Michael Sacks Movies
Supporting actor and occasional lead Sacks appeared onscreen from the early '70s. ~ All Movie Guide- 1984
Made for television, Why Me? is the true story of Air Force nurse Leola Mae Harmon (Glynnis O'Connor), whose face is all but destroyed in a head-on automobile accident. As Leola recuperates in a military hospital, her will to live is seriously tested, not only by her shattered face, but also by the loss of her unborn child and the breakup of her marriage. The one person who refuses to feel sorry for Leola -- and who, in fact, admires her spunk -- is dedicated plastic surgeon James Stallings (Armand Assante). Persuading Leola to allow him to rebuild her face, Stallings puts his patient through 40 operations in the next four years. Understandably, the film's dramatic impact is greatest in the early sequences, wherein actress O'Connor, her face obscured by bandages (and by Michael Westmore's disturbingly realistic, Emmy nominated makeup), must convey her thoughts and moods through her eyes, her body language, and an occasional incoherent grunt. Why Me? originally aired March 12, 1984, on ABC. ~ Hal Erickson, All Movie Guide
- Starring:
- Glynnis O'Connor, Armand Assante, (more)
- 1983
In this taut, futuristic drama, the maiden voyage of a hypersonic passenger jet becomes a disaster when something goes terribly wrong and it gets stuck in orbit. The film is also known as Starflight: The Plane That Couldn't Land. ~ Sandra Brennan, All Movie Guide
- 1982
- R
Sure to generate conversation, this provocative drama tells the story of how a middle-class family is torn apart when their clean-cut high-achieving son, who has the potential of making it on the Olympic gymnast team, suddenly joins a religious cult. The parents become deeply worried and try to get him back. The twist is that, unlike other movie religious cults, the leader of this one is not terribly evil even though he does strongly indoctrinate his followers. The members of his group are good people who do good deeds for others. Unfortunately, the parents don't see it this way and so hire a free-lance deprogrammer to "rescue" their son and force him through a deprogramming process that traumatizes him more than the cult did. ~ Sandra Brennan, All Movie Guide
- Starring:
- Michael O'Keefe, Karen Allen, (more)
In this WWII romance, Harrison Ford (face-to-face with superstardom from his involvement in Star Wars) is cast as David Halloran, an American bomber pilot stationed in London. During an air raid, Halloran meets and falls in love with beautiful Briton Margaret Sellinger (Lesley-Anne Down). Naturally, Margaret is married, and just as naturally David hopes that this won't make too much difference in their relationship. But this is not to be: Halloran is assigned behind enemy lines on a dangerous assignment, and his partner in this endeavor is Margaret's husband, Paul (Christopher Plummer). ~ Hal Erickson, All Movie Guide
- Starring:
- Harrison Ford, Lesley-Anne Down, (more)
"For God's sake, GET OUT!" was the ad campaign for the 1979 shocker The Amityville Horror. The film was based on the allegedly true story of the luckless Lutz family, who move lock, stock, and barrel into a new home, only to find that it is possessed by the demonic spirits of its previous owners. Variations of the Seven Deadly Plagues emanate from virtually every household fixture, while other forms of otherworldly mischief are suffered by the Lutz children. Enter kindly Father Delaney (Rod Steiger), who does his utmost to exorcise the house. The Amityville Horror was frequently greeted with laughs from its first-run audiences, especially after it was discovered that the "actual" events depicted in the film (based on a book by Jay Anson) were complete fabrications. ~ Hal Erickson, All Movie Guide
- Starring:
- James Brolin, Margot Kidder, (more)
- 1979
In this abysmal, tasteless farce, the pitfalls of patient and staff life in a big city hospital are supposed to be the brunt of the jokes, but there are no living jokes in this film. In the first several scenes, the obnoxious know-it-all Fats (Charles Haid) introduces new interns to the hospital with an aggressive monologue that exhorts them to stay away from the patients and basically do exactly the opposite of what the Hippocratic Oath enjoins. Everything spirals downhill from there. Later on, an intern quits in disgust but returns to the hospital when one of his friends needs his medical expertise. As an example of the hilarious behavior of the protagonists, a female doctor does an autopsy while she herself is bare to the waist. Certainly her scalpel might have been put to better use by excising that scene and then transplanting another movie onto this one. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Tim Matheson, Charles Haid, (more)
- 1977
- PG
