Fred Sadoff Movies

Tony Baretta (Robert Blake) is partnered with neurotic, pill-popping police officer Scotty (Michael Parks) during a frustratingly long drug stakeout. What Baretta doesn't know -- at least not at first -- is that Scotty is at the end of his financial rope, having been spent into the poorhouse by his selfish girlfriend. Can it be that Scotty is open for a bribe from the very perps he has been assigned to nab? ~ Hal Erickson, All Movie Guide

Six recently divorced males gather 'round a restaurant table and talk about their past lives and their recently failed marriages while trying to piece their lives back together. This drama is somewhat interesting for presenting the topic of life after a divorce from a man's point of view. (And yes, Neil Sedaka sings the smash title song over the final credits - so don't change that dial!) Originally made for television, and broadcast on ABC in two parts - one on Wed., Sep. 5, 1979, and one on Friday, Sep. 7, 1979 -- this film was reissued on video about ten years later to capitalize on Billy Crystal's growing fame. When it arrived on home video, the picture received its first MPAA rating (R) and was edited down from its original running time of 150 minutes to 96 minutes. ~ Sandra Brennan, All Movie Guide

Photographer Christopher George is mistaken for an assassination target by paid killers. Since the actual victim-to-be is now safe, George cannot count on the protection of the authorities, so he takes it on the lam. He is sheltered by former girlfriend Judy Carne, who is kidnapped and threatened with death for her troubles. George decides to take matters in his own hands when it becomes impossible for him to separate the good guys from the bad. Made for television, Dead Men Tell No Tales would dearly love to be a Hitchcock film; it falls short of this goal, but is diverting fun all the same. ~ Hal Erickson, All Movie Guide

One of the first important distinctions to be made about this version of King Lear is that it is not the same version directed by Peter Brook in 1971. Brook was responsible for the staging of this 1953 version, but it was Andrew McCullough who put it to film. Orson Welles portrays the titular character, one of the most memorable and important characters from the Shakespearean canon. The story begins with the famous request Lear makes of his daughters: to express how much they love him. In exchange, Lear will divide his land and power amongst them based on the extent of their answers. Cordelia (Natasha Parry), the youngest and the one whom Lear loves the most, answers very modestly -- yet honestly --and incurs the wrath of Lear, who not only withholds his gift to her, but banishes her as well. Lear divides his lands and power between the two older daughters, Goneril (Beatrice Straight) and Regan (Margaret Phillips), who intend to take swift and complete control of their father's power almost instantaneously. Lear is reduced to an angry, bitter man who realizes too late what has happened. After a series of indignities are inflicted upon him by his daughters, he retreats into a storm, vowing revenge. This film is an above-average adaptation with a very capable cast and a well-staged presentation. The subplot of Gloucester and his sons has been removed, however, presumably in interests of time conservation, but it doesn't seriously hinder the story. ~ Ryan Shriver, All Movie Guide

Barbara Rush guest stars as Magnum's beloved Aunt Phoebe, a Pulitzer Prize-winning playwright known for her extremely vivid imagination. When Phoebe insists that she is being stalked by a murderer, Magnum (Tom Selleck) wonders if the old dear is suffering from the early stages of Alzheimers'. As it turns out, she is--but that doesn't necessarily mean that her life isn't in danger. As an added complication, Magnum must do all of his investigating on the sly: thanks to a bureaucratic oversight, his detective's license has expired. ~ Hal Erickson, All Movie Guide

The autobiography of Henri Charriere, one of the few people to successfully escape from the notorious French penal colony of Devil's Island, served as the basis for Papillon. Steve McQueen plays the pugnacious Charriere (known as "Papillon," or "butterfly," because of a prominent tatoo), incarcerated--wrongly, he claims--for murdering a pimp. He saves the life of fellow convict Louis Dega (Dustin Hoffman), a counterfeiter who will later show his gratitude by helping Charriere in his many escape attempts, and by smuggling food to Charriere when the latter is put in solitary confinement. One breakout, which takes Charriere and Dega to a leper colony and then to a native encampment, is almost successful, but Charriere is betrayed (allegedly because he stopped for an act of kindness) and back the prisoners go to French Guiana. Years later, Dega is made a trustee and is content with his lot, but the ageing, white-haired Charriere cannot be held back. A tribute to the unquenchability of the human spirit, Papillon brought in an impressive $22 million at the box office. ~ Hal Erickson, All Movie Guide

