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Robert Ruth Movies

2002  
PG13  
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A gifted forger and confidence man attempts to stay one step ahead of the lawman determined to bring him to justice in this comedy-drama from Steven Spielberg, based on a true story. Frank W. Abagnale Jr. (Leonardo DiCaprio) is a 16-year-old high school student who finds himself emotionally cut adrift when his mother, Paula (Nathalie Baye), leaves his father, Frank Abagnale Sr. (Christopher Walken), after Frank Sr. falls into arrears with the Internal Revenue Service. One day at school, Frank Jr. attempts to pass himself off as a substitute teacher, and easily makes the subterfuge work. His small-scale success gives Frank some ideas, and he soon discovers bigger and more profitable ways of hoaxing others, passing himself off as an airline pilot, a doctor, and an attorney. Along the way, Frank learns how to become a master forger, and uses his talent and charm to pass over 2.5 million dollars in phony checks. Frank's increasingly audacious work soon attracts the attention of Carl Hanratty (Tom Hanks), an FBI agent who is determined to put Frank behind bars. Frank seems to enjoy being pursued by Carl, and even goes so far as to call Carl on the phone to chat every once in a while. While posing as a doctor, Frank falls in love with Brenda Strong (Amy Adams), a sweet girl working as a candy striper. When Frank asks Brenda to marry him, he decides to assume a new identity to impress her father, Roger (Martin Sheen) -- who happens to be the District Attorney of New Orleans, LA. Catch Me If You Can was based on the autobiography of the real Frank W. Abagnale Jr., who has a cameo in the film and today works on the side of the law as a top consultant on preventing forgery and designing secure checking systems. ~ Mark Deming, Rovi

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Starring:
Leonardo DiCaprioTom Hanks, (more)
 
1998  
 
Bob "Bulldog" Briscoe (Dan Butler), KACL's resident sports call-in host and all-around jerk, suddenly finds himself being hailed a hero. It seems that a gunman had invaded the restaurant where Bulldog was having a cozy dinner with a woman other than his wife -- and when the dust settled, the criminal had been subdued, apparently as a result of Bulldog's courage. Only Frasier (Kelsey Grammer) knows the real story, and he is all for exposing Briscoe as a philandering coward -- but then he relents figuring that Bulldog will eventually crack under the strain of his own conscience (assuming, of course, that he has one). ~ Hal Erickson, Rovi

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1997  
NR  
This tepid erotic thriller stars Shauna O'Brien as Suzanne, a psycho escort who becomes the roommate of a young couple (Scott Coppola, Landon Hall). It turns out that O'Brien had been committed to a mental hospital many years before when she flipped out because her sister committed suicide after having a lesbian affair with Hall in high school. The film is full of dull sex scenes, some silly loony-acting from O'Brien, and a few tame murders from director Gary Graver. ~ Robert Firsching, Rovi

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Starring:
Shauna O'BrienLandon Hall, (more)
 
1994  
R  
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Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, Rovi

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Starring:
John TravoltaSamuel L. Jackson, (more)
 
1992  
R  
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In 1992, Reservoir Dogs transformed Quentin Tarantino practically overnight from an obscure, unproduced screenwriter and part-time actor to the most influential new filmmaker of the 1990s. The story looks at what happens before and after (but not during) a botched jewelry store robbery organized by Joe Cabot (Lawrence Tierney). Mr. White (Harvey Keitel) is a career criminal who takes a liking to newcomer Mr. Orange (Tim Roth) and enjoys showing him the ropes. Mr. Pink (Steve Buscemi) is a weaselly loner obsessed with professionalism. Mr. Blonde (Michael Madsen) has just gotten out of jail after taking the rap on a job for Cabot; he's grateful for the work but isn't the same person he used to be. While Mr. Blonde goes nuts during the heist, the thieves are surprised by the sudden arrival of the police, and Mr. Pink is convinced one of their team is a cop. So who's the rat? What do they do about Mr. Blonde? And what do they do with Mr. Orange, who took a bullet in the gut and is slowly bleeding to death? Reservoir Dogs jumps back and forth between pre- and post-robbery events, occasionally putting the narrative on pause to let the characters discuss such topics as the relative importance of tipping, who starred in Get Christie Love!, and what to do when you enter a men's room full of cops carrying a briefcase full of marijuana. ~ Mark Deming, Rovi

