Gianni Russo Movies

Between 1939 and 1959, Toots Shor ran what was debatably the most famous saloon in America. The son of a poor family in South Philadelphia, Shor was a blustery, larger-than-life character who came to New York City in 1930 and soon landed a job as a bouncer in a mob-run speakeasy. Shor had smarts, charm, and nerve, and he soon made plenty of contacts in the liquor trade as well as befriending habitués of Manhattan nightlife. In 1939, Shor opened a bar and restaurant, simply named "Toots Shor's," and it didn't take it long for it to become the Big Apple's most celebrated watering hole, where Broadway stars, sports legends, political bigwigs, and social climbers were frequent customers but anyone with the price of a drink was welcome to belly up to the bar (among the regulars: Frank Sinatra, Joe DiMaggio, Jackie Gleason, Frank Gifford, Earl Warren, and Frank Costello). While "Toots Shor's" was one of New York's most legendary nightspots, Shor sold the business in 1959, and while he opened a new bar two years later (after running through the million dollars he made from the deal), his style of saloon was falling out of fashion with the arrival of the 1960s, and the free-spending Toots died broke in 1977, six years after his last bar went under. Shor's granddaughter, documentary filmmaker Kristi Jacobson, pays tribute to the man and the era personified by his saloon in Toots, which features interviews with family and friends (including Lauren Bacall, Walter Cronkite, Yogi Berra, Pete Hamill, Mike Wallace, and Whitey Ford) as well as rare recordings of Toots telling his own remarkable story. Also known as Toots Shor: Bigger Than Life, Toots received its world premiere at the 2006 Tribeca Film Festival -- appropriately enough, in downtown New York. ~ Mark Deming, Rovi

For his sophomore effort, director Gary Ross re-teams with Tobey Maguire and William H. Macy, stars of his directorial debut Pleasantville, for this depression-era sports drama about the legendary racehorse, Seabiscuit. Unlike 1949's fictionalized The Story of Seabiscuit starring Shirley Temple, this version attempts to present a factual account of the story, which centers around the three men who saw the famed horse to victory. Jeff Bridges stars as Charles Howard, an entrepreneur who owns the unlikely racehorse. Howard teams with partially blind boxer-turned-jockey Red Pollard (Maguire in his first performance since annihilating the 2002 box-office in Spider-Man) and horse trainer Tom Smith (Chris Cooper fresh off his best-supporting actor Oscar for Adaptation). Together, the three work to help the famed horse to several symbolic victories that helped to inspire a downtrodden 1930s America. The supporting cast, headed by Macy, includes Elizabeth Banks (Spider-Man) and real-life jockeys Gary Stevens and Chris McCarron. ~ Matthew Tobey, Rovi

Oliver Stone takes on professional football, a sport whose grace and delicacy are a good match for his filmmaking style. Tony D'Amato (Al Pacino), the head coach of the Miami Sharks, won back-to-back championships four years ago. But new team owner Christina Pagniacci (Cameron Diaz) has little enthusiasm for the finer points of the game and is concerned only with the bottom line. The longtime strongman of Tony's team has been "Cap" Rooney (Dennis Quaid), a 39-year-old quarterback, but Christina balks at renewing his contract. When Cap is injured during a game, third-string rookie quarterback Willie Beaman (Jamie Foxx) goes on in his place and becomes a major star. But Beaman is mostly interested in fame and money, and he has little regard for Tony and his teammates. Any Given Sunday also stars James Woods as the team's doctor, LL Cool J as a star running back, Jim Brown as a former football great turned Sharks' defensive coordinator, Ann-Margret as Christina's alcoholic mother, Bill Bellamy as a wide receiver, Elizabeth Berkley as Tony's favorite prostitute, and Charlton Heston as the football commissioner. ~ Mark Deming, Rovi

