Ken Sagoes Movies

Joel and Ethan Coen take on the classic battle-of-the-sexes screwball comedy with Intolerable Cruelty. George Clooney plays Miles Massey, a high-powered Los Angeles divorce lawyer nearing a midlife crisis . While representing wealthy client Rex Rexroth (Edward Herrmann), Miles meets his match in Rex's gold-digging wife, Marilyn Rexroth (Catherine Zeta-Jones). He's impressed by her similarly heartless ways of using marriage to fuel an expensive lifestyle, but he still defeats her in court. With Marilyn looking to get her revenge and Miles finding himself attracted to her, the two engage in a ruthless romantic pursuit to out-swindle each other. Billy Bob Thornton shows up in a small role as Texas oil tycoon Howard Doyle. ~ Andrea LeVasseur, Rovi

This fourth trip down Freddy Lane was the most successful at the box-office, but although it has some impressive visuals, it is mostly an empty film. Credit must go to the effects team for some fine work, but otherwise, this entry from the director of Cutthroat Island (Renny Harlin) is extremely weak. Roland Kincaid falls asleep and awakens in the Springwood junkyard, where his dog -- named "Jason" in a sad foreshadowing of the film's giggly tone -- pees fire on Freddy's grave. The pyro-urinary baptism causes Krueger (Robert Englund) to reassemble from bones outward in an admittedly impressive sequence. Predictably, Freddy guts Kincaid, then appears in Joey's waterbed as a naked pinup girl (Hope-Marie Carlton) before slicing him to ribbons. And so it goes. The film has a few interesting ideas kicking around, but no real identification points. This is a video game, not a movie, and the characters seem to exist only in order to move the film from one effects sequence to another. There is a lot to be said for special effects, and the ones here are extraordinary and vivid. However, the wonderfully grim mood and subtle performances of Chuck Russell's outstanding third entry in the series are gone, abandoned by Harlin in favor of a splashy, comic book approach which would, unfortunately, dominate the series' later installments. ~ Robert Firsching, Rovi

The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, Rovi

This made-for-TV drama was based on the true story of George McKenna (played by Denzel Washington in one of his first leading roles), an educator in Los Angeles who faced the greatest challenge of his career when he was named Principal of George Washington Memorial High School. Located in a run-down inner-city neighborhood, Washington High was being torn apart by gang violence and drug dealing, and much of the student body seemed more interested in surviving the day than in learning. McKenna was determined to make Washington High a safe place where students could get a quality education which would allow them to go to college if they so desired, but he soon realized he was facing an uphill battle, having to deal not only with gangs and delinquent students, but apathetic teachers and parents too busy or unconcerned to help in the education of their kids. The George McKenna Story also stars Lynn Whitfield, Debra Artis, and Richard Masur; after Denzel Washington's later rise to superstar status, the film was rereleased on home video under the title Hard Lessons. ~ Mark Deming, Rovi

Laverne & Shirley wraps up its eight-season run with its 178th and final episode, in which Carmine (Eddie Mekka) decides to leave Burbank and seek showbiz fame in New York. With 100 dollars loaned to him by Laverne (Penny Marshall), Carmine arrives in the Big Apple and auditions for the upcoming musical "Hair." Although his prospects for success look bleak, at least our hero finds a new roommate and kindred spirit in the form of a funky African American actor named Rick (Ben Powers). This episode was clearly intended as the pilot for a spinoff series starring the multitalented Eddie Mekka, but such was not to be. ~ Hal Erickson, Rovi