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Starring:
Harvey KeitelTim Roth, (more)
 
1988  
PG13  
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Young, ambitious high school students Darcy Elliot (Molly Ringwald) and Stan Bobrucz (Randal Batinkoff) have a hitch thrown into their plans to attend college and pursue professional careers when they discover that Darcy is pregnant. Deciding against abortion or adoption, the couple decides to carry the child to term and to try to raise it themselves; however they are unprepared for the myriad of decisions and responsibilities that they are forced to deal with. ~ Iotis Erlewine, Rovi

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Starring:
Molly RingwaldRandall Batinkoff, (more)
 
1987  
PG  
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After Billy Robinson (Robert Krantz) finds success as a professional motorcycle racer, he returns to his hometown where he faces adulation and jealousy as a result of his success. When a local motorcycle race is put together, Billy must compete against his best friend (Don Michael Paul) for the prize. ~ Iotis Erlewine, Rovi

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Starring:
Don Michael PaulKathleen York, (more)
 
1984  
 
Attack on Fear was based on a Pulitzer Prize-winning series of newspaper articles by Dave and Cathy Mitchell. Paul Michael Glaser and Linda Kelsey play the Michaels, who labor away at a tiny California daily. Upon hearing of iniquities at the famed Santa Monica drug-rehab center Synanon, the Michaels begin publishing their evidence. Despite legal pressure from Synanon and bizarre anonymously mailed threats, the Mitchells' story results in a major investigation of the revered institution. Completed in 1982, the made-for-TV Attack on Fear was not telecast until October of 1984, and then only after (presumably) being reshaped to satisfy Synanon's battery of attorneys. ~ Hal Erickson, Rovi

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1980  
 
Bette Davis is White Mama in this custom-made TV movie. Ms. Davis plays a poverty-stricken widow who is too proud to go on welfare. Aware that she can receive a steady income if she takes in a foster child, Davis becomes surrogate mother to tough black teenager Ernest Harden Jr. The relationship is shaky at best in the beginning, but soon foster mother and foster "child" learn to love, respect and trust one another. Originally telecast March 3, 1980, White Mama garnered an Emmy nomination for Bette Davis. ~ Hal Erickson, Rovi

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1976  
PG  
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A latter-day attempt to update the swordplay success of Errol Flynn movies, this film is part burlesque, part homage to old-fashioned pirate films. James Earl Jones and Robert Shaw play Nick Debrett and Ned Lynch, two pirates who save a noblewoman, Jane Barnet (Geneviève Bujold), and take her to Jamaica. They find that their friends have been taken captive by a ruthless dictator -- Peter Boyle plays the foppish villain Lord Durant with an over-the-top swagger. Debrett and Lynch set out to rescue their friends and overthrow the perverted tyrant. Beau Bridges plays Major Folly, a fancy-dressing Scarlet Pimpernel sort. A young Anjelica Huston has a minor part as a nameless woman. There is plenty of swordplay, blood, slapstick, and cleavage, all directed by James Goldstone in a frenzied fashion. ~ Michael Betzold, Rovi

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Starring:
Robert ShawJames Earl Jones, (more)
 
1972  
 
Scripted by Rick Husky from a story by Sam Roeca, "Trapped" is a radical departure from the usual Mission:Impossible format. Things start traditionally enough, as the IMF sets about to recover an $8 million army payroll from a family of smugglers: Joe, Arthur and Doug Stafford (Tom Tully, Jon Cypher, and Bert Convy). But the odds change dramatically when Phelps is hit on the head and loses his memory--then wanders straight into a trap set by the crooks. "Trapped" first aired on February 26, 1972, as the final episode of Mission:Impossible's sixth season. ~ Hal Erickson, Rovi

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Starring:
Peter GravesGreg Morris, (more)
 
1970  
 
Eddie Albert plays a dual role in this episode, as gentleman farmer Oliver Douglas, and Oliver's exact double, a bank robber named Charlie. When Charlie checks into a local hotel with his sexy gun moll Blanche (Chanin Hale), the neighbors are convinced that Oliver is cheating on his wife Lisa (Eva Gabor). One misunderstanding leads to another, and by episode's end both Oliver and Charlie are locked in the same jail cell -- and it is up to a very confused Lisa (Eva Gabor) to figure out who's who! ~ Hal Erickson, Rovi

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Starring:
Eddie AlbertChanin Hale, (more)