Sig Rumann Movies

Berlin Correspondent is a cut-rate variation of Hitchcock's Foreign Correspondent, courtesy of 20th Century-Fox. In one of his first important film roles, Dana Andrews plays Bill Roberts, an American radio commentator station in Berlin in the months before Pearl Harbor. Having witnessed Nazi brutalities first hand, Roberts hopes to alert his listeners of impending dangers, and does so by sending out coded messages during his broadcasts. The Gestapo begins to suspect something and assigns glamorous secret agent Karen Hauen (Virginia Gilmore) to spy on Roberts. When she discovers that her own father (Erwin Kaiser) is supplying Roberts with vital secrets, she turns her back on the Nazis and joins our hero in his efforts. The film winds up with an exciting airborne escape from Hitler-land. Arte Johnson fans please note: At one point, the head Gestapo officer (Martin Kosleck) actually says "Verrrry interesting"! ~ Hal Erickson, All Movie Guide

No sooner had the Japanese bombed Pearl Harbor on December 7, 1941 than Republic Pictures managed to register the title Remember Pearl Harbor for copyright, beating out all the "major" studios in the process. The title was far more dramatic than the film attached to it, which has something to do with pugnacious American GI Lucky Smith (a rare non-western appearance by Don "Red" Barry). Our hero spends the first few reels being tossed in the stockade, often accompanied by his buddies Bruce Gordon (Alan Curtis) and Portly Potter (Maynard Holmes). Shortly after the demolition of Pearl Harbor, Lucky and Bruce uncover a gang of Fifth Columnists, operating in the Philippines. Shaping up in a hurry, Lucky volunteers to lead a suicidal air mission against a Japanese troop ship, thereby redeeming himself for inadvertently causing the death of his pal Portly in an earlier scene. Under closer scrutiny, Remember Pearl Harbor turns out to be a remake of 1940's Girl from Havana, itself a remake of the 1939 Roy Rogers western Rough Riders' Roundup, which was a remake of another 1939 effort, Forged Passport, which was first filmed in 1936 as The Leathernecks Have Landed! ~ Hal Erickson, All Movie Guide

In this, one of many World War II propaganda films of the early 1940s, Errol Flynn is one of five RAF pilots to survive a crash-landing in occupied Poland. They are relentlessly pursued by Nazi officer Raymond Massey, who despite his erudition and poise comes across as one of the densest men on earth--not that his Nazi underlings are any brighter. After repeatedly humiliating Massey and laying waste to most of the Third Reich installations in Poland, Flynn and cohort Ronald Reagan steal a German bomber and head back to England. "Now for Australia and a crack at those Japs!" declares Flynn at the end, admirably maintaining a straight face. Desperate Journey gained some negative fame in the 1980s because of its brief scenes in which Ronald Reagan dons a Nazi uniform. ~ Hal Erickson, All Movie Guide

In the 1930s and 1940s, Warner Bros. developed a positive genius for remaking earlier films in new, disguised fashion, retaining the plotlines but altering the circumstances and character names. Wagons Roll at Night was a 1941 reworking of the prizefight drama Kid Galahad, filmed only four years earlier. The original film was about a naive boxer who falls in love with the sister of his semi-crooked manager. The remake stars Eddie Albert as a bucolic lion tamer, Humphrey Bogart (who'd been the villain in Kid Galahad) as the circus manager, and Joan Leslie as the girl. The earlier film also included Bette Davis as the manager's put-upon mistress; her counterpart in Wagons Roll at Night is Sylvia Sidney as a worldly circus star. It's amazing how well the prizefight milieu adapts itself to the lion cage, and for this alone Wagons Roll at Night is memorable. ~ Hal Erickson, All Movie Guide

