Lydia Bilbrook Movies

Something seems fishy when a married man finds new adventure and romance in this comic fantasy. Arthur Peabody (William Powell) is a slightly stuffy businessman from Boston who after turning fifty finds himself suffering from a full-fledged midlife crisis. On the advice of his doctor, Peabody and his wife Polly (Irene Hervey) head to the Caribbean for a restful vacation. One evening, Peabody decides to do some fishing, and he pulls in a highly unexpected catch -- a beautiful mermaid named Lenore (Ann Blythe). Peabody takes the mysterious creature home with him (keeping her in a backyard pond for safekeeping), but while he soon becomes infatuated with Lenore, she's quite shy around others, refusing to let people see her except for the tip of her tail, so few believe his story about the big one he's reeled in. Makeup whiz Bud Westmore designed the special mermaid costuime for Ann Blythe; keep an ear open for the song "The Caribbees", co-written for the movie by Johnny Mercer. ~ Mark Deming, All Movie Guide

The Picture of Dorian Gray was writer/director Albert E. Lewin's fascinating follow-up to his expressive-esoterica masterpiece The Moon and Sixpence. Hurd Hatfield essays the title character, a London aristocrat who would sell his soul to remain handsome and young--and, in a manner of speaking, he does just that. Under the influence of his decadent (albeit witty) friend Lord Henry Wotton (George Sanders), Dorian Gray becomes the embodiment of virtually every sin known to man. The greatest of his sins is vanity: Gray commissions artist Basil Hallward (Lowell Gilmore) to paint his portrait. Admiring his own painted countenance, Gray silently makes a demonic pact. The years pass: everyone grows older but Gray, who seemingly gets younger and more good-looking every day. Hallward eventually stumbles upon the secret of Dorian's eternal youth: he finds his painting hidden in the attic, the portrait's face grown grotesquely aged and disfigured. Gray kills Hallward so that his secret will remain safe. Later on, Gray falls in love with Hallward's niece Gladys (Donna Reed). Certain that Gray is responsible for Hallward's death, Gladys' ex-boyfriend David Stone (Peter Lawford) sets out to prove it. He is joined in this mission by the brother of dance hall performer Sybil Vane (Angela Lansbury), who killed herself after Gray betrayed her. Essentially a black and white film, Picture of Dorian Gray bursts into Technicolor whenever the picture is shown in close-up. ~ Hal Erickson, All Movie Guide

John Loder plays a prominent London actor, lately starring in a play about a maniacal strangler. When the theatre is bombed by the Nazis, Loder suffers a head injury. Thereafter, he cannot separate fact from fiction, and periodically becomes the strangler that he is playing on stage. Loder's lady love June Duprez puts her own life on the line in attempting to save Loder from himself. The Brighton Strangler benefits from its brisk 67-minute running time, which allows the story to unfold without undue padding or muddled psychological overtones. Interestingly, John Loder's character is triggered into becoming a murderer whenever someone inadvertently recites one of the lines from his play--a dramatic device later utilized to fuller effect in Richard Condon's The Manchurian Candidate. ~ Hal Erickson, All Movie Guide

Originally titled Passport to Destiny, RKO's Passport to Adventure manages to be both whimsical and melodramatic all at once. Elsa Lanchester stars as a Cockney charwoman who sneaks into wartime Berlin, fully intending to kill Adolf Hitler. Lanchester is convinced that a snake-eyed charm left to her by her late military-officer husband will protect her from harm-and, given the ease with which she obtains a domestic job in the Berlin chancellory by posing as a deaf-mute, who's to say that the charm doesn't work? Once the Nazis catch on to Lanchester's mission, she is rescued by German officer Gordon Oliver, who happens to be a member of the underground resistance. One of the best bits in Passport to Adventure occurs at the beginning, when Elsa Lanchester gazes reverently upon a photo of her dear departed husband-whom we immediately recognize as Lanchester's real-life hubby Charles Laughton. ~ Hal Erickson, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

The first "Mexican Spitfire" entry of 1942, Mexican Spitfire at Sea is set mainly on a Hawaii-bound ocean liner. Combining business with pleasure, vacationing advertsing man Dennis (Charles "Buddy" Rogers) hopes to sign a contract with a wealthy client. Alas, these plans are scotched by the well-meaning idiocies of Dennis' peppery spouse Carmelita (Lupe Velez), and by a whole flock of Dennis' relatives who have invited themselves along for the voyage. Once again, it's up to Dennis' Uncle Matt (Leon Errol) to save the day-which inevitably requires old Matt to disguise himself as his British lookalike Lord Epping. Marion Martin, the blonde bombshell who'd caused so much trouble in the previous series entry Mexican Spitfire's Baby (1941), is seen in a minor role. ~ Hal Erickson, All Movie Guide

Slick gambler/burglar Brian Donlevy breaks into the house of Henry Daniell and his wife Diana Barrymore. Daniell is promptly murdered, and both the intruder and the wife fall under suspicion. Donlevy and Barrymore go on the lam, pursued by the cops--and by the Nazi spies who committed the murder. Nightmare was Brian Donlevy's favorite film, and the character of dishonest-but-decent gambler Daniel Shayne was Donlevy's favorite role; he later utilized the same characterization (under a different name) on the radio and TV series Dangerous Assignment. Nightmare also represented the best screen showing for the benighted Diana Barrymore, though unlike Donlevy she didn't think much of the assignment. ~ Hal Erickson, All Movie Guide

In this third of RKO's "Mexican Spitfire" series, star Lupe Velez doesn't get any further west than Reno, Nevada. Lupe feels that her straightlaced husband (Donald Woods) is neglecting her, and thus seeks a divorce. Reliable old Uncle Matt (Leon Errol) shows up to straighten things out, which means that for the umpteenth time in this series he'll disguise himself as the veddy British Lord Epping. Before everything straightens itself out, Uncle Matt finds himself in dutch with his own wife. We all know that Lupe and her hubby will get together: otherwise there wouldn't be a fourth "Mexican Spitfire" picture. ~ Hal Erickson, All Movie Guide