Saul Rubinek

Tilda Swinton stars in director Erick Zonca's drama about a forty year old alcoholic who, in a rare moment of sobriety, sees where her life is headed and makes one last ditch attempt to steer herself away from the disastrous path that she has been locked on for as far back as she can remember. Julia may be manipulative, notoriously untrustworthy, and completely incapable of uttering any word that isn't an outright lie, but somehow - perhaps due to sheer charisma - this statuesque deceiver has always managed to get by. But Julia has been hardened by too many vodkas and too many one-night stands, and lately the lonely life of drifting from job to job in her 1979 Chrysler New Yorker has left her wanting something more. While her old boyfriend Mitch occasionally tries to break through Julia's haze, lately she has surrendered herself to the fact that she is simply one of life's losers. As her finances begin to run short and panic begins to set in, a desperate Julia turns to crime but is forced to go on the run with a young boy named Tom after her plan falls hopelessly apart. ~ Jason Buchanan, All Movie Guide

An FBI agent whose partner and family were killed by a notorious assassin sets out for revenge as the elusive triggerman sparks a sprawling gang war between the triads and the yakuza in the feature debut from prolific music video director Phillip Atwell. FBI sgent Jack Crawford (Jason Statham) is a man driven by vengeance. After his partner, Tom Lone (Terry Chen), and his family fell to bullets fired by infamous hitman Rogue (Jet Li), Crawford makes it his life mission to ferret out the slippery killer. Complications arise when it begins to appear as if Rogue has a mission of his own to carry out, and as triad boss Chang (John Lone) prepares for all-out war against yakuza boss Shiro (Ryo Ishibashi), Crawford and Rogue also come face to face as the secrets of the past emerge in a hail of gunfire. ~ Jason Buchanan, All Movie Guide

In the summer of 2003, the East Coast of America was literally consumed by darkness. Though in the midst of the largest blackout in U.S. history most news reports spoke of the relative calm in a potentially chaotic situation, the situation in Brooklyn's East Flatbush neighborhood would soon become extremely volatile. As night fell over East Flatbush and looters came out of the shadows, violence flared and the citizens prepared for one of the most terrifying nights of their lives. ~ Jason Buchanan, All Movie Guide

Tom Selleck returns to the role of small-town police chief Jesse Stone in this prequel to the CBS TV movie Stone Cold. Having been booted from the LAPD for drunkenness (brought on by his grief over his wife's death), Stone heads to tiny Paradise, Massachussetts, where through the auspices of local banker Hastings Hathaway (Saul Rubinek) he is appointed chief of police. His first assignment is to investigate the murder of his predecessor Lou Carson (Mike Starr), whose death may or may not be tied in with a local domestic-abuse case involving minor mob functionary Jo Jo Genest (Stephen Baldwin). Although his new staff has a lot of trouble dealing with Stone's eccentricities--not least of which is insisting upon taking his pet dog Boomer wherever he goes--Jesse gradually wins them over. Along the way, he also tries to melt the heart of his staunchest adversary, attractive attorney Abby Taylor (Polly Shannon--all the while fending off the advances of banker Hathaway's libidinous wife Cissy (Stephanie March). Based on a novel by Robert B. Parker, Jesse Stone: Night Passage was originally telecast on January 15, 2006. ~ Hal Erickson, All Movie Guide

When the best doctors at St. Albert's Hospital suddenly abandon their posts, it's up to the six inexperienced interns to keep the hospital running and the patients breathing in an all-star comedy featuring Dave Thomas, Dan Aykroyd, Maury Chaykin, Dave Foley, Matt Frewer, and Saul Rubinek. Things aren't what they used to be at St. Andrews Hospital, and between the wild parties down in the morgue and the misplaced patients, it's going to take a miracle to maintain the appearance of order in this medical facility. ~ Jason Buchanan, All Movie Guide

Jolly old Saint Nick goes from the nice list to the naughty list when an old wager runs up and his promise to be nice takes a backseat to his murderous impulses in this comic tale of terror from first-time director David Steiman. It turns out that the story of Santa Claus as we know it isn't quite the whole story, and instead of being a kind hearted gift-giver, Santa is actually a devilish life-taker. It was 1000 years ago that the cherubic devil lost a bet with an angel that forced him to play nice for an entire millennium. Though he remained true to his word and spread Christmas cheer for what secretly seemed like an eternity, Santa's patience has run dry with the expiration of the wager, and when this bet runs up the legend of kindly old Kriss Kringle will never be quite the same. ~ Jason Buchanan, All Movie Guide

A cab driver is murdered, sending Briscoe (Jerry Orbach) and Green (Jesse L. Martin) on another clue-gathering expedition. The trail leads to a lost book, a brace of authors, and a onetime child prodigy. The story takes a bizarre twist when the suspect demands to be sentenced to death. And, oh, yes, also figuring in the proceedings is the former law school professor and mentor of ADA Serena Southerlyn (Elisabeth Rohm). ~ Hal Erickson, All Movie Guide

