Margaret Rutherford Movies

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

Based on a play by Pepine de Felipe, Her Favorite Husband is a British comedy set in Italy. Housewife Jean Kent is bemused by her husband Robert Beatty, who is not quite himself these days. In truth, he is not himself at all: Jean's husband has been replaced by a lookalike gangster who is plotting a big bank robbery. Once she tumbles to the truth, Kent is alternately repulsed and fascinated by her "new" spouse. Not exactly Shakespeare, Her Favorite Husband is a genial romp distinguished by a sizeable supporting cast of familiar British players. The film was released in the U.S. as The Taming of Dorothy. ~ Hal Erickson, All Movie Guide

Based on the play by Peter Blackmore, Miranda was the first of two British comedies starring Glynis Johns as a mischievous mermaid. Rescued from a watery grave by the finny-tailed Miranda (Johns), handsome doctor Paul Marten (Griffith Jones) agrees under durress to take his lovely rescuer to London. Hiding her scaly lower extremities with a blanket, Miranda pretends to be a patient in Paul's clinic, much to the discomfort of his jealous spouse Clare (Googie Withers). Along the way, two eligible bachelors (David Tomlinson and John McCallum) fall in love with Miranda-and are they in for a surprise! The irreplaceable Margaret Rutherford is a riot as Miranda's befuddled nurse. Incidentally, David Tomlinson and Glynis Johns were reteamed in 1964 as Mr. and Mrs. Banks in Mary Poppins. ~ Hal Erickson, All Movie Guide

Director Anthony Asquith's first postwar effort, While the Sun Shines was based on a play by frequent Asquith collaborator Terence Rattigan. Set in WW2 London, the story revolves around Lady Elizabeth Randall (Barbara White), who is serving her country as an Air Force corporal. While en route to her marriage to the Earl of Harpenden (Ronald Howard, in his screen debut), Lady Elizabeth is wooed a French expatriate named Colbert (Michael Allen) and American lieutenant Joe Mulvaney (the inevitable Bonar Colleano). The resulting series of sexual misunderstandings puts Lady Elizabeth's military career-not to mention her impending marriage-in dire jeopardy. A harmless romantic farce, While the Sun Shines is generally out of favor with Anthony Asquith's many adherents. ~ Hal Erickson, All Movie Guide

The Yellow Canary was one of several wartime collaborations between British producer-director Herbert Wilcox and Hollywood's RKO Radio Pictures. The film stars Wilcox's wife Anna Neagle as pretty aristocrat Sally Maitland. Having alienated many of her friends with her prewar Nazi sympathies, Sally continues hobnobbing with the Third Reich once war has been declared. Actually, her pro-German activities are a sham; she's actually working hand and glove with the British government to smash an Axis spy ring in Canada. Along for the ride is British intelligence officer Jim Garrick (Richard Greene), who ultimately falls in love with Sally. There's a "mystery" angle to the plotline of The Yellow Canary, but it is largely ignored when the story takes a melodramatic turn in the last few reels. ~ Hal Erickson, All Movie Guide

Demi-Paradise stars Laurence Olivier as a Russian inventor (accent and all). In Europe to promote his new propeller device, Olivier is put off by English customs and manners-or, rather, the lack of the latter. No one in 1939 England trusts a foreigner, least of all one of those shifty "Reds", but when Russia and England become allies against the Nazis, the previously persona non grata Olivier is welcomed with open arms. Penelope Dudley Ward co-stars as Olivier's previously suspicious landlady, who ends up falling in love with him. Demi-Paradise was made before the comic quaintness that afflicted Olivier's later performances set in, thus his Russian portrayal is straightforward and most convincing. The film was released in the US as Adventure for Two. ~ Hal Erickson, All Movie Guide

Based on a stage play by M. J. Farrell and John Perry, Spring Meeting stars Enid-Stamp Taylor and Michael Wilding as Tiny and Tony Stamp-Collier, mother and son. Tiny is a wealthy British courtesan who hopes to arrange a profitable marriage for son Tony. The logical choice for a bride is beautiful but stuffy Joan Furze (played by Winston Churchill's daughter Sarah), but Tony insolently falls in love with Joan's fun-loving younger sister Baby (Nova Pilbeam). The film is stolen by Margaret Rutherford as an easily outraged maiden aunt and Henry Edwards as a miserly uncle. And in the tradition of British drawing-room comedies, the most admirable character in the story is family butler James (Basil Sydney), who solves everyone's problems just before the final-act curtain. ~ Hal Erickson, All Movie Guide

African-American actor/singer Paul Robeson had to travel to England in the 1930s to seek out dignified film roles. In Big Fella, Robeson is a happy wanderer who chances upon a runaway child. The kid so enjoys the company of Robeson and his café-singer friend Elisabeth Welch that he threatens to claim that he's been kidnapped if Robeson tries to return the boy to his parents. Interestingly, Robeson's character name is Joe, just as it had been in the actor's 1936 Hollywood triumph Show Boat. Big Fella was based on a novel by Claude McKay. ~ Hal Erickson, All Movie Guide

British author W.W. Jacobs, whose love of the sea and seafarers permeated everything he wrote, was responsible for the story upon which Beauty and the Barge was based. Judy Gunn plays the headstrong daughter of an Army officer who runs away from home. She is later adopted by bargeman Gordon Harker. A very young Jack Hawkins portrays a handsome lieutenant (or "leff-tenant", if you prefer) who signs on as a common seaman on Harker's barge in hopes of winning Hawkins' love. Beauty and the Barge also features the unforgettable Margaret Rutherford, doing pretty much what she'd been still doing in movies nearly thirty years later-shamelessly stealing every scene she's in. ~ Hal Erickson, All Movie Guide

Although Neil Grant's stage play Dusty Ermine enjoyed a 250-performance run in London, screenwriters Du Garde Peach and Michael Hankinson could not resist the temptation to "improve" the play for its 1936 film version. Surprisingly, the film actually did turn out to be better than the play, no small thanks to its star, the ever-delightful Roland Young. The story concerns a master forger named Jim Kent (Young) and his equally larcenous nephew Gilbert (Arthur Macrae). Upon discovering that Gilbert has followed in his crooked footsteps, Jim determines that the boy shall turn honest, and to that end he takes the blame when Gilbert is arrested in the company of an international counterfeiting gang. But Gilbert has no intention of going straight and continues manufacturing "funny money." Realizing at long last that Jim is not the culprit -- after all, he's safely behind bars -- the police track down Gilbert, rescuing him from an Alpine avalanche and finally convincing him to pursue a less-risky occupation. ~ Hal Erickson, All Movie Guide