Saul Rubinek Movies

Overwhelmed by the soul crushing mediocrity of his life and hopelessly embittered by his overbearing boss and cruel ex-wife, a suicidal man recruits a struggling filmmaker to document his last day on earth. Max Walker (Tom Sizemore) is a man consumed by the emptiness inside. He's tired of this world, and at the end of the day he plans on putting a gun to his head and pulling the trigger. But quite a bit can happen over the course of twenty-four hours, and before that fateful bullet is fired there is much to be done. Determined to capture the events of the day for posterity, Max bestows sympathetic film student Bud (Corey Sevier) with a video camera and instructs him never to stop filming no matter what happens. Later, as Max roams the city confessing past misdeeds, sharing epiphanies, and railing against the injustices of the world, Bud makes good on his promise to capture every captivating moment. Finally freed from the rules of society and determined to live by his own rules, Max proves himself a man of deep emotional complexity as he commits random acts of heroism and shocking acts of insanity. The last order of business for Max is to confront his uncaring boss and his callous ex-wife, but just as his rage reaches a boiling point he finds his mission suddenly turned upside down due to the kindness of a young woman in a wheelchair. As the end of the day draws near and Max prepares for his final scene, one shocking revelation promises to change the lives of everyone involved. ~ Jason Buchanan, All Movie Guide

Agency tackles the question of the efficiency of media manipulation. An unscrupulous advertising agency, in league with equally untrustworthy political campaign manager Robert Mitchum, plants subliminal messages in its TV commercials. Just as Vance Packard warned in the 1950s expose The Hidden Persuaders, these hidden messages persuade the viewers to vote for Mitchum's candidate. Given the potency of the the film's premise, it's disappointing to watch director George Gaczender handle the material (based on a novel by Paul Gottleib) is so cut-and-dried a fashion. But Mitchum is good, as are his costars Valerie Perrine, Lee Majors, Saul Rubinek and Alexandra Stewart. ~ Hal Erickson, All Movie Guide

In 1971, filmmaker Melvin Van Peebles released his third film, Sweet Sweetback's Baadasssss Song, which he wrote, directed, and scored. Despite boasting an all-black cast, an X rating, a low budget, and a decidedly non-Hollywood approach to moviemaking, the ground-breaking independent film went on to gross over ten million dollars while inspiring countless other films of the genre that would come to be called blaxploitation. Mario Van Peebles, the director's son, was 13 at the time and got his first taste of show business with a small role in the film. Over three decades later, the younger Van Peebles directed and co-wrote this film, in which he stars as his father. BAADASSSSS! chronicles the director's struggles to get the film made by highlighting the social roadblocks and production pitfalls Van Peebles faced, as well as the personal sacrifices he was forced to make. Also starring T.K. Carter, Ossie Davis, and Nia Long, BAADASSSSS! premiered at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Made especially for the USA Network, this action adventure centers on freelance bodyguard and former U.S. Marshal Jack Devlin (Dolph Lundgren and his attempts to protect a young woman from vicious gangsters. Unfortunately, Devlin's ability to do his job is severely restricted after an explosion temporarily blinds him. Suddenly faced with new situations and new fears, Devlin finds his courage tested to its limits as he struggles to protect another innocent mob victim. ~ Sandra Brennan, All Movie Guide

There are people who like to watch a ball game every once in a while, and then there are baseball fans, individuals of rare dedication whose passion for their favorite team defies conventional logic, and this comedy-drama follows a group of fans whose devotion to their hometown heroes is rarely tainted by the fact they almost never win. It's a typical summer afternoon, and a group of fans are watching the Chicago Bruins play a typically lamentable game from the cheapest seats in the stadium. Decker (Peter Reigert) is the owner of a hardware store who is playing hooky to watch the game. Marvin (Brad Garrett) and Zig (Wayne Knight) are compulsive gamblers who will bet on anything -- even the hapless Bruins. Richie (Hal Sparks) is a loyal Bruins booster who probably knows more about the team than the players do. Melody (Sarain Boylan) is a sexy fan who likes going to the game, getting some sun, and showing off her figure. And Greg (Matt Craven) likes to follow the game, even if he can't see the players -- he's blind. Bleacher Bums was based on a long-running stage play created by Chicago's Organic Theater Company; Joe Mantegna and Dennis Franz were among the actors who wrote and performed the play in its original incarnation, and Stuart Gordon, who went on as a filmmaker, also contributed to the script, as well as directing the premier production. This film adaptation of Bleacher Bums was produced for the Showtime premium cable network, where it premiered in the spring of 2002. Incidentally, in the stage version of Bleacher Bums, the baseball team in question was the Chicago Cubs, but the team and Major League Baseball refused to give the producers of the film permission to mention the Cubs in this adaptation. ~ Mark Deming, All Movie Guide

Sopranos ingenue Jamie-Lynn DiScala stars as the infamous Hollywood madam in this made-for-cable bio-flick. Produced without the participation of Heidi Fleiss herself, Call Me traces the Pandering author's progression from pampered daughter of a liberal doctor (Saul Rubinek) to headline-grabbing proprietress of a ring of pricey Tinseltown escorts. Robert Davi and Brenda Fricker co-star as the boyfriend/pimp and the old-guard madam who offer Fleiss her entrée into the oldest profession. Corbin Bernsen plays a big-time movie producer who requires high kink from "Heidi's girls" to sate his jaded sexual appetites. The script, by Norman Snider, covers Fleiss' bust but trails off after her incarceration without covering her subsequent rehabilitation as a legitimate businesswoman. Call Me: The Rise and Fall of Heidi Fleiss premiered in April 2004 on the USA network. Snider previously worked on the script for another naughty TV flick, Rated X, which starred Charlie Sheen -- one of the few high-flying Fleiss customers to be named publicly during her early-'90s legal ordeals. Fleiss was previously the subject of Nick Broomfield's documentary Heidi Fleiss: Hollywood Madam. ~ Brian J. Dillard, All Movie Guide

