Christian Rub Movies

The factual story of H.A.W. Tabor and "Baby Doe" was the inspiration of Silver Dollar. Edward G. Robinson plays the Tabor counterpart, a prospector who strikes it rich with a silver mine. Robinson establishes the city of Denver, strongarms his way into political power, buys every creature comfort he can get his hands on, and deserts his faithful wife (Aline McMahon) for a flashy younger woman (Bebe Daniels, playing the character based on Tabor's mistress "Baby Doe"). Robinson is ruined by the decline of the silver market, spending his last days in near-madness planning and dreaming for a return to his glory days. In real life, it was Baby Doe who went insane, living (and dying) in a tiny shack near the once-prosperous silver mine. Stodgily directed, Silver Dollar isn't nearly as surrealistic as the true story it's based on. ~ Hal Erickson, All Movie Guide

The "Crooked Circle" gang consists of a dozen or so hooded villains, all of whom have sworn revenge on the Sphinx Club, a dedicated anti-criminal organization. It's difficult to differentiate the heroes and the villains without a score card: sinister swami Yoganda (C. Henry Gordon), for example, turns out to be an operative for the secret service. The story comes to a head in a supposedly haunted house, where hero Brand Osborne (Ben Lyon) and heroine Thelma (Irene Purcell) try to make sense of things before ending up victims of the Crooked Circle. Rather top-heavy with comedy relief, the film features ZaSu Pitts and James Gleason during their usual ZaSu Pitts and James Gleason imitations. The Crooked Circle was written by Ralph H. Spence, who borrows heavily from his own stage comedy-melodrama The Gorilla. ~ Hal Erickson, All Movie Guide

Running a swift 55 minutes, Trial of Vivienne Ware packs in more sheer entertainment value than its longer, more prestigious "role model," The Trial of Mary Dugan. Joan Bennett plays the title character, a beleaguered young woman accused of murdering her nasty fiancee (Jameson Thomas). She is defended in court by hotshot lawyer John Sutherland (Donald Cook), who happens to be in love with her. Subtlety is checked at the door in the ensuing trial, which comes to a climax when the actual murderer tosses a knife at a female witness, just as she is about to make a startling revelation. ZaSu Pitts is hilarious as Miss Fairweather, a lachrymose radio personality who during her daily courtroom broadcasts seems less concerned with the progress of the trial than with Vivienne's wardrobe. Trial of Vivienne Ware was based on a novel by Kenneth M. Ellis, which had been previously adapted as a popular radio serial. ~ Hal Erickson, All Movie Guide

The melodramatic No Other Woman is a remake of the 1925 silent film Just a Woman which was based on the play of the same name by Eugene Walter. Early in her career, Irene Dunn stars as ambitious housewife Anna Stanley, who pressures her steelworker husband, Jim (Charles Bickford), into a business partnership with Joe Zarcovia (Eric Linden). A fellow boarder at their rooming house, Joe's business idea involves a new type of dye. Jim quickly becomes a millionaire and finds the transition difficult from blue-collar worker to wealthy socialite. He soon takes up with a mistress, Margo Van Dearing (Gwili Andre), whom he meets at a party. Forced to get a divorce, the couple duke it out in the climactic courtroom scene with sleazy lawyer Bonelli (J. Carroll Naish). ~ Andrea LeVasseur, All Movie Guide

In this melodrama, a female physician encounters professional and personal turmoil when she finds herself having an affair with an alcoholic peer. He impregnates her and she travels to Paris to have the baby in private. As she is returning to the States, the baby dies from infantile paralysis. This does not prevent her from saving the lives of two other children aboard the same ocean liner. When she returns, she discovers that her lover has divorced his wife and wants to marry her. ~ Sandra Brennan, All Movie Guide

Although claiming to be based on actual cases, this mild crime drama appears to have been derived more from a screenwriter's manual than a police blotter. Newly transferred from robbery to missing persons, glib Butch Saunders (Pat O'Brien) is like the proverbial bull in a china shop at first, but quickly gets the hang of things. In walks pretty Norma Roberts (Bette Davis), claiming to be missing her new husband, whom she accuses of shipping out. Despite being married to nagging Belle (Glenda Farrell), Butch falls in love with the dame, until, that is, he learns the truth. Norma's last name isn't Roberts at all, but Williams, and she is wanted in Chicago for the murder of her boss, Therme Roberts. Begging Butch to cover for her -- "just for a little while. I'll explain everything later" -- Norma does a disappearing act herself and makes it look like suicide. But Butch refuses to buy the act and with the help of his boss, Captain Webb (Lewis Stone), the fast-talking cop arranges for a corpse to be lying in state at a local funeral parlor under the name of Norma Williams, hoping to flush out the real Norma. Norma walks right into the trap with another cockamamie story at the ready. But this time, it may just be the truth and Butch becomes determined to clear the lady of murder. ~ Hans J. Wollstein, All Movie Guide

