Lexie Bigham Movies

In this comic send-up of dramas set in urban schools (such as Lean on Me and Dangerous Minds), Jon Lovitz plays Richard Clark, a teacher who is persuaded to give up his position at Wellington Academy, an upscale private school (where the receptionist cheerfully answers calls with the question "Are you white?"), to take over a class at Marion Barry High School in Inner City, U.S.A. Marion Barry High is a far cry from the ivory-tower atmosphere of Wellington; the statue in the courtyard holds a crack pipe, the Michigan Militia sets up a booth for career day, and there's so much violence on campus that the school has its own graveyard; however, Clark is determined to reach his thick-headed charges, and he hopes to also make an impression on Victoria Chappell (Tia Carrere), a beautiful woman also on the teaching staff. Clark does battle with Evelyn Doyle (Louise Fletcher), the school's militaristic principal, in an effort to raise standards for the school's star straight-C students, and he finds that he's getting through to one of the school's toughest students, Grig (Mekhi Phifer). Screenwriters Pat Proft and David Zucker helped create The Naked Gun and its follow-ups. ~ Mark Deming, Rovi

Director David Fincher's dark, stylish thriller ranks as one of the decade's most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset's worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset's retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset's last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981). ~ Robert Firsching, Rovi

Wesley Snipes is battling bad guys in the air again, this time with parachutes, in this action-packed suspense thriller. Pete Nessip (Snipes) is a Federal Marshall who, teamed with his brother Terry (Malcolm-Jamal Warner), is escorting criminal computer genius Earl Leedy (Michael Jeter) to a new prison facility. Pete, Terry, and Earl are on a jet en route to Earl's new lockup when terrorists attempt a daring hijacking; Terry is killed in an explosion aboard the plane, and suddenly Earl is missing. Pete discovers that a team of sky-diving outlaws, led by former DEA agent gone bad Ty Moncrief (Gary Busey), have snatched Earl from his flight and spirited him away for a special raid on Washington D.C.; Ty and his men intend to take advantage of an obscure rule in which the normally restricted airspace in Washington D.C. is open to parachute enthusiasts on July 4. Eager to avenge his brother's death and put both Ty and Earl behind bars, Pete recruits sky-diving expert Jessie Crossman (Yancy Butler) to teach him how to infiltrate Ty's team of sky-bound criminals. Superb aerial stunt work highlights this film; please note that Pete's last name is an anagram for the leading man's last name. ~ Mark Deming, Rovi

Glenn Plummer delivers a powerful performance in this angry film based on Crips, a novel written by South Central Los Angeles high school teacher Donald Baker, and directed by Steve Anderson, who served time in prison. Plummer plays Bobby, a young black man trapped in a self-perpetuating cycle of hatred, incarceration, and bloodshed. On his first day out of prison, he comes back to the streets of South Central LA and the only family he knows --the gang. He finds that his best friend Ray-Ray (Byron Keith Minns) is now the leader of the Deuces. Ray-Ray, with plenty of sweet talk, easily talks Bobby into committing a murder, killing a rival gang leader. But before the killing Bobby finds that his girlfriend Carole (LaRita Shelby) has given birth to his son. He also sees that she is becoming too dependent on her drug supply. After the killing, Bobby is hauled back into jail for a ten-year stretch. In jail, Bobby undergoes a transformation. Introduced to the Muslim community and mentored by an older convict named Ali (Carl Lumbly), Bobby begins to read W.E.B. Du Bois and Martin Luther King. He learns about self-respect and how gangs use people like him. When he is once again released from prison, Bobby is a new man. But South Central has gone from bad to worse. Carole, now completely addicted to cocaine, works as a hooker to support her habit. He also discovers that Ray-Ray has recruited his 10-year-old son Jimmie (Christian Coleman) as a junior gang member, stealing car stereos. Jimmie looks upon Ray-Ray as a role model and Bobbie must find a way to save his child from the violent and doomed future of a gang member. ~ Paul Brenner, Rovi