John Ryan Movies

Produced in the Autumn of the Golan-Globus collaboration, Avenging Force serves as a vehicle for American Ninja costar Michael Dudikoff. Cast as a retired secret service agent, Dudikoff runs up against a sinister right-wing political organization called the Pentangle. He comes to the aid of his best friend Steve James, a black political candidate who has become a target for the Pentangle's henchmen. Impressed by Dudikoff's martial arts skills, the Pentangle leaders try to convince him to join their cause-and to ensure his cooperation, they kidnap his little sister Alison Gereighty. Avenging Force concludes with a violent Enter the Dragon-style mano y mano squareoff between Dudikoff and the Pentangle flunkeys. The film's finale is "open" enough to allow for a sequel, which has yet to appear. ~ Hal Erickson, All Movie Guide

Set in the future, a policeman must stop his psychotic brother who has kidnapped and killed a child. Tangerine Dream provides the score. ~ John Bush, All Movie Guide

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

A botched attempt to remake Jean-Luc Godard's classic nouvelle vague entry, Á Bout de souffle, Breathless follows Jesse (Richard Gere), a fugitive wanted for the murder of a police officer. In the course of his flight from the law, he hitches up with a beautiful French college student (the stunning Valerie Kaprisky), and together the two attempt to escape to Mexico. From start to finish, Breathless places style over substance; the film is almost insufferably hip, although its hipness now seems more dated than a time capsule. More attention seems paid to wardrobe, set design and soundtrack than anything else, yet it lacks any of the stark visual impact the original managed to achieve. Gere is passable as the sociopathic killer (although he relies on shirtlessness to carry him through much of the film), but Kaprisky, though beautiful, demonstrates limited acting range. ~ Jeremy Beday, All Movie Guide

Covering some 15 years, The Right Stuff recounts the formation of America's space program, concentrating on the original Mercury astronauts. Scott Glenn plays Alan Shepard, the first American in space; Fred Ward is Gus Grissom, the benighted astronaut for whom nothing works out as planned; and Ed Harris is John Glenn, the straight-arrow "boy scout" of the bunch who was the first American to orbit the earth. The remaining four Mercury boys are Deke Slayton (Scott Paulin), Scott Carpenter (Charles Frank), Wally Schirra (Lance Henriksen) and Gordon Cooper (Dennis Quaid). Wolfe's original book related in straightforward fashion the dangers and frustrations facing the astronauts (including Glenn's oft-repeated complaint that it's hard to be confident when you know that the missile you're sitting on has been built by the lowest bidder), the various personal crises involving their families (Glenn's wife Annie, a stutterer, dreads being interviewed on television, while Grissom's wife Betty, angered that her husband is not regarded as a hero because his mission was a failure, bitterly declares "I want my parade!"), and the schism between the squeaky-clean public image of the Mercury pilots and their sometimes raunchy earthbound shenanigans. ~ Hal Erickson, All Movie Guide

The titular "kid" is a nanny goat, purchased by Klinger (Jamie Farr) in hopes of cornering the milk business in the 4077th. Instead, the goat eats the camp's payroll, leaving temporary paymaster Hawkeye (Alan Alda) in debt to the tune of $22,340. Elsewhere, Charles (David Ogden Stiers has problems of his own after getting his mitts on a rare vase. This was the final episode of M*A*S*H's 10th season. ~ Hal Erickson, All Movie Guide

Even animal lovers may balk at this light, light drama about how a missionary (Genevieve Bujold) and Bobby (Rick Schroder), a young boy manage to populate a deserving island with critters of all types. Noah Dugan (Elliott Gould) is a pilot in need of escaping his creditors and he agrees to fly the animals to their destination. Bobby and the missionary sneak on board and the plane crash-lands on another island on which two Japanese soldiers are still fighting World War II. The story veers ever more into fantasy as the Japanese and the pilot join together to make a boat out of the plane with the goal of taking every animal with them into uncharted waters. ~ Eleanor Mannikka, All Movie Guide

Jim (James Garner) wants to know why his dad Rocky (Noah Beery Jr.), currently vacationing in Hawaii, has been receiving huge sums of money in the mail. The Feds would also like the answer to that question--and there are several other interested parties lurking in the shadows. As usual, Angel (played by episode director Stuart Margolin) is no help whatsoever in extricating Jim from the plotline's deadly complications, but Rocky manages to "repay" Angel with a sublimely unique revenge. Future Magnum P.I. costar Roger E. Mosley appears in this final episode of The Rockford Files' third season as a sinister loan shark who has a remarkable way with words. ~ Hal Erickson, All Movie Guide

Ingredients essential to this made-for-TV movie are a famous former pro football player, an interracial romance, and a brutal murder. Yes, the football player is O.J. Simpson, but the film was made a full 17 years before the death of Nicole Brown Simpson. In A Killing Affair, Simpson is cast as police detective Woody York, who is partnered with white female cop Viki Eaton (Elizabeth Montgomery) to solve a mysterious killing. In the course of the assignment, Woody and Viki fall in love. Also known as Behind the Badge, A Killing Affair premiered September 21, 1977, on CBS. ~ Hal Erickson, All Movie Guide

This follow-up to the successful 1973 thriller Westworld stars Peter Fonda and Blythe Danner as Chuck Browning and Tracy Ballard, investigative reporters. The team has been dispatched to the expensive theme park Westworld on the remote island of Delos, to find out what caused the park's robots to go berserk and begin killing the cash customers. They discover that Duffy (Arthur Hill), creator of Westworld, has retooled his park into Futureworld, a supposedly "fail safe" recreational mecca. In truth, he is scheming to replace all of the world leaders with robot clones, the better to take over the globe. Yul Brynner, the steely-eyed cowboy android from Westworld, makes a brief return appearance. ~ Hal Erickson, All Movie Guide

The 1975 TV movie Death Scream is based on the shameful Kitty Genovese affair of 1964, in which a N.Y.C. woman was stabbed to death while 38 witnesses locked their windows and doors and pretended not to hear. Raul Julia stars as the detective who investigates the murder and stirs up the guilt feelings of those who refused to help. The film casts celebrity actors in the roles of the witnesses (Diahann Carroll, Cloris Leachman, Lucie Arnaz, Nancy Walker, Art Carney, et al.). ~ Hal Erickson, All Movie Guide

Theo Kojak (Telly Savalas) is both disturbed and perplexed by the appearance of Peter Ibbotson (John R. Ryan, an ex-convict whom the lieutenant had sent to prison. Staying carefully within the limits of the law, Ibbetson begins methodically stalking Kojak and his family just before the wedding of Theo's niece. Clearly, Ryan has revenge in mind--but what exactly is he planning, and how can Kojak figure it out before it's too late? Listen for Kojak's now-famous warning to the slippery villain, which was used repeatedly in the promotional material for the series' first season. ~ Hal Erickson, All Movie Guide