Ann Rutherford Movies

For a generation of radio fans, Lionel Barrymore was the definitive Ebeneezer Scrooge. Alas, Barrymore was crippled by arthritis by the time MGM got around to filming Charles Dickens' A Christmas Carol in 1938, so the Scrooge role went to contract player Reginald Owen - who, though hardly in the Barrymore league, does a splendid job. Hugo Butler's screenplay must make some adjustments from the source material. The Ghost of Christmas Past, for example, is played not by a robust middle-aged man but by a beautiful young woman (Ann Rutherford). Impeccably cast, the film includes such reliable character players as Leo G. Carroll (Marley's Ghost), Barry McKay (Scrooge's nephew Fred) and Gene and Kathleen Lockhart (Bob and Mrs. Cratchit). The Lockhart's teenaged daughter June makes her screen debut as one of the Cratchit children, while Terry Kilburn is a fine, non-sentimental Tiny Tim. Commenably short for a major production (69 minutes), MGM's Christmas Carol is one of the best adaptations of the oft-filmed Dickens Yuletide classic, and definitely on equal footing with the more famous 1951 Alastair Sim version. ~ Hal Erickson, All Movie Guide

The debutante whom Andy Hardy (Mickey Rooney) meets-after falling in love with her photograph -- is blonde Diana Lewis (the real-life wife of William Powell). It all comes about when Andy accompanies his dad Judge Hardy (Lewis Stone) to New York. Plunging into the Manhattan social whirl, Andy is introduced to the wealthy Diana by his hometown chum Betsy Booth (Judy Garland), who finds time to sing "I'm Nobody's Baby" and "Alone". Meanwhile, Andy's steady Polly Benedict (Ann Rutherford) sits home and fumes. It takes a few personal disillusionments and public embarrassment for Andy to realize that his true heart's desire is back in his own back yard (Judy Garland could have told him as much; after all, she previously said those lines in Wizard of Oz). Andy Hardy Meets Debutante was the ninth in MGM's "Hardy Family" series. ~ Hal Erickson, All Movie Guide

Andy is ready to graduate from high school, and, trying to be a big man, he hires a pretty woman to be his social secretary. When he fails his finals, he gets help from a kindly faculty member. ~ All Movie Guide

This 20th Century-Fox programmer stars Preston Foster as breezy detective Steve Carromond. When a man dies of a suspicious heart attack, the victim's niece, Constance Martin (Ann Rutherford), hires Steve to investigate. The solution to the mystery lies in a tontine-like arrangement, wherein six WW1 vets have pooled their savings for a joint insurance policy, to be collected by the surviving veteran. Props essential to the action include a package of poisoned cigarettes. ~ Hal Erickson, All Movie Guide

Lana Turner (a mere 19 years old at the time) stars in this lighthearted musical comedy as Patty Marlow, a dancer fighting her way up the show business ladder. Famous hoofer Freddie Tobin (Lee Bowman) is about to start work on a new movie when his dance partner becomes pregnant and drops out of the project. Press agent Joe Drews (Roscoe Karns) dreams up a publicity stunt to find Freddie's new co-star: he'll stage a contest on college campuses to find a dancer among the student body. However, the contest is merely a ruse, and, when Joe and his cronies spot Patty, they realize she is the perfect girl for the job. Now, they have to pass Patty off as a studious co-ed for the sake of the "contest," which has begun to attract the suspicious attention of student journalist Pug Braddock (Richard Carlson). Artie Shaw and his band perform several numbers (Shaw and Turner would marry two years later), and keep an eye peeled for Veronica Lake in a bit part (she was still known as Constance Keane at the time). ~ Mark Deming, All Movie Guide

In its first few years of existence, Republic Pictures evinced an eagerness to tackle any sort of offbeat subject. The studio's Down to the Sea has to be one of the only films of the 1930s to concentrate on a pair of Greek sponge fishermen. Played by Russell Hardie and Ben Lyon, the heroes battle over the affections of Ann Rutherford, whose father controls much of Florida's sponge industry. The climactic scenes benefit from the fine location and underwater photography, courtesy of cinematographer Harry Neumann. ~ Hal Erickson, All Movie Guide

This hospital drama chronicles the exploits of four nursing students enrolled in a three-year training course. One of them decides that she will have a brilliant young doctor, but then she changes her mind and begins pursuing a wealthy playboy. Unfortunately, the playboy loves another nurse. A railroad disaster interrupts the romantic shenanigans. Later the flaky nurse and the doctor get married. ~ Sandra Brennan, All Movie Guide

Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide

In this crime drama, two ex-hoods find their attempts to straighten up and fly right are foiled by a blackmailing gangster who threatens to expose their past who forces them to rob the department store they work at. Outwardly, the crooks go along with the scam, but they have also devised a scam of their own. In the end, the extortionist is killed by a cop and the two reluctant robbers turn themselves in. ~ Sandra Brennan, All Movie Guide

The Hardys are off to Washington DC in this third entry in MGM's "Hardy Family" series. Judge Hardy (Lewis Stone) has been appointed chairman of a special committee, and on occasion offers a subtly "liberal" political observation that the writers have slipped by MGM's ultra-conservative head man Louis B. Mayer. The Judge's daughter Marian (Cecilia Parker) is intoxicated by Washington's social life, while son Andy (Mickey Rooney) falls for a pretty daughter of a French diplomat. Thus, the Judge is obliged to juggle his committee duties with his efforts to keep his children from making fools of themselves. ~ Hal Erickson, All Movie Guide

Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide

Starving artist Robert Montgomery could care less if his paintings sell, so long as he's happy. Montgomery falls in love with Rosalind Russell, an heiress who's gone "slumming" in Greenwich Village. Russell becomes Montgomery's patroness as well as his wife, urging him to make his paintings more commercial. He becomes a success following her advice, but popularity goes to his head and soon Russell realizes she's created a monster. She walks out, he gets his act together, she comes back, and they return to their blissful hand-to-mouth existence. Live, Love and Learn scores its biggest laughs unintentionally with MGM's prettified concept of what a "run down" Greenwich village apartment looks like. ~ Hal Erickson, All Movie Guide

Gene Autry's second starring western for Republic was the well-named Melody Trail. Unlike Autry's inaugural vehicle Tumbling Tumbleweeds, which offered an equal blend of action and music, this second effort is virtually all music, with occasional comedy relief from Smiley Burnette. The story finally takes flight when a baby left in Gene's care is kidnapped, and travelling gypsy Frantz (Willy Castello) is suspected. All turns out okay, albeit with a minimum of fisticuffs and gunplay. The film's mass-wedding finale (an intriguing precursor to Seven Brides for Seven Brothers) features several lovely starlets who figure significantly in the storyline, the most prominent of whom is 18-year-old Ann Rutherford. ~ Hal Erickson, All Movie Guide