Rosalind Russell Movies
A witty and stylish lead actress of stage and screen, Russell tended to play successful career women who were skilled in repartee. She trained at the American Academy of Dramatic Arts, then began her stage career in her early '20s. She debuted onscreen in 1934 and immediately had a very busy film career. At first appearing in routine films, in the '40s she began to specialize in light, sophisticated comedies, for which she had a unique talent. In the '50s her career briefly declined and she went to Broadway, where she starred in three successful productions. One of these was Auntie Mame, later made into a film in which she reprised her stage role (1958). She went on to appear in a handful of films before she was struck by crippling arthritis. Known for her charity work, in 1972 she received the Jean Hersholt Humanitarian Award, a special Oscar. Russell received four Academy Award nominations during her career. She was married to producer Frederick Brisson. She authored an autobiography, Life is a Banquet. ~ All Movie Guide- 1935
Reckless is a delightfully breezy screwball comedy from the same director (Victor Fleming) and star (Jean Harlow) responsible for the celebratedBombshell (itself a film à clef loosely based on Clara Bow) -- with the added appeal of William Powell. One can readily see the chemistry between the two stars at work, which would lead to their impending marriage at the time of Harlow's death a year later. The sets for the Broadway number that Harlow's Mona Leslie performs in are also extraordinary. Mona Leslie (Jean Harlow) is an up-and-coming Broadway actress, dancer, and singer, who leads a happy-go-lucky, freewheeling lifestyle; bailed out of jail by family friend Ned Riley (William Powell), a sports promoter who loves Mona but won't slow down his lifestyle long enough to give her the satisfaction of admitting it, she performs in a bizarre "benefit" show, only to discover that she has an audience of one, wealthy admirer Bob Harrison (Franchot Tone). He declares his love for her and a romance does develop, but when he proposes marriage, he discovers that his upper-crust set won't accept a showgirl as one of their blue-blood crowd.
Their romance leads to a marriage and desperate unhappiness for all concerned, most of all Harrison, whose basic neurotic nature gets worse as the marriage deteriorates. When Harrison takes his own life, Riley and Mona find themselves accused of every foul deed possible, and when Mona gives birth to a son, a legal battle ensues over custody of the child, with Harrison's family claiming that she is unfit. Finally, Mona decides to fight back -- she gets Harrison's family to stand down by giving up any claim to her late husband's money, but she must now contend with the nation's self-appointed moral guardians. No producer will take the risk of backing a show with Mona in it, but she finally gets a helping hand from Ned Riley. The movie has a few too many changes in tone, which detracts from the verisimilitude. The whole story is a film à clef based on the tragic romance between torch singer Libby Holman and tobacco heir Smith Reynolds (which also provided fodder for such à clef films as Brief Moment, Sing, Sinner, Sing, and Written on the Wind) -- and Harlow's singing is obviously dubbed, just as her dancing is doubled. Also, the songs -- except for the final two numbers -- don't quite fit with the melodrama, and the Damon Runyon-esque comic antics feel completely out of left field at times. But when she and Powell are onscreen together, the film just lofts into the air, past all of those flaws. ~ Bruce Eder, All Movie Guide
Their romance leads to a marriage and desperate unhappiness for all concerned, most of all Harrison, whose basic neurotic nature gets worse as the marriage deteriorates. When Harrison takes his own life, Riley and Mona find themselves accused of every foul deed possible, and when Mona gives birth to a son, a legal battle ensues over custody of the child, with Harrison's family claiming that she is unfit. Finally, Mona decides to fight back -- she gets Harrison's family to stand down by giving up any claim to her late husband's money, but she must now contend with the nation's self-appointed moral guardians. No producer will take the risk of backing a show with Mona in it, but she finally gets a helping hand from Ned Riley. The movie has a few too many changes in tone, which detracts from the verisimilitude. The whole story is a film à clef based on the tragic romance between torch singer Libby Holman and tobacco heir Smith Reynolds (which also provided fodder for such à clef films as Brief Moment, Sing, Sinner, Sing, and Written on the Wind) -- and Harlow's singing is obviously dubbed, just as her dancing is doubled. Also, the songs -- except for the final two numbers -- don't quite fit with the melodrama, and the Damon Runyon-esque comic antics feel completely out of left field at times. But when she and Powell are onscreen together, the film just lofts into the air, past all of those flaws. ~ Bruce Eder, All Movie Guide
- Starring:
- Jean Harlow, William Powell, (more)
- 1935
This espionage thriller with romantic comedy touches was loosely based on the book American Black Chamber by the real-life head of the U.S. Secret Service during World War I, Herbert O. Yardley. Bill Gordon (William Powell) is a newspaper puzzle editor who becomes a lieutenant in 1917 when he enlists to fight in the First World War. Before shipping out, Bill meets and becomes attracted to Joel Carter (Rosalind Russell), the niece of John Carter (Samuel Hinds), the Assistant Secretary of War. When Joel learns about Bill's former occupation, she arranges for his transfer to the War Department, where he is put to work code breaking for Major Brennan (Lionel Atwill). When Brennan is murdered as the result of a German-Russian spy ring's machinations, Bill investigates the spies and a comely secret agent (Bonnie Barnes), which jeopardizes his newfound romance with Joel. Russell received the role because MGM's first choice, Myrna Loy, was refusing to work for the studio at the time. ~ Karl Williams, All Movie Guide
- Starring:
- William Powell, Rosalind Russell, (more)
- 1934
Based upon a novel anonymously written by Rex Stout, The President Vanishes has as its title character a peace-loving man with distinct anti-interventionist views. As the picture opens, President Stanley Craig (A.S. Byron) finds himself in a bit of a bind: he fervently believes that the United States should stay out of the war in Europe, but the tide of public opinion seems to be turning against him, influenced by a loud and demonstrative fascist group (the Gray Shirts), influential arms manufacturers and powerful pro-war publishers. Congress seems to be unflinchingly pro-war, and is about to meet to "discuss" whether America should get involved in the deadly conflict. Suddenly, a surprise announcement is made: the President has been kidnapped. Overnight, public opinion regarding the war reverses. The American people, knowing of the President's strong anti-war stance, believe that the pro-war forces are behind the abduction, resulting in rioting and national unrest. Eventually, after the nation comes to back the President's view, he is found -- and the audience discovers that the kidnapping was staged by the President and his advisors as a way of altering public opinion. ~ Craig Butler, All Movie Guide
- Starring:
- Janet Beecher, Paul Kelly, (more)
- 1934
Filmed between the original Thin Man and the first of its sequels, Evelyn Prentice re-teamed William Powell and Myrna Loy as another husband-and-wife team knee deep in a murder mystery. In this one, Powell is John Prentice, a prominent lawyer with an eye for women other than his own wife. His latest interest is Nancy Harrison (Rosalind Russell, in her film debut), a client accused of manslaughter, whom Prentice successfully defended. Loy plays John's wife, Evelyn, who loves him but is hurt by his inattention and the loneliness that ensues. This leads her to engage in a flirtation of her own, with a charming writer (Harvey Stephens). The writer, however, is interested in Evelyn only for what he can get out of her and threatens to blackmail her. In a panic, she shoots him and runs away, discovering later that he has been found dead and that another woman, Judith Wilson, has been accused of his murder. Hoping that his expert legal skills will the innocent woman her acquittal, Evelyn convinces her husband to take on Wilson's defense. As the film progresses, Evelyn feels increasingly pressured to admit that she is responsible for the man's death. ~ Craig Butler, All Movie Guide
- Starring:
- Myrna Loy, William Powell, (more)
