Saul Rubinek Movies

Canadian character actor Saul Rubinek doubles as star and narrator of filmmaker Larry Kardish's Slow Run. On the loose in New York City, Rubinek finds himself inexorably drawn to creature comforts. On the brink of renouncing his bohemian ways, he must decide if life in the Fast Lane is truly for him. His mind reaches back to his simpler days above the border, allowing director Kardish ample opportunity for slo-mo and Felliniesque soft focus. Saul Rubinek also wrote the music for Slow Run, and, outside of veteran movie heavy Bruce Gordon, he's the only familiar actor in the whole cast. ~ Hal Erickson, Rovi

A Manhattan priest with a fondness for dabbling in detective work investigates a series of unnerving, mysterious attacks, seemingly designed to terrify a young actress. This made-for-television film, retitled for its video release, is inspired by the books of mystery author G.K. Chesterton. ~ Judd Blaise, Rovi

Flawed and problematic, this romantic comedy is about Abigail Adams (Suzanne Somers), a sexy, talented, and dedicated lawyer, her new client Prof. Roger Keller (Donald Sutherland), and their fight to save baby seals from slaughter. The issue was a hot one, but the film as a whole does not rise to the occasion. The good professor manages to get the attention of Washington brass, and the good lawyer manages to get the attention of the professor, so the battle against the corporate devil (Lawrence Z. Dane) in charge of the mayhem begins. And the battle of the sexes is played out against that backdrop. ~ Eleanor Mannikka, Rovi

Looking for the perfect biological father, a lesbian couple attempts to have a child after they are refused adoption privileges. ~ Kristie Hassen, Rovi

When a young, single, neurotic New Yorker finds the perfect woman, he tries desperately to get her to fall for him. Young director Jonathan Kaufer has been compared to Woody Allen with this, his first feature. ~ Kristie Hassen, Rovi

This moving docudrama on a man whose courage raised $20,000,000 for a worthy cause is also an honest look at the nature of determination. When Canadian Terry Fox was diagnosed with cancer in 1977, his right leg was amputated and rather than simply battle depression, Fox decided to run his own cross-country marathon (5,150 miles) to raise money for cancer research. His parents, his doctor, and his friends opposed the idea but he persisted, convincing a friend with a camper to come along with him (or he could never have made the run). Fox starts at the Atlantic Ocean off Newfoundland, and with only a few supporters and very little fanfare, begins his odyssey. The amputee's human failings are clear: he is egocentric, impatient, short-tempered, and verges on the suicidal in forcing his endurance to the limit. As Fox's mental and emotional state is stretched at the beginning of the run, his friend driving the van has to call on his own reserves to stay with him. No one pays very much attention to Fox as he moves slowly through Quebec, but by the time he reaches Ontario, the Canadians start to notice his heroic effort. The Ontario Cancer Society representative, Bill Vigars (Robert Duvall), moves in like a steamroller to set up more sponsors, media events, and receptions. Fox is suddenly forced into the limelight, having to give speeches in front of huge audiences for the first time in his young life (he is 21). About half-way through his now well-publicized journey, Fox collapses and it becomes clear that his dream will have to end -- but not before he inspired millions of others to donate to cancer research. ~ Eleanor Mannikka, Rovi

This is a tepid film aimed at youngsters and focusing on the warped Martin Steckert (Richard Harris), an escaped convict, and little Martin (Justin Henry), the boy he takes hostage. Steckert uses a ruse to escape from prison when his parole is denied, and once safely on the outside, he kidnaps Martin and heads for an isolated spot along a lake that he himself visited as a little boy. Aside from the developing relationship between the two Martins, not expressed in any great depth, there is the inexplicably fired-up pursuit of Martin by Lt. Lardner (James Coburn) and the psychobabble of Dr. Mennen (Lindsay Wagner), in pursuit of Martin's motivating demons. Martin's encounter with ex-lover Karen (Karen Black) does not reveal very much, and in the end, viewers may be left wondering about everyone's motivation. ~ Eleanor Mannikka, Rovi

Alan Alda wrote, directed, and starred in this satirical film about the corruption of the film industry's approach to history. Alda plays Michael Burgess, a college professor who has written a historical novel about the American Revolution. The book has been turned into a script, and a Hollywood film crew descends on his North Carolina hometown to make the movie. Predictably, the director and actors make a mess of his concept, and Burgess becomes frustrated as the town is turned upside down. Desperately, he tries to salvage his concept with some last-minute script changes. To make things more complicated, Burgess falls in love with the glamorous female lead in the film, Faith Healy (Michelle Pfeiffer). Meanwhile, his long-time girlfriend, Gretchen (Lise Hilboldt) is pressuring him to get married. The film's male star, Elliott James (Michael Caine), finally shows up in town and becomes Burgess's rival for Faith's affections. Silent film star Lillian Gish appears as Burgess's smother. ~ Michael Betzold, Rovi

While private detective Benny Cooperman works on a surveillance of a millionaire evangelist who is hiding for tax reasons, he comes across a string of murders. ~ Rovi

Produced in Canada, Taking Care consists of a series of short informational spots. The emphasis in on the care and treatment of pets, specifically those who have been abandoned. While the notion of tending to animal's emotional wellbeing might be the cause of derision in some circles, the series emphasizes that there's nothing really amusing about a spiritually wounded pet. Of the human participants in Taking Care, one has recently emerged as a star-in-the-making: Saul Rubinek. The project was the handiwork of producer/director Clarke Mackey, a Canadian TV stalwart since the early 1970s. ~ Hal Erickson, Rovi

This was the "unofficial" Liberace biopic, as opposed to the error-ridden "official" Liberace (telecast one week earlier in October of 1988). The star of Liberace: Behind the Music is Broadway actor Victor Garber, who later scored a personal triumph as the devilish Mr. Applegate in the revival of Damn Yankees. Behind the Music is an unauthorized TV movie based on the recollections of the pianist's business manager, giving scriptwriter Gavin Lambert far more leeway in delineating the title character, warts and all. The closing sequences delve much deeper into the AIDS question than was possible in the family-approved Liberace starring Andrew Robinson (who, to be fair, looks more like the real entertainer than does Victor Garber). Liberace: Behind the Music could have descended into tabloidism ("Behind the rumors and the secrets" read the advertising copy), but emerges as a work of conspicuous dignity and (reasonably) good taste. ~ Hal Erickson, Rovi

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, Rovi

Falling Over Backwards was filmed in Quebec through the good graces of the National Film Board of Canada. Saul Rubinek plays a high school teacher, currently in the doldrums over his divorce. Ignoring advice of Thomas Wolfe, Rubinek decides to "go home again" to forget his troubles. With his aged, infirm father in tow, the teacher rents a room in his old neighborhood. Romance blossoms between Rubinek and his landlady Julie St-Pierre. This low-key, rambling, intensely personal effort is virtually as textbook example of a "Canadian Indie". ~ Hal Erickson, Rovi