Ernst Lubitsch's That Uncertain Feeling was previously filmed by the director in 1925 as Kiss Me Again; both versions were inspired the Victorien Sardou-Emile de Najac bedroom farce Let's Get a Divorce. Six year into her marriage to preoccupied insurance salesman Larry Baker (Melvyn Douglas), Jill Baker (Merle Oberson) develops a case of hiccups. Phlegmatic Freudian psychologist Vengard (Alan Mowbray) suggests that Jill's affliction is caused by marital problems, whereupon she decides to enter into a new relationship with Vengard's star patient, hilariously neurotic concert pianist Sebastian (Burgess Meredith). Magnanimously agreeing to a divorce, Larry nonetheless remains in love with Jill, and she with him. They'll get back together, of course, but not until a multitude of delightful misunderstandings. Outside of Burgess Meredith's brilliant comic performance (obviously patterned on Oscar Levant), the film's highlight finds Larry trying to figure out the gentlest possible way to permit Jill to file for divorce on the grounds of cruelty. ~ Hal Erickson, All Movie Guide

The Nazis are clearly the villains in So Ends Our Night, but since the film was made before America's entry into World War II, Adolph Hitler goes unmentioned (we wouldn't want to lose those foreign markets, would we?) Based on Erich Maria Remarque's novel Flotsam, the film zeroes in on three German refugees. Frederic March despises the Nazis on ideological grounds; Margaret Sullavan, a Jew, is fleeing for her life; and Glenn Ford, born of a Jewish mother and Aryan father, is racked with confusion and torn loyalties. The three separate as they move from country to country in Europe, just a step or so ahead of the advancing Nazis. As Sullavan and Ford fall in love, March puts his life on the line by trying to arrange a reunion with his ailing wife Frances Dee, who has remained in Germany. Had So Ends Our Night been released a few months after the US entry into the war, it might have done better at the box office. ~ Hal Erickson, All Movie Guide

One would never know it from the title, but This Woman is Mine is a virile seafaring yarn dealing with the northern fur trade. Based on a sprawling novel by Gilbert W. Gabriel, the film takes place during a trading expedition from New York to Oregon, bankrolled by John Jacob Astor (played by Sig Ruman!) Ship's captain Jonathan Thorn (Walter Brennan) is a stern taskmaster in the Captain Bligh tradition, who demands 110 percent from his passengers and crew members, among them bookkeper Robert Stevens (Franchot Tone), French-Canadian adventurer Ovide de Montigny (John Carroll) and pretty stowaway Julie Morgan (Carol Bruce). The anticipated romantic triangle develops, but this is forgotten when Thorn's vessel is besiged by hostile Indians on the banks of the Columbia River. A literally explosive conclusion more than compensates for the narrative silliness that precedes it. ~ Hal Erickson, All Movie Guide

Edward G. Robinson portrays real-life German medical researcher Paul Erlich, the man who discovered and perfected "Formula 606," the cure for syphilis. The world at large would prefer to treat the disease as though it does not exist, so Erlich spends most of his life underfunded and frustrated. A no-nonsense dowager (Maria Ouspenskaya) has faith in Erlich, however, and thus provides the necessary funds to develop Formula 606. Once the serum is released to the public, Erlich's reputation is threatened when a handful of syphilitics die, ostensibly as a result of the "cure." Brought up on criminal charges, Erlich is exonerated by his old colleague Dr. Von Behring (Otto Kruger). Considered daring in its time for its exploration of a "taboo" subject, Dr. Erlich's Magic Bullet holds up as one of Warner Bros.' most solid biopics, with a convincing performance from a nearly unrecognizable Edward G. Robinson. ~ Hal Erickson, All Movie Guide

This remake of John Ford's classic WW1 drama Four Sons has been updated to the Europe of the late 1930s. At the time of the Nazi invasion of Czechoslovakia, four sons of German-Czech parentage go off in separate ideological directions. Chris (Don Ameche) remains loyal to the concept of a free Czechoslovakia; Karl (Alan Curtis) embraces the Nazi cause; Joseph (Robert Lowery) heads to America; and the youngest, Fritz (George Ernest), is drafted in the German army and is killed during the Polish campaign. The impact of the original film is somewhat muted here, since the political ramifications of WW2 were far more complex than those of WW1, and also because Archie Mayo isn't as good a director as John Ford. By far the best performance of the film is delivered by the great Russian stage actress Eugene Leontovich, making a rare screen performance as the long-suffering mother of the Four Sons. ~ Hal Erickson, All Movie Guide

