Mark Rylance

Adapted from author Philippa Gregory's historical novel of the same name, director Justin Chadwick's atmospheric period drama follows the fierce competition between sisters Mary (Scarlett Johansson) and Anne Boleyn (Natalie Portman) to win the affections of Tudor king Henry VIII (Eric Bana). Anne and Mary Boleyn are under pressure from their father and uncle to help maintain the family's rich legacy and ensure their further prosperity by winning the affections of none other than the king of England (Eric Bana). But life in the royal court is far different than it was in the countryside where these two sisters were raised, and before long their bid to earn the love of the king has transformed two once-happy sisters into bitter rivals. At first, it appears that Mary has triumphed in winning the king's favor by becoming his mistress and bearing him an illegitimate child. Despite her early success, however, Mary has underestimated just how clever and cunning her sibling can truly be. Not only does the relentless Anne manage to edge aside her sister in the eyes of King Henry, but she also succeeds in averting his gaze from his wife, Queen Catherine of Aragon, as well. Mary is driven by genuine affection for King Henry, while her sister Anne has only kept up the charade in a desperate bid to become the queen of England. Now, the growing chasm between two sisters is mirrored on a larger scale as England becomes divided more than ever before. As the consequences of their actions threaten to alter the course of an entire nation, these two sisters will ultimately discover that the only place they will find true strength and loyalty is in family, and that no matter what the consequences they will forever be bound by blood. ~ Jason Buchanan, All Movie Guide

One man's sexual obsessions and emotional weaknesses are laid bare in this controversial drama. Jay (Mark Rylance) is a cold, emotionally distant man who abandoned his wife and children several years ago andnow works in a nightclub. Jay enters into an affair with a married woman, an amateur actress named Claire (Kerry Fox), in which their emotional needs barely enter the picture; they meet once a week and have sex, talking as little as possible and parting ways once they're done. One week, Jay follows Claire after their weekly encounter and sees her meeting her husband Andy (Timothy Spall), a cheerful and good-natured cab driver. Jay becomes curious about Andy and strikes up an acquaintance with him; as they become friendly, Jay begins sharing with Andy the details of his affair with a married woman, without mentioning his lover's name. Claire has already begun moving away from her affair with Jay, and when she discovers that he's been meeting with her husband and sharing information about their relationship, she becomes understandably furious. Intimacy was the first English-language film for French director Patrice Chereau; the film received its North American premiere at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

An Irish castle filled with eccentric characters, both upstairs and down provides the basis for this lively, loopy British comedy based on Henry Green's anti-novel set in 1941. The Castle Kinalty has become a haven for advocates of the traditional British class system. The aristocratic masters go about their business and try to ignore the nagging guilt that tells them they should return to England to fight in the war. The story (if it can be called a story) begins as Raunce is promoted to the position of head butler following the death of the former butler. The middle-age Raunce loves the power he suddenly has over the others and over the household accounts. Raunce is a little arrogant and very uptight and always courteously catering to the widowed mistress of the house and her randy daughter. Restrained Raunce finds himself targeted for love by the lithesome lusty young servant Edith who teaches him the advantages of unbridled passion. ~ Sandra Brennan, All Movie Guide

Puzzle-master Peter Greenaway exposes another aspect of his peculiar obsessions to the filmgoing public. Prospero's Books uses Shakespeare as a foundation and then skips along to define its own lush territory. The books of the title are briefly referenced in The Tempest -- Prospero is a magician who gets to keep only a small fragment of his enormous library when he is exiled with his daughter to an enchanted island. In the film, Prospero is played by Sir John Gielgud. Indeed, everybody is voiced by Gielgud as he describes the events that unfold. But mostly, he describes the books, and as he does, the screen fills with florid calligraphies, astonishing diagrams, extravagant paintings, and lots and lots of naked people. ~ John Voorhees, All Movie Guide

This uninspiring drama was unfortunately the last feature film directed by Richard Marquard and was released posthumously. Bob Dylan plays the retired and reclusive rock star (there's a stretch) Billy Parker who falls for aspiring rocker Molly McGuire (Fiona) and takes her under his wing on his tour of England to benefit from his experience. When Molly is "discovered" by lecherous music promoter James Colt (Rupert Everett), Billy flies the coop back to his stateside chicken farm while Molly makes music magic. Billy and Molly are eventually reunited when she returns for a triumphant tour of the United States. Songs from Dylan, Neil Young, Shel Silverstein, Andy Goldmark, Tony Swan, Wang Chung, John Dexter, Cyril Neville, John Hiatt, and Steve Jolley help the thin script and uninspired thesping. The film opens up with the 1982 hit Tainted Love from Soft Cell. Musicians Ian Dury and Richie Havens are included in the acting cast. One can only wonder if the feature was just wrapped up too quickly after the untimely death of Marquand from a stroke at age 49 on September 4th, 1987. ~ Dan Pavlides, All Movie Guide