Based on Carl Hiaasen's satirical novel, Striptease tells the story of Erin (Demi Moore), who has just gotten a divorce from Darrell (Robert Patrick), the sleazy ex-con she foolishly married. However, the judge's memories of Darrell's days as a football hero win him custody of their daughter, and Erin, concerned for her child's safety, is determined to fight the decision. Erin has just lost her position as a secretary for the FBI, so, to cover her legal bills, she takes a job as an exotic dancer at a strip club called the Eager Beaver. While she has no experience taking off her clothes in front of an audience, Erin soon makes friends with the fellow dancers and finds a protector in the club's burly but good-hearted bouncer, Shad (Ving Rhames). She also makes a few fans among the regulars at the club, most notably David Dillbeck (Burt Reynolds), a drunken lout with a bottomless appetite for sleaze -- who also happens to be a conservative congressman with ties to right-wing religious groups. One of Erin's admirers snaps a photo of her with the congressman when a brawl breaks out at the club, and he suggests that it would make fine blackmail material. However, when the man with the photo turns up dead, Erin discovers that Dillbeck's people play a bit rougher than she expected. The home video version of Striptease contains two minutes of footage that was clipped from the theatrical release in order to win the film an R rating. ~ Mark Deming, Rovi

The huge success of the video games featuring animated Italian plumbers the Mario Brothers led to this $42 million live action movie. The two brothers (Bob Hoskins and John Leguizamo) live in Manhattan and are chasing Princess Daisy (Samantha Mathis), who wears a necklace made from a meteor fragment. Its powers can free a race of reptilian creatures from the city's sewers. The villainous ruler of the creatures, who are descendants of dinosaurs, is King Koopa (Dennis Hopper). Koopa has kidnapped Daisy and taken her to the underworld of Dinohattan, which is rat-infested and strewn with garbage. The Mario Brothers must overcome many obstacles, just as they do in video games, to free the princess. The film spares no expense with its use of animatronic monsters and high-tech special effects. ~ Michael Betzold, Rovi

Steven Seagal plays a good if troubled man living in a corrupt world (sound familiar yet?) in this action drama. Gino Felino (Seagal) is a cop who grew up in a tough Brooklyn neighborhood, and while many of his old friends now live on the other side of the law, he retains a fierce loyalty to the community. When his partner, a friend since childhood, is murdered -- in broad daylight, and in clear view of his wife and children -- Gino is assigned to investigate, and he soon learns that the shooter was Richie Madano (William Forsythe), his life-long nemesis and now a low-level wise guy with an addiction to crack. Gino swings into action to bring Richie to justice, though he discovers that he's not the first in line -- the Don who oversees Richie's crew is appalled by this crime, and Gino has to bring Richie in before the Mafia can put a bullet in his head. Out for Justice also features Jerry Orbach, Jo Champa, and Gina Gershon; keep an eye peeled for John Leguizamo and Julianna Margulies in small roles. ~ Mark Deming, Rovi

Raymond Burr once more takes on a murder case and once more reveals the genuine killer at the very last moment in Perry Mason: The Case of the Fatal Fashion. The setting is the world of high fashion, but that doesn't stop the writers from throwing in a few mobsters for good measure. The victim this time is nasty fashion magazine editor Valerie Harper (with a blonde wig!) The accused is rival editor Diana Muldaur. As Perry Mason, Burr matches wits with prosecuting attorney Scott Baio (yes, that Scott Baio) in seeing to it that the truth will out. The Case of the Fatal Fashion was the fourth and final "Perry Mason" TV-movie of 1991. ~ Hal Erickson, Rovi

