colorized version is tantamount to sacrilege. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

A Hatful of Rain, based on the stage play by Michael V. Gazzo, is the story of a drug addict's debilitating effect on his family. Don Murray has managed to keep his addiction secret from his pregnant wife Eva Marie Saint and his boorish father Lloyd Nolan, but Murray's brother Anthony Franciosa knows the truth. Murray hits up Franciosa for money to support his habit, but even this is not enough as the addiction deepens and Murray finds himself beholden to a vicious pusher (Henry Silva). Murray is unable to cope with his private hell until he confesses to his wife and father that he's a junkie and needs help. Considered the last word in realism in 1957, A Hatful of Rain seems slightly antiquated in the light of the drug-abuse excesses of the 1990s. ~ Hal Erickson, All Movie Guide