William Russ Movies

Decades worth of innocent travelers fall prey to a demonic and hungry piece of furniture in this long-lost cult film, which was completed in 1977, but not released until a quarter-century later. In a tiny stone castle in the woods, the ghost of a flouncy artist (Dave Marsh/voice of Patrick Spence-Thomas) remains trapped inside the walls and witnesses the strange goings-on that give the film its title. It seems that the magnificent canopy bed that dominates the decor is actually the resting place of a demon who built it to seduce a lovely maiden back in 1897. Their unnatural congress having killed the poor girl, her monstrous Casanova became one with his creation and proceeded to snack on anybody who chanced across his rustic retreat. As the ghost watches, horrified, additional victims fall prey to the pernicious pallet. But the reign of terror may finally be over when the bed receives a visit from a pair of young siblings (Rosa Luxemburg and William Russ). The lone film by writer/director George Barry, Death Bed did not find distribution until 25 years after its 1977 completion -- and then only thanks to an Internet review of a bootleg copy. Death Bed: The Bed That Eats received its U.S. premiere at the San Francisco International Horror Festival February 15, 2003. A mural of the titular abomination by noted occultist Austin Osman Spare figures prominently in the film's plot. ~ Brian J. Dillard, All Movie Guide

New York City detective Steve Burns Al Pacino receives orders from Captain Edelson Paul Sorvino to solve a series of brutal murders in the gay community. Steve scours the gay bars that caters to same-sex sadomasochism in a desperate attempt to solve the crime. As he infiltrates the scene, he slowly comes loose from the moorings of his own reality, and an innocent victim is tortured by the cops in an effort to exact a confession. The story is based on actual murders that took place between 1962 and 1979. The film gained considerable publicity because of the controversial subject matter while censor argued between an X and R rating for the feature. ~ Dan Pavlides, All Movie Guide

This offbeat and atmospheric western is set in 1893, as a gang led by longtime outlaws Bill Doolin (Burt Lancaster) and Bill Dalton (Scott Glenn) is on the verge of falling apart due to time and fatigue. A pair of teenage girls who long to be part of the outlaw mythos of the west meet up with Dalton and Doolin: Jenny (Diane Lane) and Annie (Amanda Plummer). The girls brings an unexpected second wind to the gang, as they help them plot a new series of robberies and escapes, but this burst of new activity also attracts the attention of law officer Tilghman (Rod Steiger), who is determined to put them behind bars. While Cattle Annie and Little Britches was a box office flop thanks to poor handling by the distribution company that released it, it's developed a strong reputation among film buffs and western fans; it also featured Plummer's first screen appearance. ~ Mark Deming, All Movie Guide

Tom Jones director Tony Richardson might seem a curious choice to direct the contemporary western The Border, but he does his best to emulate Sam Peckinpah. Jack Nicholson stars as an El Paso border guard, saddled with avaricious wife Valerie Perrine. Hoping to stifle her nagging about money matters, Nicholson begins accepting payoffs to allow Mexican aliens to cross the border without interference. This leads to a relationship with a young Mexican mother Elpidia Carillo. Harvey Keitel and Warren Oates lend strong support to this atmospheric tale. ~ Hal Erickson, All Movie Guide

In this sprawling television miniseries, originally aired in May 1983 on NBC, a race of seemingly human-like aliens arrive en masse on Earth. These "Visitors" promise cooperation and friendship -- then launch a clandestine takeover of the planet by accusing the entire scientific and medical community of conspiring to destroy them, then finally "benevolently" seizing power. Inspired by Sinclair Lewis' It Can't Happen Here, a 1935 account of a fictional fascist takeover of America, V uses a huge ensemble cast and an elliptical method of storytelling to trace the contact between humans and the Visitors, from the arrival of 50 giant flying saucers in low Earth orbit to the first major victory of the underground resistance that opposes the aliens. Major characters include Mike Donovan (Marc Singer), a television cameraman who leverages his experience filming in various war-torn locales to help expose the Visitors' true nature; news anchor Kristine Walsh (Jenny Sullivan), his sometime girlfriend, who allows her ambitions to cloud her journalistic judgment and becomes a pawn of the alien invasion; Juliet Parrish (Faye Grant), a young biochemist who finds herself thrust into the role of resistance leader; Abraham Bernstein (Leonardo Cimino), the patriarch of a Jewish family divided between the lessons of the Holocaust and the need to survive; Elias Taylor (Michael Wright), a petty thief who joins the resistance after the Visitors kill his doctor brother, Ben (Richard Lawson); and Robin Maxwell (Blair Tefkin), the surly eldest daughter of a scientist (Michael Durrell) who finds his family the target of harassment and intimidation. The Visitors, who assume common human first names as their monikers, include supreme leader John (Richard Herd); sultry science and security officer Diana (Jane Badler); hunky Brian (Peter Nelson); and gentle Willie (Robert Englund). V was written and directed by Kenneth Johnson, who initially envisioned the project as a less fanciful story of fascist aggression; when his pitch to NBC seemed to be faltering, Johnson allegedly added the alien angle extemporaneously, securing himself a green light and NBC a sweeps-week hit. The success of V spawned a second miniseries, V: The Final Battle, and a weekly TV series that lasted 19 episodes from 1984 to 1985. Johnson ended his association with the world of V halfway through production on the second miniseries, but his work on the Alien Nation TV spin-off years later would resurrect many of the themes of V. Actor Singer was already known to sci-fi fans as star of The Beastmaster, while Englund would go on to portray Freddy Krueger in countless Nightmare on Elm Street films. ~ Brian J. Dillard, All Movie Guide