In this farcical comedy, Matthew Broderick plays Clark Kellogg, an aspiring director who arrives in New York City to attend film school. However, moments after he arrives in the city, he's robbed by Victor Ray (Bruno Kirby), leaving him no money for the $700 in books required by his instructor, Arthur Fleeber (Paul Benedict). A few days later, Clark runs into Victor and demands his money back, but Victor has already lost it (on a horse race in which he wasn't entirely sure the animal he bet on was a horse). Instead, he offers to fix Clark up with a job with his boss, an "importer and exporter" named Carmone Sabatini (Marlon Brando), who bears a stunning resemblance to Don Corleone in The Godfather. Clark's adventures with Sabatini are just beginning when he's instructed to pick up a package from the airport. Clark is expecting it to be contraband, and he's right, but not in the way he figured -- it turns out he's accepting delivery of a komodo dragon, which is to be served at a "gourmet club" specializing in dishes prepared from endangered species. Marlon Brando's hilarious comic variation on one of his best-known roles is the highlight of this film, but Bruno Kirby and Paul Benedict also deliver fine comic turns, and Matthew Broderick copes nobly with his role as the film's lone normal person. ~ Mark Deming, Rovi

Investigating the murder of a famous movie queen, Hunter (Fred Dryer) and McCall (Stepfanie Kramer) discover to their surprise that the dead woman had quite a checkered past. Key players in the intrigue that follows are a jealous and covetous sister, a homeless man, and several minions of the CIA. This first episode of a two-part story was adapted from a novel by former police detective Dallas L. Barnes. ~ Hal Erickson, Rovi

Based on a novel by the iconoclastic Richard Condon (of Manchurian Candidate and Prizzi's Honor fame), Winter Kills was one of the vanguard efforts in the "JFK conspiracy" school of literature. Jeff Bridges stars as Nick Kegan, the scion of a powerful Kennedyesque family, who has done his best to make himself obscure after the assassination of his older brother, the former president of the U.S. While working as an oil rigger, Nick is introduced to a terminally ill gentleman who claims to have been "the second assassin." His curiosity aroused, Nick begins digging into what was supposed to be a closed case -- and, predictably, what he finds out isn't pretty. This, however, is the only predictable element of this mesmerizingly mazelike yarn. A failure when first released, Winter Kills fared somewhat better when director William Richert arranged to rerelease the film through his own company and restore several scenes that had been cut by its previous backers. Elizabeth Taylor appears uncredited as one "Lola Comante." ~ Hal Erickson, Rovi

Jim (James Garner) picks up his phone and hears a threat against his life: the caller, it turns out, has dialed the wrong number. The intended recipient of the threat is self-absorbed social climber Jay Rockfelt (John Pleshette), who in his eagerness to make an impression on the world has inadvertently insulted--and publicly humiliated--a notorious gangster. Though he has no vested interest in Jay's plight, Jim nonetheless tries to orchestrate a rescue when the bad guys (so bad that they even poison a harmless little dog!) kidnap Jay's sister. Rock star Rick Springfield appears as (Surprise! Surprise!) a rock star, whose number-one hit provides this episode with its seemingly nonsequitur title. ~ Hal Erickson, Rovi

Jim (James Garner) goes undercover at a tabloid rag, "The National Investigator", to find out if its reports have burglarized the private files of "Doctor to the Stars" Richard Hagens (Dallas Mitchell). When Hagens is murdered, the "Investigator" goes after Jim with both barrels, all but accusing him of the crime. But the solution of the case may rest with a mob boss (Gianni Russo) who has a compelling reason to keep his visits to Hagen a secret. Aiding Jim in his investigation--in a manner of speaking, that is--is gonzo attorney John Cooper (Bo Hopkins). And though Jim isn't really eaten by a newspaper as the episode's title claims, he stands a good chance of being roasted alive. ~ Hal Erickson, Rovi

TThough barely released to theaters, the tongue-in-cheek crime melodrama Four Deuces became a Late Late Show fixture in the '80s. Jack Palance plays Vic Morano, a high-ranking Prohibition-era mobster with a weakness for women. Vic's humanity begins surfacing when he falls for gorgeous blonde Wendy (Carol Lynley). The film's title refers to the name of his speakeasy, and to his gang, which consists of himself, Wendy, and a brace comic-relief hoodlums. The plot concerns Vic's ongoing war with rival hoodlum Chico Hamilton (Warren Berlinger). ~ Hal Erickson, Rovi