In 1971, filmmaker Melvin Van Peebles released his third film, Sweet Sweetback's Baadasssss Song, which he wrote, directed, and scored. Despite boasting an all-black cast, an X rating, a low budget, and a decidedly non-Hollywood approach to moviemaking, the ground-breaking independent film went on to gross over ten million dollars while inspiring countless other films of the genre that would come to be called blaxploitation. Mario Van Peebles, the director's son, was 13 at the time and got his first taste of show business with a small role in the film. Over three decades later, the younger Van Peebles directed and co-wrote this film, in which he stars as his father. BAADASSSSS! chronicles the director's struggles to get the film made by highlighting the social roadblocks and production pitfalls Van Peebles faced, as well as the personal sacrifices he was forced to make. Also starring T.K. Carter, Ossie Davis, and Nia Long, BAADASSSSS! premiered at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Everybody Loves Raymond co-star Brad Garrett brings "The Great One" to life in this made-for-TV biography of video icon Jackie Gleason. The product of a fractious Brooklyn childhood, capped by the abrupt desertion of his ne'er-do-well father, Gleason launches his show business career with the motto "Never depend on anyone." Yet because of his multitude of insecurities, he demands total loyalty and 100-percent devotion from everyone around him. Trouble is, he has no loyalty or devotion to give in return: Dedicated to his career, his drinking, and his womanizing (not always in that order), Jackie neglects his wife Gen (Gretchen Egolf) and his children, tyrannizes his associates in general and his faithful agent George "Bullets" Durgom (Saul Rubinek) in particular, and shamelessly steals other people's ideas and comedy material, claiming it exclusively as his own. For all his bluster and bullying, Gleason remains likable and arguably even lovable -- just like his most famous TV character, Brooklyn bus driver Ralph Kramden (indeed, the script suggests that Gleason was Kramden and Kramden was Gleason -- and that Jackie was envious of Ralph's ability to "make things up" to his long-suffering wife Alice at the end of each Honeymooners sketch). The film is at its best in its re-creations of Gleason's stage and TV triumphs, though one could nitpick about the hazy and often downright inaccurate chronology of events. As the title character, Brad Garrett offers an uncannily on-target portrayal, despite the fact that the 6'8" actor was nearly a foot taller than the real Gleason (this discrepancy was amply compensated for by the clever camera angles of cinematographer Neil Roach, not to mention the elevator shoes worn by practically every other member of the cast). Of the supporting players, Gretchen Egolf and Terry Farrell are superb as Jackie's first and second wives respectively, while Michael Chieffo's portrayal of Art Carney is eerily perfect. Co-written by Michael Preminger and Rick Podell, the same team responsible for Jackie Gleason's final theatrical feature Nothing in Common, Gleason made its CBS network debut on October 13, 2002. ~ Hal Erickson, All Movie Guide

Playwright Neil Simon got his first big break in the early '50s as a staff writer on Sid Caesar's fabled television series Your Show of Shows, and this comedy (adapted by Simon from his play) takes a fictionalized look at the backstage chaos that went into producing one of the landmarks of television's golden age. Max Prince (Nathan Lane) is the star of The Max Prince Show, a popular comedy-variety series with ratings that have begun to slip; Prince's show is still a major hit on the East Coast, but network executive Cal Weebs (Colin Fox) insists that it's too sophisticated for the Midwest, and urges Prince to dumb down his act. Prince has also become the whipping boy of newspaper columnist Walter Winchell (Frank Proctor), and between the tensions of producing a hour of top-quality comedy each week and being pestered about his ratings, Prince is beginning to unravel. His relationship with his wife Faye (Sherry Miller) and their children is falling apart, and stress is eating him alive. Prince's brother Harry (Richard Portnow) is Max's assistant, and his last line of defense against both the network and his writing staff, which spend its days coming up with business for the show while hurling humorous invective at each other and anyone else within earshot. (The actors playing Max's writers include Mark Linn-Baker, Victor Garber, Dan Castellaneta, Saul Rubinek, Peri Gilpin, and Zach Grenier.) Laughter on the 23rd Floor received its world premiere at the 2001 Palm Springs Film Festival and was scheduled for showings several months later on the Showtime premium cable network (who co-produced the feature). The film was directed by Richard Benjamin, who previously teamed with Mark Linn-Baker for another comedy inspired by the career of Sid Caesar, My Favorite Year. ~ Mark Deming, All Movie Guide

In the concluding half of Frasier's eighth-season opener, outraged lawyer Donny Douglas (Saul Rubinek) and infuriated plastic surgeon Mel Karnofsky (Jane Adams) draws up plans to get even with their respective mates Daphne (Jane Leeves) and Niles (David Hyde Pierce) for running out on them (Niles had sped off in the same Winnebago used by Daphne to escape her wedding to Donny). As Donny prepares to sue Daphne for breach of promise, Mel sharkishly promises to divorce Niles, with whom she had earlier eloped -- but only under certain humiliating conditions. Originally telecast as a 60-minute special, this episode has since been reedited as two half-hours for syndication. ~ Hal Erickson, All Movie Guide

In part one of Frasier?s eighth-season opener, the wedding of Daphne Moon (Jane Leeves) and attorney Donny Douglas (Saul Rubinek) has come to end before the knot has even been tied as Daphne runs off with her true love, Niles Crane (David Pierce). Left standing in the exhaust fumes of the fugitive couple's Winnebago are both Donny and Niles' vengeful bridge Dr. Mel Karnofsky (Jane Adams). The upshot of all this is an enormous lawsuit brought against Daphne by Donny and an even more sinister revenge cooked up by Mel. Originally telecast as a 60-minute special, this episode has since been reedited as two half-hours for syndication. ~ Hal Erickson, All Movie Guide