Larry Cohen's pseudo-biography of J. Edgar Hoover (Broderick Crawford) was virtually howled off the screens upon its release in 1977. Today, with the cross-dressing Hoover so much a matter of historical record that even Oliver Stone didn't bother to make too much of a point of it in Nixon, the Cohen film plays more like a dramatic re-enactment rather than the puerile paranoid fantasy it appeared to be at the time. Unfortunately, Cohen's method is part exploitation and part historical tableau. On the one hand, Cohen dramatizes historical moments in Hoover's momentous life story -- the shooting of John Dillinger in front of Chicago's Biograph Theater, his first arrest -- with a deadening solemnity (even abandoning the backlot facsimiles to shoot on the actual historical locations). On the other hand, Cohen relishes his scenes of Hoover's homosexuality and his propensity for sitting in the dark with a bottle of whiskey, replaying tapes of the amorous liaisons of high government officials -- the decadently homosexual Hoover built his political power base by getting all the dirt he could on the government's movers and shakers -- particularly their sexual liaisons -- and blackmailing them for their support when he could not get it in any other way. A true schizophrenic masterwork in its time, the film is now muted by a reality more incredible than Cohen ever imagined in his wildest dreams. ~ Paul Brenner, All Movie Guide
- Starring:
- Broderick Crawford, José Ferrer, (more)
- 1977
- R
A couple of LAPD officers find a school for con artists. ~ Kristie Hassen, All Movie Guide
- Starring:
- Robert Urich, Tom Selleck, (more)
- 1974
"Stubborn old patriarch" TV movies can rise or fall depending on the leading man. Richard Boone is the star who makes Great Niagara tolerable, even in its most irritatingly macho passages. Boone plays an ill-tempered old codger who has been crippled by attempting to go over Niagara Falls in a barrel. Despite his own lack of success, Boone demands that his sons maintain family tradition by challenging the Falls themselves. Produced by Playboy Films, The Great Niagara is a satisfactorily exciting effort, given texture by being set during the Depression. ~ Hal Erickson, All Movie Guide
Based on an actual incident, Steven Spielberg's first theatrical feature follows the adventures of a Texas outlaw couple striving to keep their family together by any means necessary. Determined not to lose her child to the authorities, Lou Jean Poplin (Goldie Hawn) gets her obedient convict husband Clovis (William Atherton) to break out of jail and help her kidnap their baby from its foster parents. With hostage Officer Slide (Michael Sacks) in tow, the fugitives head across the plains to Sugarland, Texas, pursued by a flotilla of cop cars. Even though Slide becomes the couple's friend, the Law is bent on capturing its criminal quarry. Even though it was greeted with strong reviews, and Hal Barwood, Matthew Robbins, and Spielberg won the screenplay prize at the Cannes Film Festival, The Sugarland Express flopped. The young audience that had embraced the challenging tonal shifts of Bonnie and Clyde and Easy Rider in the late 1960s was no longer so reliably drawn to narrative uncertainties in 1974. The massive success of Spielberg's next picture, the popcorn thriller Jaws (1975), would confirm his suspicion that downbeat films were no longer the way to popular approval. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Goldie Hawn, Ben Johnson, (more)
Norman Lloyd directed this televised production of Jean Renoir's World War II-era play. Taking place backstage at a theatrical performance in Nazi-occupied France, Carola is a tale of passion and intrigue that involves a beautiful stage actress and her emotional and psychological struggles over a Nazi officer, whom she is entangled in an affair with, and a Resistance leader whom she is hiding. Featuring Leslie Caron as Carola, the play also stars Mel Ferrer, Albert Paulsen, Michael Sacks, Carmen Zapata, and Anthony Zerbe. ~ Matthew Tobey, All Movie Guide
- Starring:
- Leslie Caron, Mel Ferrer, (more)
"Billy Pilgrim has come unstuck in time." These opening words of Kurt Vonnegut's famous novel make an effective and short summary of a haunting, funny film. For the screen, director George Roy Hill faithfully renders Vonnegut's black anti-war comedy about Pilgrim (well played in a low key by Michael Sacks), who survives the horrendous 1945 fire bombing of Dresden then lives simultaneously in his past as a naïve American POW and in the future as a well-cared-for zoo resident on the planet Tralfamadore (with zaftig Valerie Perrine as his mate). In the present, he's a middle-aged optometrist in Ilium, NY. If this sounds like a bit of a jumble -- it is. But viewers willing to watch carefully will find the movie as intricate and harmonious as Glenn Gould's plaintive renderings of the Bach keyboard pieces that decorate its soundtrack. It's not essential, but fans who read the short, poetic book will find it a treat in itself, and it will help them appreciate Hill's genius in bringing this "Children's Crusade" to the screen. In addition to Sacks, there are noteworthy performances by Ron Leibman (Norma's union man in Norma Rae) as Pilgrim's crazed nemesis and by radio/TV/movie legend, John Dehner as the arrogant Professor Rumfoord. Hill, of course, came to this film from a big hit, Butch Cassidy and the Sundance Kid, and went on to triumph with The Sting one year later. The elaborate medieval and baroque architecture of pre-bombing Dresden was represented authentically in the film by scenes from Prague, since much of Dresden's architecture was lost to the bombing, and that city, in any case, was deep in East Germany, thus inaccessible at the time of filming. ~ Michael P. Rogers, All Movie Guide
- Starring:
- Michael Sacks, Ron Leibman, (more)
