Deborah Rush Movies

In this black comedy, elderly Jack Scanlan (Jack Warden) passes away just as he's about to tell his oldest son Johnny (Bob Hoskins) what he's decided is truly important in life, which does little to ease Johnny's mid-life anxieties. Jack's funeral and the subsequent wake brings together the various members of the Scanlan Family, most of whom are having troubles of their own. Johnny's mother Mary (Maureen Stapleton) is not dealing well with losing her husband. His brother Frank (William Petersen), a would-be union delegate, has a nagging wife, Denise (Debra Rush), and a pregnant daughter, Rachel (Teri Polo). His sister Nora (Frances McDormand) is a leftist nun who has brought along a guest, a South American dissident wanted by the INS. Terry (Pamela Reed) is splitting up with her husband Boyd (Tim Curry) after finally realizing that he's gay. And Johnny is thinking of quitting his job and leaving his wife Amy (Blair Brown), which makes the mysterious Cassie (Nancy Travis) seem all the more attractive. Passed Away marked the directorial debut of successful screenwriter Charlie Peters. ~ Mark Deming, All Movie Guide

Herbert Ross directed this Nora Ephron-scripted buddy comedy starring Steve Martin, Rick Moranis, and Joan Cusack. Steve Martin plays Vinnie Antonelli, a street smart mobster who agrees to turn state's evidence and is forced to move to Fryburg, California as part of the witness relocation program. Rick Moranis plays the nebbish FBI agent Barney Coopersmith, who is assigned to help Vinnie adjust to small town life. Instead, Vinnie helps Barney come out of his shell, much to the consternation of divorced mother and relentless district attorney Hannah Stubbs (Joan Cusack). ~ Paul Brenner, All Movie Guide

You've probably already guessed that the Family Business in this all-star melodrama is the business of crime. Adapted from a novel by Vincent Patrick, the film stars Sean Connery as Jessie McMullen, the patriarch of a family of career criminals, including his son Vito (Dustin Hoffman) and grandson Adam (Matthew Broderick). Vito has gone legit, but college-educated Adam remains loyal to his grandfather. Reluctantly, Vito joins his father and son on a big-time heist involving millions of dollars' worth of test-tube specimens. There's many a slip-up and betrayal before the three generations can find a common ground. ~ Hal Erickson, All Movie Guide

Thanks to a mix-up at birth, two sets of twins are separated and grow up in radically different social circles. The four baby girls grow up to be Bette Midler and Lily Tomlin-and Bette Midler and Lily Tomlin. One of the Midlers is a ruthless New York CEO, while one of the Tomlins is her air-headed "save the whales" business partner. Thousands of miles away in a Southern industrial town, a blue-collar Bette Midler and Lily Tomlin work for a company that the white-collar Midler plans to devour in a hostile takeover. The "poor" Midler and Tomlin head to New York to argue against the takeover, inevitably getting mixed up with the "rich" Midler and Tomlin. Three of the four twins team up to save the small-town company, while CEO Midler remains as nastily greedy as ever. Clear enough? ~ Hal Erickson, All Movie Guide

Woody Allen blurs the the boundaries between the real and unreal in this unique comic fantasy. The scene is a small town in the mid-1930s. Trapped in a dead-end job and an abusive marriage, Cecelia (Mia Farrow) regularly seeks refuge in the local movie house. She becomes so enraptured by the latest attraction, an RKO screwball comedy called The Purple Rose of Cairo, that she returns to the theatre day after day. During one of these visits, the film's main character Tom Baxter (Jeff Daniels), pauses in his dialogue, turns towards the audience, and says to Cecelia, "My God, how you must love this picture." Then he climbs out of the movie, much to the consternation of the rest of the audience and the other characters on screen. Liberated from his customary black-and-white environs, he accompanies Cecelia on a tour of the town, eventually falling in love with her. Meanwhile, the other Purple Rose characters, unable to proceed with the film, carry on a discussion with themselves. Desperately, the RKO executives seek out Gil Shepherd, the actor who played the hero of Purple Rose. Shepherd (also played by Daniels), is sent to Cecelia's hometown to see if he can repair the damage. ~ Hal Erickson, All Movie Guide

Leonard Zelig, the "human chameleon", is profiled in this mock-documentary. Director Woody Allen appears as Zelig in scenes that purport to be vintage newsreel clips of the 1920s and 1930s, but are actually clever recreations, "aged" and scratched-up Citizen Kane-style by special-effects maestros Joel Hynick, Stuart Robinson and R. Greenberg Associates. An appropriately pompous narrator details the life and times of Leonard Zelig, whose overwhelming desire for conformity is manifested in his ability to take on the facial and vocal characteristics of whomever he happens to be around at the moment. He shows up at batting practice with Babe Ruth, among William Randolph Hearst's guests as San Simeon, side by side with Pope Pius at the Vatican, and peering anxiously over the shoulder of Adolf Hitler at the Nuremberg Rally. Becoming a celebrity in his own right, Zelig inspires a song, a dance craze, and a Warner Bros. biopic. Mia Farrow plays Dr. Eudora Fletcher , a psychiatrist who tries to "reach" Zelig and ultimately falls in love with him (all of Farrow's scenes are in black-and-white and allegedly culled from archive footage; Ellen Garrison, whose resemblance to Farrow is uncanny, plays the older Dr. Fletcher in the interview sequences). In the manner of Reds, the influence of the fictional Leonard Zelig on popular culture is discussed by such real-life notables as Susan Sontag, Irving Howe, Saul Bellow and Dr. Bruno Bettenheim. ~ Hal Erickson, All Movie Guide

Sure to generate conversation, this provocative drama tells the story of how a middle-class family is torn apart when their clean-cut high-achieving son, who has the potential of making it on the Olympic gymnast team, suddenly joins a religious cult. The parents become deeply worried and try to get him back. The twist is that, unlike other movie religious cults, the leader of this one is not terribly evil even though he does strongly indoctrinate his followers. The members of his group are good people who do good deeds for others. Unfortunately, the parents don't see it this way and so hire a free-lance deprogrammer to "rescue" their son and force him through a deprogramming process that traumatizes him more than the cult did. ~ Sandra Brennan, All Movie Guide

Blake Edwards' 10 stars Dudley Moore as George, a Mancini-type songwriter. Approaching middle age, George feels as if life is passing him by, especially his sex life. Despite the presence of longtime lady friend Sam (Julie Andrews) in his life, he becomes obsessed from afar with Jenny (Bo Derek), who is engaged to be married. Following her to Mexico without her knowledge, George arranges a meeting with Jenny by saving the life of her fiancé, David (Sam Jones). Once he has made her acquaintance, George suddenly finds himself faced with the realities of embarking on such an affair. Beyond renewing the popularity of Maurice Ravel's "Bolero" and turning Bo Derek into a star, upon its release, 10 was one of the most financially successful Blake Edwards films in years. ~ Matthew Tobey, All Movie Guide