Three ultra-marathoners are on a 72-mile race in the New Mexico desert when they encounter a group of weekend-warrior survivalist types who want to "play with the little runner boys." The runners are in the race of their lives when the demented trigger boys won't leave them alone in this Deliverance descendant. ~ All Movie Guide

The self-aggrandizing world of Madison Avenue advertising is the subject of this clichéd, sexist satire that features a cynical ad executive (Loretta Swit) and her minions who choose three regular Joes to represent the Norbecker Beer company in a new ad campaign. ~ Eleanor Mannikka, All Movie Guide

This action movie chronicles the exciting exploits of a crack crime fighting force. They are notorious for their unusual tactics when dealing with criminals. ~ Sandra Brennan, All Movie Guide

Blood and Orchids was adapted from Norman Katkov from his own fact-based book. The scene is Hawaii, 1937. The wife (Madeline Stowe) of a naval officer (William Russ) is beaten nearly to death by her lover (Matt Salinger)--her husband's best friend. Four native Hawaiians find the woman and take her to the hospital, then flee out of fear of being blamed for the assault themselves. The aristocratic mother (Jane Alexander) of the beaten woman knows the truth, but, coldly insistent upon maintaining white supremacy on the islands, orders her daughter to claim that the Hawaiian boys had abused her. A trial follows, complicated by an honest police officer (Kris Kristofferson), who doesn't believe the victim's story. This two-part TV movie digresses from the source novel by hoking up a romance between the cop and the young wife (Sean Young) of the prosecuting attorney (Jose Ferrer). Blood and Orchids was originally telecast in February of 1986. ~ Hal Erickson, All Movie Guide

Second Serve is that rare TV movie which refuses to sensationalize its so-called "sensational" material. This is the true story of Richard Raskind (here named Richard Radley): Yale grad, Naval officer, brilliant surgeon and tennis champ. What Richard has successfully hidden from practically everyone is the fact that he feels like a woman trapped in a man's body. In 1975, he goes so far as to endure a sex-change operation, emerging as Renee Richards. The film is not so much about this "alteration" as its ramifications, particularly the fierce opposition from the US Tennis Association when Renee wants to qualify as a female pro player. Rather than cast two actors to play the "before and after" protagonist, Vanessa Redgrave plays both Richard and Renee. While it's no great shock to see Ms. Redgrave with short hair, her performance as a man in Second Serve is the sort of work for which the phrase "tour de force" was coined. ~ Hal Erickson, All Movie Guide

Archbishop Mosley (Hal Holbrook) assigns Father Michael (Ben Cross) to a church in New Orleans in this supernatural horror film. The parish church was the site of the throat-slashing murders of two priests two years earlier. While Father Michael tends to the mostly impoverished flock of parishioners and their needs, he launches his own investigation into the mysterious unsolved deaths. ~ Dan Pavlides, All Movie Guide

The Nasty Boys refers not to a rock group but an elite corps of law enforcement officers. This fact-based TV movie is set in August, 1986. The place is drug-ridden North Las Vegas, Nevada. Unable to stem the drug trade by orthodox means, the police department organizes a group of "commando cops", who swoop down on the narcotics kingpins while garbed in identification-obscuring ski masks. These guerilla tactics worked beautifully in 1986, though the hooded vigilantism inherent in so extreme a police procedure has subsequently triggered racial tensions in some large cities. In 1989, however, The Nasty Boys was regarded as a merely a slam-bang piece of entertainment. It was designed as the pilot for a potential TV series, and was given a "sure-fire" network lead-in with the premiere episode of Baywatch (Baywatch clicked; The Nasty Boys clunked). ~ Hal Erickson, All Movie Guide

Dana Delany and William Russ play a poor-but-proud married couple with three children. Dana has made a promise to a dying relative to take care of said relative's four kids. And now, she and her husband are saddled with the additional responsibility, which turns out to be a grueling, rewarding and tear-jerking experience. Promise to Keep was "inspired by a true story," as most TV movies of this ilk claim to be. The film was shot on location in Charleston, South Carolina. ~ Hal Erickson, All Movie Guide