Victory was the first of Joseph Conrad's novels to be adapted to film, way back in 1919. The earliest talkie version, pointlessly retitled Dangerous Paradise, was lensed in 1930. Finally, Victory was given its best screen treatment in 1940 under the sensitive direction of John Cromwell. Fredric March plays an intellectual British recluse living in the Dutch East Indies. Having vowed to close himself off from the world, March is forced to break this promise to himself when lovely travelling showgirl Betty Field is imperiled by three murderous scavengers. The villains--led by Cedric Hardwicke at his most sardonically scurrilous--switch their attentions from Field to March when they're led to believe that the recluse is wealthy. The experience shakes the morose March back into the real world, but his regeneration is tinged by tragedy. Not precisely perfect (it's possible the book was unfilmable), the 1940 Victory is superior to the earlier film versions if for no other reason than its retention of Joseph Conrad's overall sense of doom and foreboding. ~ Hal Erickson, All Movie Guide

Previously filmed in 1933, Noel Coward's sentimental operetta Bitter Sweet was transformed by MGM seven years later into a Jeanette MacDonald-Nelson Eddy vehicle, complete with Technicolor. Set in late 19th century Vienna, the story focuses on the romance between music teacher Carl Linden (Eddy) and his prize pupil Sarah Milick (MacDonald). Eloping with Sarah, Carl writes an operetta specially tailored for her talents, which earns her fame and fortune. Alas, poor Carl does not live long enough to see Sarah's triumph, but it is clear that she will never forget him. Chock full of memorable tunes and familiar character faces in the supporting cast (best of all is Herman Bing as a Viennese shopkeeper), Bitter Sweet is musical moviemaking at its best. ~ Hal Erickson, All Movie Guide

Virtually a textbook example of Howard Hawks' "macho" mode, Only Angels Have Wings takes place high in the Peruvian Andes. Cary Grant heads a ramshackle airmail and freight service, forced to fly in the most perilous of weather conditions to the most treacherous of destinations. Facing death on a near-hourly basis, Grant and his flyers have adopted a casual, all-in-day's-work attitude towards mortality. If a pilot cracks up and dies, it's simply because he didn't have what it took, and that's that. Stranded showgirl Jean Arthur can't stand this cavalier attitude at first, but before long she becomes, in true Hawksian fashion, "one of the guys". Complicating the story is the presence of Richard Barthelmess, who has been persona non grata with the other pilots ever since his carelessness cost the life of one of their number. In addition to a surfeit of guilt, Barthelmess is saddled with a faithless wife, played by Rita Hayworth in her first important A-picture role. Hayworth makes a play for Grant, but he spurns her, finally realizing that, in spite of himself, he's in love with Arthur. Grant himself is riddled with guilt when near-blind pilot Thomas Mitchell insists upon taking on one final flight. Having lost his best friend, Grant drops his hard-bitten shell, and for the first time opens himself up emotionally to Arthur-which of course leads to a nail-biting climax wherein Arthur suffers mightily as Grant faces certain death. Scripted by Jules Furthman from a story by Hawks, Only Angels Have Wings is a treasure trove of terse, pithy dialogue: our favorite scene occurs when, upon discovering that he's about to die, Thomas Mitchell says he's often wondered how he'd react to imminent death-and, now that death is but a few moments away, he'd rather that no one else be around to witness his reaction. Though sometimes laid low by obvious miniatures, the aerial scenes in Only Angels Have Wings are by and large first-rate, earning a first-ever "best special effects" Oscar nomination for Roy Davidson and Edwin C. Hahn. ~ Hal Erickson, All Movie Guide

In this off-beat love story, wealthy socialite Linda Bronson (Greer Garson) is about to marry Sky Ames (Lou Ayres) but then falls in love with handsome Jeff Holland (Robert Taylor). They become engaged. Unfortunately, Jeff is obsessed with work and has no time for an elaborate wedding. Instead they visit the justice-of-the-peace. The honeymoon ends quickly because Jeff spends so much time working that he completely ignores Linda. Fed up, she files for divorce. Good old Sky, who was so gentlemanly when she dumped him, sees that Linda is about to make a grave mistake and so comes up with a creative way to bring her and Jeff back together: he will slip them a memory-loss drug and then reintroduce them in hopes that they will once again fall in love. ~ Sandra Brennan, All Movie Guide