Dan Biggers Movies

Made for television, A Christmas Memory is adapted from the wistful short story by Truman Capote, previously filmed in 1967 as a one-hour episode of ABC Stage 67. Capote himself narrated the original version, in which he recalled his lonely childhood and the strong bond between himself and his simple-minded older cousin Sook, a role brilliantly essayed in 1967 by Geraldine Page. The remake stars Patty Duke as Sook, with whom young Buddy (Eric Lloyd) (the Capote character) lives during one memorable Depression Christmas while his divorced (and detached) mother and father are otherwise occupied. Looked after by her unmarried sisters Jennie (Piper Laurie) and Callie (Anita Gillette), the warm, unfailingly cheerful Sook busies herself with preparing Christmas fruitcakes for everyone she can think of--including President Roosevelt and Jean Harlow!--and, with the innocence of the eternal child, she allows the impressionable Buddy into her own private world. When the time comes for Sook and Buddy to be separated, he prefers to remain with her. . .a decision, alas, that is not his to make. Bereft of Capote's eloquent narration, and including several subplot intrigues not to be found in the original short story, A Christmas Memory is a game effort, but in the end falls short of the 1967 classic. The remake aired December 21, 1997 on CBS. ~ Hal Erickson, Rovi

Cult director Frank Henenlotter does the seemingly impossible by breathing new life into this horror-comedy series about the twisted escapades of the Bradley Brothers: the deranged but sensitive Duane (Kevin Van Hentenryck) and his monstrously-deformed former Siamese twin Belial. The previous installment had the siblings settling a nasty dispute in a particularly grisly manner... but appearances can deceive, as the original Basket Case proved with its similar denouement, which the director casually ignored in order to move things along. This time, Duane and Belial are still a bit miffed at each other but eventually make cute when it's learned that Belial is going to be a daddy -- thanks to a stomach-churning tryst with the similarly-shaped mutant Eve in the previous chapter. Things seem to be returning to relative normalcy in their newfound home -- considering that said home is Granny Ruth's sanctuary for "Unique Individuals" whose curator (Annie Ross, reprising her role) offers bed and board to an ensemble of freaks with cartoonishly-large deformities. It is only when the entire group sets out for the Georgia clinic of Uncle Hal -- a specialist who is capable of delivering Eve's plentiful offspring -- that their revels come to an end, thanks to a redneck sheriff and his thick-headed deputies, who don't exactly take a shine to their kind. It's up to Belial to save the day, which he does with bloody gusto thanks to a mechanical exoskeleton built by Uncle Hal's ingenious multi-armed son. Despite falling into some of the same pitfalls as the previous film (namely the slightly-too-outrageous mutant makeup), this is a stylish coda to the series, with strong and very funny performances from the leads and some memorably grotesque moments -- especially a bizarre road-trip sing-along by the freaks and the jarring air of "cuteness" in the disgusting birth scene. ~ Cavett Binion, Rovi

Set in the early 1900s in a small Southern town, this made-for-cable television romance centers on the "scandalous" love affair that blossoms between a free-thinking, strong-willed Northern widow and the much older owner of a local general store. The plot is based on a novel by Olive Ann Burns. ~ Sandra Brennan, Rovi

Glory is a celebration of a little-known act of mass courage during the Civil War. Simply put, the heroes involved have been ignored by history due to racism. Those heroes were the all-black members of the 54th Regiment of the Massachusetts Volunteer Infantry, headed by Col. Robert Gould Shaw (Matthew Broderick), the son of an influential abolitionist (played by an uncredited Jane Alexander). Despite the fact that the Civil War is ostensibly being fought on their behalf, the black soldiers are denied virtually every privilege and amenity that is matter of course for their white counterparts; as in armies past and future, they are given the most menial and demeaning of tasks. Still, none of the soldiers quit the regiment when given the chance. The unofficial leaders of the group are gravedigger John Rawlins (Morgan Freeman) and fugitive slave Trip (Denzel Washington), respectively representing the brains and heart of the organization. The 54th acquit themselves valiantly at Fort Wagner, SC, charging a fortification manned by some 1,000 Confederates. Glory was based on Lincoln Kirstein's Lay This Laurel and Peter Burchard's One Gallant Rush; the latter book was founded on the letters of Col. Robert Gould Shaw, the real-life character played by Matthew Broderick. The film won a Best Supporting Actor Oscar for co-star Denzel Washington, and additional statuettes for Best Cinematography (Freddie Francis) and Sound Recording. ~ Hal Erickson, Rovi

Music bridges a gap between two cultures in this made-for-TV drama. In 1957, Derek Sanders (Peter Scolari) is hired to teach music and direct the choir at Blanton Academy, a private school in South Carolina. Integration has not yet come to Blanton, and a number of students display an open hostility towards African-American in the community, most notably Taylor Bradshaw (Justin Whalin), one of the school bullies who makes no secret of his dislike of people of color. As Sanders tries to impress a more open-minded attitude upon the boys in his choir, he introduces a new vocalist to the group -- Landy Allen (Eugene Byrd), the teenaged son of Zeke (Moses Gunn), the school's black caretaker. Despite his initial enmity, Bradshaw strikes up a friendship with Allen based on their shared love for music, and as Allen teaches Bradshaw about the blues, he also finds himself learning about a people and a community he previously know almost nothing about. Noted folk-blues Richie Havens also appears in the film's supporting cast. ~ Mark Deming, Rovi

Inspired by a 60 Minutes story, the made-for-cable Stolen Babies is the fact-based story of supposed "angel of mercy" Georgia Tann. Throughout the 1940s, Ms. Tann oversaw the adoption of children from her Tennessee orphanage. Since she was considered a pillar of the community, few questioned Tann's methods. Only when dedicated social worker Anne Beals began chipping away at Tann's respectable veneer did a terrible truth come to light. The principal selling angle of Stolen Babies was the way-against-type casting of Mary Tyler Moore as purse-lipped, bespectacled, quietly sinister Georgia Tann (not surprisingly, Moore won an Emmy for this chilling performance). Lea Thompson was more traditionally cast as the whistle-blowing Anne Beals. Stolen Babies first aired March 25, 1993, over the Lifetime Cable service. ~ Hal Erickson, Rovi

This routine film should have been called the "rock singer's husband" because it is about the life of a baseball player affected by his love for a singer. Darryl Palmer (Michael O'Keefe) plays for the Atlanta Braves, and when he walks into a nightclub and sees an attractive woman singing (Rebecca DeMornay), he pulls up to home plate and is anxious to meet her. From then on, his persistence in courting her is unstoppable in spite of several unhappy setbacks, and finally their romance makes it to first base when she realizes she loves him too, and they are married. From that point onward, his career starts to soar, while her career begins to slide in the opposite direction. In fact, she has given up her job to go live with him on his home turf, and the sacrifice, in the end, proves to be too much. A separation is inevitable, and while he still has his teammates (Randy Quaid, Cleavant Derricks), he would rather have his wife back. ~ Eleanor Mannikka, Rovi

In White Lie, a drama based on Samuel Charters' novel Louisiana Black, Gregory Hines plays Len Madison Jr., a New York-based mayoral press secretary who learns that his father was lynched in the South three decades earlier. Madison returns to the South, where he is intent on learning the truth about his father's death. Along the way, he is helped by a doctor (Annette O'Toole), the daughter of the white woman whom Madison's father allegedly raped and killed. ~ Stephen Thomas Erlewine, Rovi