Paul Mazursky's Coast to Coast features a couple whose marriage is on the rocks. Barnaby (Richard Dreyfuss) and Maxine (Judy Davis) are attempting to salvage what might be left of their broken marriage by taking a road trip together. As they stop at various places and interact with a variety of people, they begin to bridge the wide gap that had taken its toll on their relationship. ~ Perry Seibert, All Movie Guide

After a passenger liner is rammed and sunk by a derelict German freighter from World War II, the handful of survivors (which include George Kennedy and Richard Crenna) manage to board the unmanned hulk but soon discover that their perils have just begun. Apparently the freighter served as a kind of floating Nazi torture dungeon, and its corridors and bulkheads have somehow become imbued with the very forces of evil that once tormented its captive cargo. When the rather lethargic resident ghosts finally work up the energy to harass their new visitors, viewers are treated to a gallery of decomposing corpses, a supernaturally-triggered case of acne, and the somewhat bland demonic possession of Kennedy, who suddenly declares himself Nazi commandant for a day. This rusty, waterlogged variant on the standard haunted-house theme begins with the interesting premise of ship-as-predator, but provides nothing new in the way of shocks, effects or atmosphere -- and the sleepwalking leads don't help matters either. ~ Cavett Binion, All Movie Guide

The mystery of the 18-minute-gap in Richard Nixon's White House tapes -- and how it connects to the previously undocumented involvement of two teenage girls in the Watergate scandal -- is the subject of this political comedy. Betsy Jobs (Kirsten Dunst) and Arlene Lorenzo (Michelle Williams) are high school students and best friends living in Washington D.C. in 1972. Betsy is pretty and popular, while Arlene is cute but a bit awkward. Arlene is obsessed with singing star Bobby Sherman, but that comes to a halt when she and Betsy get lost during a school field trip to the White House. A chance encounter with Checkers the dog leads to the girls meeting President Richard M. Nixon himself (Dan Hedaya). In Nixon, Arlene sees a strong, caring man who loves his dog, and she soon develops a furious crush on the president; Betsy is puzzled but remains supportive. Arlene's devotion to the president is rewarded when she and Betsy are named official White House dog walkers; however, when Arlene and Betsy discover that Nixon has a foul mouth and a short temper and, worst of all, kicks his dog, they realize that the President is not all he appears to be. And when they overhear Nixon ranting about Bob Woodward (Will Ferrell) and Carl Bernstein (Bruce McCulloch), a pair of reporters from The Washington Post looking for dirt on the President, Arlene and Betsy decide that they're happy to help. Dick also features Dave Foley as Bob Haldeman, Harry Shearer as G. Gordon Liddy, and Ana Gasteyer as Rosemary Woods. ~ Mark Deming, All Movie Guide

In part one of Frasier?s eighth-season opener, the wedding of Daphne Moon (Jane Leeves) and attorney Donny Douglas (Saul Rubinek) has come to end before the knot has even been tied as Daphne runs off with her true love, Niles Crane (David Pierce). Left standing in the exhaust fumes of the fugitive couple's Winnebago are both Donny and Niles' vengeful bridge Dr. Mel Karnofsky (Jane Adams). The upshot of all this is an enormous lawsuit brought against Daphne by Donny and an even more sinister revenge cooked up by Mel. Originally telecast as a 60-minute special, this episode has since been reedited as two half-hours for syndication. ~ Hal Erickson, All Movie Guide

With her wedding day rapidly approaching, Daphne (Jane Leeves) finds herself in a court-ordered anger-management therapy program. As her counselor (S. Epatha Merkerson of Law & Order fame) listens with professional detachment, Daphne recounts the events leading up to the outburst that led to her current plight. What it boils down to is this: Daphne may be marrying Donny Douglas (Saul Rubinek), but her heart still belongs to Niles Crane (David Hyde Pierce). Anthony LaPaglia makes his first series appearance as Daphne's boorish, hard-drinking brother Simon, who turns out to know his sister's heart better than she does. ~ Hal Erickson, All Movie Guide

Anxiously preparing for her marriage to lawyer Donny Douglas (Saul Rubinek), Daphne (Jane Leeves) welcomes the assistance, financial and otherwise, of Frasier (Kelsey Grammer) and Martin (John Mahoney). In the absence of Daphne's real dad, Frasier revels in his role as "surrogate father" -- and drives Daphne crazy in the process. Meanwhile, Niles (David Hyde Pierce), ruminating over the fact that Daphne will soon be lost to him forever, goes out with another woman (and what a woman!); and Roz (Peri Gilpin) hopes against hope that she will not be asked to serve as a bridesmaid...especially since Donny is her former boyfriend. ~ Hal Erickson, All Movie Guide

Relentless attorney Donny Douglas (Saul Rubinek) continues to press his lawsuit against Frasier (Kelsey Grammer) and Daphne (Jane Leeves), accusing Frasier of encouraging Daphne to run out on her wedding to Donny. Hoping to fight fire with fire, Frasier hires an attorney named Abby (Teri Polo), who has a reputation for being even more "down and dirty" than Donny. The fun (?) begins when Frasier starts dating the estimable -- and none too ethical -- Abby. ~ Hal Erickson, All Movie Guide