Harold Russell Movies
Canadian-born American actor Harold Russell was a paratrooper during WWII when a grenade explosion cost him both of his hands. Later, he appeared in The Diary of a Sergeant, an Army documentary chronicling the rehabilitation of a permanently injured soldier. In 1946, Russell played a veteran trying to readjust to civilian life without his hands in William Wyler's The Best Years of Our Lives and for his realistic performance, Russell was awarded the Oscar for Best Supporting Actor. At the same ceremony, Russell also received a special Oscar for "bringing hope and courage to his fellow veterans." It was the only time that a performer has been awarded two Oscars for the same role. Russell later became a business executive after publishing his autobiography, Victory in My Hands, in 1949. President Johnson appointed Russell the chairman of the President's Committee on Hiring the Handicapped in 1964. ~ Sandra Brennan, All Movie Guide
A failed actor discovers how little it takes to be a V.I.P. in a small town -- and what can happen when you abuse that small amount of fame -- in this independent drama. Philip Van Horn (Trevor St. John) left his tiny hometown of Cuba, Missouri, to move to Hollywood, with big dreams of making it as an actor. Thirteen years later, Philip has nothing but a handful of walk-ons and bit parts to show for his ambitions, and he returns to Cuba to visit his mother Rose (Karen Black) feeling like a failure. However, most of the locals treat him as if he's a big shot -- after all, he's been in movies with Jeff Bridges and Molly Ringwald, so he must be some sort of star, right? Philip knows better, but he doesn't let on, since he hopes his new reputation in town will attract the attention of Dorothy (Mary Stuart Masterson), his unrequited crush from high school who still lives in Cuba. However, the last 13 years have been much crueler to Dorothy than Philip; she's now a depressed, alcoholic hairdresser involved with Ezra (Jon Favreau), a racist thug who thinks that blacks are to blame for his inability to get out of town. Dorothy and Philip soon fall into a romance, which does not please Ezra, who already has a number of local drug dealers after him. Karen Black and writer/director George Hickenlooper both won awards for their work on this film at the 1998 Hermosa Beach Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Mary Stuart Masterson, Jon Favreau, (more)
The postwar classic The Best Years of Our Lives, based on a novel in verse by MacKinlay Kantor about the difficult readjustments of returning World War II veterans, tells the intertwined homecoming stories of ex-sergeant Al Stephenson (Fredric March), former bombadier Fred Derry (Dana Andrews), and sailor Homer Parrish (Harold Russell). Having rubbed shoulders with blue-collar Joes for the first time in his life, Al finds it difficult to return to a banker's high-finance mindset, and he shocks his co-workers with a plan to provide no-collateral loans to veterans. Meanwhile, Al's children (Teresa Wright and Michael Hall) have virtually grown up in his absence. Fred discovers that his wartime heroics don't count for much in the postwar marketplace, and he finds himself unwillingly returning to his prewar job as a soda jerk. His wife (Virginia Mayo), expecting a thrilling marriage to a glamorous flyboy, is bored and embittered by her husband's inability to advance himself, and she begins living irresponsibly, like a showgirl. Homer has lost both of his hands in combat and has been fitted with hooks; although his family and his fiancée (Cathy O'Donnell) adjust to his wartime handicap, he finds it more difficult. Profoundly relevant in 1946, the film still offers a surprisingly intricate and ambivalent exploration of American daily life; and it features landmark deep-focus cinematography from Gregg Toland, who also shot Citizen Kane. The film won Oscars for, among others, Best Picture, Best Director for the legendary William Wyler, Best Actor for March, and Best Supporting Actor for Harold Russell, a real-life double amputee whose hands had been blown off in a training accident. ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Myrna Loy, (more)
Richard Donner directed this compassionate tale concerning the daily struggles of handicapped citizens. The film deals with the volatile relationship between Roary (John Savage), who has unsuccessfully tried to kill himself, and the hair-trigger Jerry (David Morse), a basketball player who has no money to pay for an operation to repair his knee. Roary, who has been permanently crippled after jumping off a building, travels an emotional route from being deeply disturbed and embittered to slowly regaining confidence in himself. Helping him along the road to emotional recovery is Louise (Diana Scarwid), a young woman dealing with the handicapped who, in the process, comes to terms with her own limitations. ~ Paul Brenner, All Movie Guide
- Starring:
- John Savage, David Morse, (more)
- 2001
- NR
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This documentary, produced for PBS's American Masters series, is based on A. Scott Berg's well-received biography of Samuel L. Goldwyn (1882-1974), Hollywood's first and likely still greatest independent producer. (Berg cowrote the screenplay.) Like many Hollywood pioneers, Goldwyn was born in Europe in modest circumstances, began his professional life in America in another business (selling gloves), and then fell into motion pictures, in Goldwyn's case, just as production was moving to the West Coast. His first film, with partner Jessie L. Lasky, was The Squaw Man, directed by Cecil B. DeMille and shot on location in the newly minted community of Hollywood. Goldwyn's career was slow getting started, but he hit his stride in the sound era, with literary adaptations of Sinclair Lewis's Arrowsmith and Dodsworth, Lillian Hellman's These Three and The Little Foxes (which Goldwyn, famous for slips of speech, always referred to as The Three Little Foxes), Sidney Kingsley's Dead End, and Emily Bronte's Wuthering Heights. He also made the first two screen versions of the venerable weepie, Stella Dallas, produced Eddie Cantor's big foray into film, Whoopee, and made the iconic baseball biography, Pride of the Yankees. Goldwyn finally reached the pinnacle of movie success in 1946 with The Best Years of Our Lives, which brought him his first Oscar for Best Picture. His postwar career arc was largely downward; two big musicals, Guys and Dolls and especially Porgy and Bess, failed to capture the public attention in spite of lavish production values and big-name casts. The newly filmed interviews, mostly with the surviving members of the Goldwyn family, including his son Sam Goldwyn, Jr., his daughter from his first marriage, Ruth Capps, and his actor grandson Tony Goldwyn, offer insights into Goldwyn the man, while excerpts from vintage interviews with Bette Davis, William Wyler, John Huston, Rouben Mamoulian, Lillian Hellman, Danny Kaye, Dana Andrews, Merle Oberon, and Laurence Olivier (doing a hilarious impression of Goldwyn) offer glimpses into his working persona. ~ Tom Wiener, All Movie Guide
