John Ryan Movies

Ingredients essential to this made-for-TV movie are a famous former pro football player, an interracial romance, and a brutal murder. Yes, the football player is O.J. Simpson, but the film was made a full 17 years before the death of Nicole Brown Simpson. In A Killing Affair, Simpson is cast as police detective Woody York, who is partnered with white female cop Viki Eaton (Elizabeth Montgomery) to solve a mysterious killing. In the course of the assignment, Woody and Viki fall in love. Also known as Behind the Badge, A Killing Affair premiered September 21, 1977, on CBS. ~ Hal Erickson, All Movie Guide

Joe Lara, best known as TV's Tarzan, must protect the fetus of the last fertile woman on Earth in this silly post-nuke science fiction film. Much of the action is obviously Terminator-inspired, as John Ryan plays an evil cyborg chasing the heroes around an old factory. Israeli director Boaz Davidson, best known for sex comedies like Lemon Popsicle and The Last American Virgin, injects some interesting touches into the familiar proceedings which should keep action fans happy. It's obviously low-budget, by-the-numbers filmmaking, but it's not bad for its type. ~ Robert Firsching, All Movie Guide

This stylish animated adventure is based on the '90s animated television series, which in turn is based on the original comics and Tim Burton's live action "Batman" films. Unlike the campy 1960s version of Batman, this version is half-mad from the superhero's obsession with justice. It is only his unusual sense of ethics that keeps him from becoming a full-blown psychotic. The story describes the origins of Batman as it follows the Dark Knight's attempts to capture the elusive, deadly Phantasm who kills a crime lord and makes it look as if Batman did it, causing a media smear campaign against the Caped Crusader. At the same time, millionaire Bruce Wayne holds a party at his mansion. There he meets Councilman Arthur Reeves, the man behind the accusations. Reeves derides playboy Wayne for allowing his college sweetheart Andrea Beaumont to leave him. Suddenly Wayne flashes back to his pre-Batman days. He remembers how he met her while visiting his parents' graves to renew his vow that he would spend his life fighting crime to avenge their wrongful deaths. He has already devised an early version of his alter-ego Batman, but that is nearly forgotten when he falls in love with Andrea. The story then jumps from past to present and back as the mysterious Phantasm strikes again. Batman continues his investigation and discovers a disturbing link between Andrea, who suddenly shows up after many years absence, and the villain. Meanwhile, the Phantasm, feeling that Batman is too close to learning his/her identity hires the Joker to kill him. But the Joker has his own agenda and much action ensues before the mystery of the Phantasm identity is solved, Batman clears his name, and justice is served. This film was originally made to go straight to video, Warner's studio liked it enough to release it theatrically. Some of the violence may be inappropriate for very young children. ~ Sandra Brennan, All Movie Guide

This made-for-TV western stars Rick Schroder as a hotheaded cowboy who guns down the man responsible for the death of his parents. On the run from his victim's powerful father, Schroder is sheltered by old codger Wilford Brimley. Brimley seems to be operating out of friendship, but his reason for keeping Schroder alive is deliberately obscured until close to the end. Blood River was written by John Carpenter, a name usually associated with science fiction and horror. Though set in the Wild West, the film was lensed in Alberta and British Columbia. ~ Hal Erickson, All Movie Guide

A botched attempt to remake Jean-Luc Godard's classic nouvelle vague entry, Á Bout de souffle, Breathless follows Jesse (Richard Gere), a fugitive wanted for the murder of a police officer. In the course of his flight from the law, he hitches up with a beautiful French college student (the stunning Valerie Kaprisky), and together the two attempt to escape to Mexico. From start to finish, Breathless places style over substance; the film is almost insufferably hip, although its hipness now seems more dated than a time capsule. More attention seems paid to wardrobe, set design and soundtrack than anything else, yet it lacks any of the stark visual impact the original managed to achieve. Gere is passable as the sociopathic killer (although he relies on shirtlessness to carry him through much of the film), but Kaprisky, though beautiful, demonstrates limited acting range. ~ Jeremy Beday, All Movie Guide

Set in the future, a policeman must stop his psychotic brother who has kidnapped and killed a child. Tangerine Dream provides the score. ~ John Bush, All Movie Guide

