Leonora Ruffo Movies

Former big-screen Tarzan Gordon Scott appears in one of many sword-and-sandal epics featuring muscle-bound, mini-skirted hero Maciste (aka Goliath, cinematic kin to Steve Reeves's Hercules), sworn to protect the helpless with his strength and swordsmanship. In this horror-tinged outing, the mythical hunk comes to the rescue when an immortal, shape-shifting vampire turns an entire island village into legions of shuffling zombie slaves. Our none-too-bright hero discovers nearly too late that the undead foe has taken on his appearance, which understandably complicates matters. Also known as Goliath and the Island of the Vampires, or simply The Vampires, in its U.S. release. ~ Cavett Binion, All Movie Guide

On the heels of muscleman Steve Reeves' low-budget Italian sword and sandal epics comes this unintentionally hilarious knock-off that is largely comprised of footage from an Italian mythic epic in which a brawny hero ("Maciste" in Italy and "Goliath" in the US) takes on wicked King Eurystheus' cheesy monsters that included a three headed fire belching dog, a gigantic, murderous bat (both of which appeared in the original film) and a ludicrously unscary dragon (in some scenes, only the huge head shows, while for long-shots the filmmakers used stop animation from Jim Danforth). ~ Sandra Brennan, All Movie Guide

Italian maestro Federico Fellini's first international success is a nakedly autobiographical film that bears many of the formal and thematic concerns that recur throughout his work. Set in the director's hometown of Rimini, I Vitelloni follows the lives of five young vitelloni, or layabouts, who while away their listless days in their small seaside village. Fausto (Franco Fabrizi), the leader of the pack, marries his sweetheart, but finds himself constantly distracted by other women. Meanwhile, would-be playwright Leopoldo (Leopoldo Trieste) continues work on his dreary plays, dreaming of staging them one day. Clownish Alberto (Alberto Sordi) still lives at home with his mother and sister, Olga (Claude Farell), while boasting of preserving the family honor by watching over her. While the movie seems to pay little attention to Riccardo (Riccardo Fellini) and Moraldo (Franco Interlenghi), the latter eventually emerges as its key character, plainly serving as Fellini's alter ego. Stuck in adolescence, the five friends stumble into various misadventures, as they seek to spice up their uneventful provincial lives. Ultimately, one of them breaks free from their self-imposed paralysis and moves on, leading to one of the most poignant farewell sequences in film history. A hit in Italy upon its release, I Vitelloni secured Fellini's reputation as an up-and-coming talent, while also introducing its title into Italian vernacular. ~ Elbert Ventura, All Movie Guide