Margaret Rutherford Movies

You gets what you pays for in An Alligator Named Daisy. Donald Sinden stars as a young songwriter who accidentally picks up someone else's alligator suitcase. Somehow this leads to the luckless Sinden being saddled with a baby alligator, who prefers to sleep within his piano. Glamour girl Diana Dors is the leading lady, revealing an unexpected flair for wacky comedy. Based on a novel by Charles Terrot, An Alligator Named Daisy seemed to show up every other day on TV in the early 1960s, possibly due to its pleasant Technicolor photography. ~ Hal Erickson, All Movie Guide

A prim and pious old woman suddenly has her hands full when her devilishly free-spirited uncle dies and bequeaths her his five greyhounds, a ramshackle tavern and a popular cathouse in this British comedy that features a number of guest appearances by some of the country's most popular comedians. ~ Sandra Brennan, All Movie Guide

African-American actor/singer Paul Robeson had to travel to England in the 1930s to seek out dignified film roles. In Big Fella, Robeson is a happy wanderer who chances upon a runaway child. The kid so enjoys the company of Robeson and his café-singer friend Elisabeth Welch that he threatens to claim that he's been kidnapped if Robeson tries to return the boy to his parents. Interestingly, Robeson's character name is Joe, just as it had been in the actor's 1936 Hollywood triumph Show Boat. Big Fella was based on a novel by Claude McKay. ~ Hal Erickson, All Movie Guide

Most of this hectic British comedy takes place in an ancient Scottish castle. The British National Coal Board, following a real-life policy established in the 1940s, wants to annex the castle as a group home for the local miners and their families. Wealthy, much-married American Mrs. Clodfelter Dunne (Barbara Kelly) wants to claim the castle--and its owner, the Earl of Locharne (David Tomlinson)--for herself. Meanwhile, eccentric boarder Miss Nicholson (Margaret Rutherford) is possessed with the notion that the Earl is actually the rightful King of Scotland. The film's deus-ex-machina is a beautiful ghost, played by Patricia Dainton. With all this going on, it is easy to ignore the antiseptic romantic subplot involving Tomlinson and Helen Cherry. Castles in the Air was based on the popular stage play by Alan Melville. ~ Hal Erickson, All Movie Guide

The legendary Shakespearean character Sir John Falstaff, the notoriously drunken, obese, and yet charming companion of the young Henry V, steps up from supporting character in several plays to the central focus of Orson Welles' Chimes at Midnight, considered by many critics the best of the director's acclaimed Shakespeare films. The script borrows scenes from several plays, but draws most heavily on the two parts of Henry IV, focusing on the shifting relationship between Falstaff and Prince Hal. Beginning as the prince's companion in debauchery and idleness, the corpulent jokester finds himself falling out of favor as the prince comes to terms with the importance of his destiny as England's future leader. While Falstaff's ample wit is still much in evidence, the film places greater emphasis on the tragic character beneath all the joviality, with Welles perfectly embodying this mixture of spiritually youthful prankster and sad adult. While his towering performance naturally takes center stage, the other cast members are also superb. The film's visual elements are also strong, with Welles' attention to composition matching his sensitivity to character. There are technical imperfections due to the film's extremely limited budget, including an inconsistent soundtrack, but they are unable to overshadow the film's many achievements. ~ Judd Blaise, All Movie Guide

Although Neil Grant's stage play Dusty Ermine enjoyed a 250-performance run in London, screenwriters Du Garde Peach and Michael Hankinson could not resist the temptation to "improve" the play for its 1936 film version. Surprisingly, the film actually did turn out to be better than the play, no small thanks to its star, the ever-delightful Roland Young. The story concerns a master forger named Jim Kent (Young) and his equally larcenous nephew Gilbert (Arthur Macrae). Upon discovering that Gilbert has followed in his crooked footsteps, Jim determines that the boy shall turn honest, and to that end he takes the blame when Gilbert is arrested in the company of an international counterfeiting gang. But Gilbert has no intention of going straight and continues manufacturing "funny money." Realizing at long last that Jim is not the culprit -- after all, he's safely behind bars -- the police track down Gilbert, rescuing him from an Alpine avalanche and finally convincing him to pursue a less-risky occupation. ~ Hal Erickson, All Movie Guide