In this comedy from director Aram Avakian, New York police officers Cliff Gorman and Joe Bologna turn crooked. Their plan is to steal $10 million worth of investment certificates, using a Manhattan parade as their "cover". Gorman and Bologna display an amazing degree of dexterity and foresightedness in breaking down the investment firm's sophisticated security system. Too bad they didn't take fate into consideration. Cops and Robbers was based on a novel by Donald Westlake (The Hot Rock). ~ Hal Erickson, All Movie Guide

The 1975 TV movie Death Scream is based on the shameful Kitty Genovese affair of 1964, in which a N.Y.C. woman was stabbed to death while 38 witnesses locked their windows and doors and pretended not to hear. Raul Julia stars as the detective who investigates the murder and stirs up the guilt feelings of those who refused to help. The film casts celebrity actors in the roles of the witnesses (Diahann Carroll, Cloris Leachman, Lucie Arnaz, Nancy Walker, Art Carney, et al.). ~ Hal Erickson, All Movie Guide

This confused sequel -- bearing many names in the credits: Delta Force 2, Delta Force 2: Operation Stranglehold, Delta Force 2: The Colombian Connection -- to the first Delta Force movie lacks the nightmarish collection of guest stars gracing the first film, i.e. Hanna Shygulla, Martin Balsam, Shelley Winters, George Kennedy, and Joey Bishop. Chuck Norris, however, returns as Col. Scott McCoy, a man in a blue funk because notorious drug dealer Ramon Cota (Billy Drago) arranged to have McCoy's partner and his partner's wife and baby brother killed. Cota has also kidnapped three DEA agents to boot. Even without Lee Marvin, Col. McCoy wants to enact biblical vengeance upon Cota and his cartel. As a result, McCoy and his marines travel to the Latin American dictatorship of San Carlos. There they destroy half of the country's cocaine supply and proceed to search out and destroy the evil Cota and his minions. ~ Paul Brenner, All Movie Guide

A man of faith finds his responsibilities changing with the world around him as he struggles to keep up in this low-key drama. Father John McNamee (David Morse) is a Catholic priest who presides over the St. Malachy parish in north Philadelphia. Over the years, the neighborhood surrounding St. Malachy has undergone a gradual but dramatic transformation, as "white flight" has turned the community from a racially mixed working-class neighborhood into an economically depressed African-American ghetto. With these changes, Father McNamee has seen his responsibility change from overseeing his flock's spiritual needs to helping to feed and clothe the needy and homeless who live around him. Overworked and understaffed, Father McNamee is beginning to fray under the pressure of his responsibilities; he lacks the energy and the resources to do as much as he thinks should be done for the community, he has no time for himself, and he believes that his parishioners see him as a sad and lonely man with little to look forward to. In time, Father McNamee has to look deep inside himself to find the strength and faith to continue his mission. Diary of a City Priest was directed by Eugene Martin, who previously examined life in inner-city Philadelphia (his hometown) in his feature Edge City. ~ Mark Deming, All Movie Guide

In this blend of fantasy and romantic comedy, a man isn't sure if he's stuck between past and present or if his imagination is simply working overtime. Edward (Jon Voight) is a prince in Medieval Europe, where his greatest rival is his brother Roni (Armand Assante). Roni wants to declare war on neighboring kingdoms, while Edward believes in keeping the peace, and both are in love with a beautiful gypsy named Dahlin (Eileen Davidson); only the frequent intervention of their father, the King (Wilford Brimley), keeps the two from killing each other. Or at least that's how it seems until Edward wakes up. It seems that his name is really James, he's the host of a talk show in Los Angeles, and he keeps having a recurring dream in which he and his co-workers are characters in a tale of knights in shining armor. Eric, his boss, looks just like the King, and Roni is a dead ringer for Sean, a high-powered businessman who is organizing a hostile takeover of James' company. However, things really start to get interesting for James when he meets Valerie, who is directing a television commercial at James' studio. She bears a striking resemblance to Dahlin the gypsy girl, and James can't help but tell her that she's the girl of his dreams. But are they really dreams, or memories of a past life? Eternity was Jon Voight's first film in three years; he also co-wrote the screenplay with director Steven Paul and Dorothy Koster Paul. ~ Mark Deming, All Movie Guide

A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away. ~ Lucia Bozzola, All Movie Guide

The life of powerful union leader Jimmy Hoffa is the subject of this biographical drama. The focus is strongly on Hoffa's public and political life, from his early days as a labor organizer to his later conflicts with the Federal government -- and, eventually, his mysterious disappearance. ~ Judd Blaise, All Movie Guide