Edmon Ryan Movies

This 25-million dollar epic collaboration accurately recreates the events that led to the Japanese attack on the American naval base during World War II. With Germany's invasion of Poland on September 1, 1939, the wheels are set in motion by Japan to plan the attack. After internal differences in the government, the Japanese quickly mobilize plans for the assault. Key American personnel ignored warnings of the possibility of Japanese aggression. The first part of the film divides scenes from both countries. Part two contains spectacular battle scenes of the bombing that destroyed the American naval base of operations in Hawaii. Governmental errors on both sides add to the confusion, but the Japanese ultimately carry out the deadly mission. The film did well in Japan, did not do well in the he United States, and took years to make back the production costs. It remains an insightful and well crafted World War II action drama that was the result of years of negotiations between the two countries. ~ Dan Pavlides, All Movie Guide

An exclusive LA country club provides the setting for this sudsy melodrama that centers on a handsome assistant golf pro and the women that love him. One woman is particularly desperate to have him. It also follows the efforts of a conniving former-caddy to take the assistant's job. ~ Sandra Brennan, All Movie Guide

Now that Tony (Larry Hagman) has broken up with his fiancée, Jeannie (Barbara Eden) is more determined than ever to have him all to herself. To make certain of this, Jeannie joins the WAAF's, in hopes of becoming Tony's secretary on the base. Her plan backfires when she is assigned to another office--in Africa! In this episode, we learn the exact date of Jeannie's birthday--a "fact" which will be contradicted time and again in future episodes. ~ Hal Erickson, All Movie Guide

This drama tells the true story of one of Broadway's most successful madams in the 1920s. It is loosely based on the autobiography of Polly Adler. The story begins when young Polly is seduced and raped at her job by the sweatshop foreman. When her uncle, with whom she lived, learns of the act, he blames her and tosses her out. She then moves into an apartment owned by a racketeer. It is he who encourages her into her "helping" profession when he gives her money for bringing her pals to a gangster party. Soon she is beginning to build up her own clientele. As her business prospers, she begins to choose nicer locations. Her tiny cathouse becomes a haven for sleazy politicos, mobsters, and businessmen. The madame herself has a passionate romance with a young songwriter and she helps his career. He does not know of her vocation and she eventually breaks up with him to keep his reputation intact. ~ Sandra Brennan, All Movie Guide

The lively but somehow slightly distasteful The Americanization of Emily stars James Garner as a WWII naval officer who happens to be a craven coward. While his comrades sail off to their deaths, Garner makes himself scarce, generally hiding out in the London flat of his lothario navy buddy James Coburn. Garner falls in love with virtuous war widow Julie Andrews (the "Emily" of the title), but she can't abide his yellow streak. Meanwhile, crack-brained admiral Melvyn Douglas decides that he needs a hero--the first man to die on Omaha Beach during the D-Day Invasion. Coburn is at first elected for this sacrifice, but it is the quivering Garner who ends up hitting the beach. He survives to become a hero in spite of himself, winning Andrews in the process. Paddy Chayefsky's script, based on the novel by William Bradford Huie, attempts to extract humor out of the horrors of war by using broad, vulgar comedy instead of the light satirical touch that would seem to be called for. Americanization of Emily was Julie Andrews' second film; it should have led to a steady stream of adult-oriented roles, but the box-office clout of Mary Poppins and The Sound of Music consigned her to "wholesome family entertainment". ~ Hal Erickson, All Movie Guide

Druggist Herbert Simms (Linden Chiles) hopes to change careers and become a TV writer. To this end, he submits his first script to unscrupulous producer Charlie Cory (John Lasell)--who proceeds to steal Simms' story idea and pass it off as his own. The outraged Simms consults his family's attorney, Perry Mason (Raymond Burr), who tells him that nothing can be done because no contract had been signed. Not long afterward, Cory is bludgeoned to death--and Simms is spotted fleeing the murder scene. ~ Hal Erickson, All Movie Guide

When mobster Little Dandy Dorf (Frankie Darro) makes a pass at sultry nightclub singer Georgia (Linda Lawson), he is punched out by Georgia's accompanist, Bert Haber (Myron McCormick). Publicly humiliated by the incident, Little Dandy vows to get even with Bert -- but chooses an incredibly roundabout method to do so. Future One Day at a Time co-star (Pat Harrington Jr.) has a plum role as a curiously suspicious-looking insurance salesman. ~ Hal Erickson, All Movie Guide

The Springdale, NE, bank is held up and robbed by a well organized gang. One of the members is Eddie Campbell (Robert Vaughn), a onetime resident of the town and orphan who was brought up in part by Ben Cutler (Fred MacMurray), an ex-lawman-turned-rancher. While pursuing the robbers, the town marshal, Hiram Cain (Emile G. Meyer), is shot dead by Campbell, who in turn is wounded and captured by Cutler. The town council appoints Cutler as temporary marshal, and the prosecution seems like an open-and-shut case -- he begins to see signs of trouble when his own daughter Laurie (Joan Blackman), who was raised with Campbell and was once his sweetheart, refuses to believe that he's guilty of the crime. Ben's fiancée, Ruth (Maggie Hayes), also feels the boy deserves leniency, but the real trouble starts when Campbell's attorney, William Selby (Edmon Ryan), shows up; he first tries to compromise the jury pool by ingratiating himself with the asking the townspeople what we would now call "push" questions, about Campbell's being an orphan and a hard-luck case all of his life, under the guise of building his case. He's also just clever enough at the trial to shake the testimony of the five other witnesses to the shooting, but Cutler's testimony is enough to put the jury into the guilty column. Then Campbell starts working on the sympathy of Laurie and the townspeople who've been persuaded by his lawyer -- it's also been a long time since there's been a capital case like this in the state, and Cutler discovers that the townspeople and even the law may not be as ready to execute a killer as common sense says they should be. Cutler's and Ruth's romance is jeopardized, and he is pushed to the point of resigning when matters come to an explosive head. ~ Bruce Eder, All Movie Guide