Set in the 1950s in Britain, this award-winning social comedy by director and co-writer John Boulting features Ian Carmichael as the inept Stanley Windrush, a hopeless twit with -- we are to believe -- an Oxford degree. Unlike others in his social circle, Stanley wants to work. When he tries out for jobs in industry with the full expectation of working his way into a management position, he sets off disasters and alienates his interviewers. So his uncle gives him a job in his munitions factory, knowing what an idiot he is, and relying on him to eventually cause a strike (the uncle needs this for his own reasons). Fred Kite (Peter Sellers in a performance that would launch him as an international star) takes Stanley under his wing yet that does not exactly turn out as expected either. Stanley screws up by accidentally being too efficient, and the entire British work force is affected. If one can accept a portrayal of factory workers as shiftless men unwilling to work, and managers as good 'ole boys whose jobs are gained only by networking, then this film will be all the more entertaining. ~ Eleanor Mannikka, All Movie Guide

Norman Wisdom, Britain's much-funnier answer to Jerry Lewis, stars in Just My Luck. Wisdom plays a humble jewelry-store clerk who begins playing the horses, the better to raise enough money to buy a fancy gift for girlfriend Anne (Jill Dixon). Much to his surprise, Wisdom wins a fortune at the track: collecting the money, however, may not be as simple as he thinks. The funniest scene finds our hapless hero being trundled off to the hospital for a wholly unecessary operation; also good for laughs is a movie-house routine dominated by Carry On regular Joan Sims. Curiously, Just My Luck was bypassed by American distributors in favor of lesser Norman Wisdom vehicles. ~ Hal Erickson, All Movie Guide

This romantic comedy is set in Paris at the beginning of the 20th century. It tells the story of a professional duelist who is hired by politicians to insult and challenge an important senator. He does this by pretending to have a tiff over a young woman whose father runs the local newspaper. Having no idea that it his daughter who is the bone-of-contention in the duel, he dubs the woman "Madame X. " In the end, the duelist and the girl fall in love, but now he must duel with her father, whom he accidentally insulted. To save his honor, and his life, the hero allows the father to nick him during the contest. ~ Sandra Brennan, All Movie Guide

In this whimsical fantasy, a mild-mannered writer of wild adventure novels for young girls finds himself presented with an intriguing proposition from an elderly fan. She suggests that they conspire together to steal the whiskey formula from the distillers who took it from her family many years ago. They do so, and with the recipe find themselves receiving many partnership offers from distillery's. The writer's partner then insures that he has plenty of young fans to inspire him to keep on writing. ~ Sandra Brennan, All Movie Guide

The last of Margaret Rutherford's "Miss Marple" films, Murder Ahoy is the only one of the series not based on an Agatha Christie original. The setting this time is a boat that has been purchased by a trusteeship to serve as a home for wayward kids. One of the trustees, Cecil Ffolly-Hardwicke (Henry Longhurst), dies while attending a meeting held aboard the boat. The police write the death off as "natural causes," but another trustee, our Miss Marple (Rutherford), suspects otherwise. Doing a little sleuthing on her own, she discovers that outwardly respectable Lionel Jeffries is using the boat as a "training school" for aspiring criminals, a la Fagin. This would seem to explain why Hardwicke was murdered, but Jeffries is much too obvious a suspect--as Miss Marple discovers nearly too late. Margaret Rutherford's husband Stringer Davis is back again as Miss Marple's platonic middle-aged friend Mr. Stringer. ~ Hal Erickson, All Movie Guide

This is one of a series of competent murder mysteries directed by George Pollock based on the Agatha Christie character, Miss Marple. Margaret Rutherford stars as the grey-haired, wily sleuth who will not give up until all the pieces of a puzzle have been neatly put in place. This time around, an old village recluse is found dead and everyone except Miss Marple believes he had a heart attack. She is suspicious because four members of the dead man's family stand to benefit from his death, especially when a highly valuable painting is added into the kitty. As she follows her instincts and logic, a few more murders eliminate the same number of suspects, and Miss Marple is compelled to lend haste to her investigation before someone else turns up dead. ~ Eleanor Mannikka, All Movie Guide