A charismatic long-haired vampire finds himself becoming a guru for a gang of Southern California flower children in this hippie-dippy horror movie. ~ Sandra Brennan, All Movie Guide

The Poseidon, an ocean liner larger than the Queens Elizabeth and Mary combined, is charting its course on New Year's Eve. Just after midnight, Captain Harrison (Leslie Nielsen) spots the mother of all tidal waves. It is the last thing that Harrison and practically everyone else onboard sees before drowning -- the Poseidon is turned upside down, with only a handful of survivors. The ten lucky ones -- including Mike Rogo (Ernest Borgnine), Linda Rogo (Stella Stevens), Acres (Roddy McDowall), Belle Rosen (Shelley Winters), and Manny Rosen (Jack Albertson) -- led by no-nonsense minister Frank Scott (Gene Hackman), desperately attempt to climb from the top of the ship (now submerged) to the bottom (now "the top"). The film's theme song, "The Morning After," sung by Maureen McGovern, earned an Oscar. In addition, The Poseidon Adventure received the Special Achievement Award for Special Effects; L.B. Abbott and A.D. Flowers were the recipients. A sequel, Beyond the Poseidon Adventure, came out in 1979. ~ Hal Erickson, All Movie Guide

The Quiet American was the first major American-financed film to touch upon the powder-keg situation in Vietnam (still referred to as Indochina in 1958). Audie Murphy plays an enigmatic American who comes to Saigon, ostensibly on an economic mission. He meets an embittered journalist (Michael Redgrave) who is living with an Indochinese girl (Giorgia Moll). The American falls for the girl and promises to marry her. In retaliation, the reporter tells the communists that the American GI's economist stance is a cover, and that he is actually selling munitions to non-communist troops. Graham Greene had intended his novel The Quiet American to be an attack against American influence in Southeast Asia. Producer/director/adapter Joseph L. Mankiewicz would have none of that, so he changed the ending into a pro-Yankee tract -- thereby killing any impact the film might have had. ~ Hal Erickson, All Movie Guide

In this rare 90-minute episode of The Rockford Files, Jim (James Garner) is hired by wealthy Warren Jameson, who wants to know something of the background of his future son-in-law Mark Chalmers (Geoffrey Land). Before long, Jim has run afoul of police lieutenant Larry Pierson (Eddie Fontaine), who indicates that any digging into Chalmers' past might prove hazardous to one's health. Before he knows what's happening, Jim is beaten, kidnapped (twice!) and subject to harrassment from the Feds--and he still has no idea why. "This Case is Closed" is sometimes split into two separate episodes for syndication. ~ Hal Erickson, All Movie Guide

This 1973 episode features Brenda Vaccaro, the then girlfriend of series costar Michael Douglas (Steve Keller), as rookie SFPD officer Sherry Tate. When her roommate, likewise a cop, is murdered while tracking down an elusive rapist, Sherry volunteers to act as bait for the killer. Even after Stone (Michael Douglas) orders her off the case, Sherry persists in her efforts to nail the murderer all by herself--with shocking results. Intriguingly, this episode was directed by Lawrence Dobkin, who had played a demented serial killer in the two-hour Streets of San Francisco pilot film. ~ Hal Erickson, All Movie Guide

Stone (Karl Malden)and Keller (Michael Douglas) spring into action when a priest is killed in his Confessional. It turns out that the victim had attended the same seminary as three other priests who were murdered in similar fashion. To root out the killer, Stone goes undercover, donning the collar and robe of a Roman Catholic prelate. ~ Hal Erickson, All Movie Guide