The inspirational story of the famed basketball tricksters The Harlem Globetrotters is chronicled in this drama. The Trotters began in the 1920s when a manager catches a group of talented players on the basketball court. He becomes obsessed with getting these young black men the recognition he feels they deserve. He gathers them together as a team and they begin barnstorming a series of small towns. The film's climax takes on overtones of the Civil Rights Movement when it depicts a major game between them and an all-white team of champions. The Globetrotters beat the tar out of their opponents. One of the main storylines concerns the friendship between Saperstein and his wife, and player Inman Jackson and his wife. ~ Sandra Brennan, All Movie Guide

Undercover Girl was leading-lady Alexis Smith's least-favorite film, though she is professional enough to give it her all. Per the title, the film casts Smith as rookie policewoman Christine Miller, who volunteers to go undercover to avenge her father's death. Posing as a drug dealer, Christine inveigles her way into a vicious narcotics ring. Inevitably, she is found out, and it's up to police-lieutenant Mike Trent (Scott Brady), who's fallen in love with Christine, to come to her rescue. Few surprises await the viewer in Undercover Girl, though director Joseph Pevney manages to extract a great deal of suspense during the climax. Nineteen-thirties leading-lady Gladys George has a poignant minor role as a homeless woman ruined by drugs. ~ Hal Erickson, All Movie Guide

Watch the antics of the comedy and musical flicks from the 1950s. ~ All Movie Guide

This second screen version of Ernest Hemingway's To Have and Have Not is closer in spirit to the original than the first version, though it still is far from faithful to its source. John Garfield stars as Harry Morgan, who has metamorphosed from Hemingway's gun-runner to an ex-PT boat captain, now running a charter boat service in Southern California. Deeply in debt, Morgan agrees to smuggle aliens and later tries to sneak a bunch of gangsters out of the country. By the time he's been given a wake-up call by his conscience, Morgan has caused the death of a close friend. Patricia Neal and Phyllis Thaxter make the most of their limited footage as, respectively Harry Morgan's casual mistress and faithful spouse. Many critics feel that The Breaking Point represents Michael Curtiz' finest directing job--no small praise for a man who helmed such classics as Casablanca and Yankee Doodle Dandy. ~ Hal Erickson, All Movie Guide

Blonde good-time girl Vivian Heldon (Jan Sterling), who lives in a cheap rooming house in a working-class section of Boston, run by the inquisitive and neurotic Mrs. Smerrling (Elsa Lanchester), goes out one night after a phone conversation with her boyfriend, proclaiming that she's got big plans and might even move to a nicer place. After putting in her shift as a waitress at a cheap dive called The Grass Skirt, she latches onto Henry Shanway (Marshall Thompson), an innocently drunk patron, who's trying to wash away his sadness over his wife's stillborn child. She uses Henry's car with him in tow to drive out to Cape Cod, then strands him on foot and meets her boyfriend -- but when she arrives, he puts a bullet into her, then strips the body, throws it into the sea, and drops the clothes and the car into a lake. Six months later, an ornithologist from the cape spots the skeleton of a human foot sticking up through the sand.

Enter Lt. Peter Morales (Ricardo Montalban) of the Boston PD; he and his partner on this case, Det. Sharkey (Wally Maher), bring the bones to Dr. McAdoo (Bruce Bennett), of Harvard University's forensic medical laboratory. Over the next few days, McAdoo and his staff are able to determine the gender, age, and general appearance of the person to whom the bones belonged, and that this is a case of murder -- and that the victim was pregnant. Morales and Sharkey, combing through what they know about the victim and the missing persons records of six nearby states, eventually tie the skeleton up with Vivian Heldon, who disappeared on just about the same day the victim was killed, and also to Shanway's car, which he reported stolen that day. The poor slob, who is merely trying to cover up a drunken lapse from his wife (Sally Forrest), acts guilty enough and lies about just enough so that Morales is certain that he's the murderer. His investigation isn't helped by the interference of Mrs. Smerrling, who sold Vivian's belongings when she didn't return to her room, and now seems fixated, even obsessed with the details of the case and its connection to her rooming house. While the police tighten the screws on Shanway, she backtracks Vivian's phone calls and makes contact with the woman's boyfriend, James Joshua Harkley (Edmon Ryan), member of a wealthy Boston family, and a married man; she also manages to steal a vital piece of evidence. But instead of turning it over to the police, she uses it to blackmail Harkley.

Meanwhile, the district attorney sets an early trial date for Shanway, but with the opening arguments only a week away, Morales begins to develop doubts about Shanway's guilt, in addition to harboring his own sympathy for Grace Shanway, whose life is being gradually destroyed by the prosecution on her husband -- not that Morales thinks he's innocent, but there's enough that's not right about the case, including the missing murder weapon, that he's not 100-percent sure. And that's when Vivian's friend and neighbor, Jackie Elcott (Betsy Blair) reports how strangely Mrs. Smerrling is acting, and the fact that she's got a gun. But before they can question her, Harkley kills Mrs. Smerrling -- now it's a race between Morales and Harkley to see who can get to the murder weapon first. ~ Bruce Eder, All Movie Guide