The rivalry between two deep-sea diver is chronicled in this adventure. The trouble begins when a young woman inherits one of the diver's boats and promptly hires his rival to help out. At first they swear to stay away from her, but they cannot and many arguments ensue culminating in a fistfight aboard a roller coaster in an amusement park. During the scuffle, one of the men falls and lands in the ocean. He quickly swims away and is presumed dead causing the other man to be arrested for murder. Later a ship filled with gold founders, and the surviving salvager and his new partner must retrieve it with the agreement that they will split the take. Unfortunately, the new partner is avaricious and during the dive attempts to kill the other. Fortunately, the embattled salvager is saved by his ex-partner who was recently released from jail. They defeat their foe, but end up in the hospital where they continue arguing until the woman comes in and announces that she is engaged to the ship's captain. ~ Sandra Brennan, All Movie Guide

The 1932 Jerome Kern-Oscar Hammerstein Broadway hit Music in the Air was brought to the screen two years later by Fox Studios. Temperamental Bavarian prima donna Frieda (Gloria Swanson) and equally volatile lyricist Bruno (John Boles) spend half their time quarrelling and the other half making love. To arouse each other's jealousy, Frieda and Bruno pair off respectively with music teacher Lessing's (Al Shean) virginal daughter Sieglinde (June Lang) and her schoolmaster fiancee Karl (Douglass Montgomery). The impressionable young couple respond to the attentions heaped upon them until they realize they're being used, whereupon the tables are turned upon the main characters. Though boasting such lilting tunes as "The Song is You" and "I've Told Every Evening Star" and the stylish direction of Joe May (perhaps his best American film), audiences didn't respond to Music in the Air; as a result, star Gloria Swanson vowed for the millionth time to "permanently" retire from pictures, a promise she kept to herself for a whole seven years. Incidentally, one of the screenwriters of Music in the Air was Billy Wilder, who later co-wrote and directed Swanson's 1949 "comeback" feature Sunset Boulevard. ~ Hal Erickson, All Movie Guide

A tough youth gang leader learns the true meaning of courage in this moving and thoughtful drama. He is the leader of a troop of boys involved in an elaborate game of "capture the flag." He is idolized by a sickly boy on the block who begs to be allowed to join the leader's group. Eventually the older boy gives in and "enlists" the weakling as a private. Though he treats the young lad with contempt, the boy is so enamored of his hero that he doesn't notice. Eventually the gang's rivals, the "Red Shirts" steal their flag. To prove himself, the sickly boy risks his life and frail health. The allegorical, anti-war story is based on Hungarian playwright Molnar's autobiographical novel. ~ Sandra Brennan, All Movie Guide

Czech leading man Francis Lederer made his Hollywood film debut in the appropriately titled Man of Two Worlds. Based on the novel by Ainsworth Morgan, the film casts Lederar as Algo, a naïve Eskimo hunter introduced to civilization by avuncular English sportsman Sir Basil (Henry Stephenson). Unschooled in the ways of British society, Algo falls in love with Joan (Elissa Landi), unaware that her friendliness is merely a courtesy and nothing more. Ultimately disillusioned, the sadder-but-wiser Algo returns to the snowy wastes whence he came. Apparently audiences weren't as captivated by Francis Lederer as RKO Radio had hoped they would be: Man of Two Worlds ended up posting a $220,000 loss at the box office. ~ Hal Erickson, All Movie Guide

Wallace Beery plays P.T. Barnum in this comic biography of the renowned showman. As the story opens, Phineas Taylor Barnum is operating a dry goods store in New York City with his friend Bailey Walsh (Adolphe Menjou), and he is looking for a way to boost business. He strikes upon the idea of adding a sideshow of human oddities and curious individuals, much to the annoyance of his wife Nancy (Janet Beecher). But the sideshow brings in a large audience, and soon it begins to overtake the retail store; however, Barnum's venture comes to a halt when it is revealed that Zorro The Bearded Lady (May Boley) has fake facial hair,and that Joyce Heth (Lucille LaVerne) wasn't really George Washington's nursemaid, as she claims. Despite this setback, Barnum has developed a taste for show business, and he brings noted English singer Jenny Lind (Virginia Bruce) to the U.S. for a concert tour, where she becomes the toast of New York. Barnum soon becomes infatuated with Lind, and while his attempts to woo her are often fumblingly inept, they're effective enough to alienate Nancy, who leaves him and New York City for good. Between his attempts to romance Lind and his shameless ballyhoo for performing midget General Tom Thumb (George Brasno), Barnum finds himself on Walsh's bad side, who has taken to drinking to ease his anger. After his budding romance with Lind fails, Barnum suffers an even greater indignity when his museum, featuring his sideshow freaks and other wonders and oddities, is burned to the ground by angry rivals. However, Barnum's performers show their loyalty by offering their savings to Barnum to help him rebuild, and Nancy returns to Barnum's side in his moment of need. Walsh also appears, ready to bury the hatchet and show off his latest acquisition -- an elephant named Jumbo who could be used in a traveling act, or perhaps even a circus.... The Mighty Barnum was based on the play by Gene Fowler and Bess Meredyth, who also wrote the screenplay. ~ Mark Deming, All Movie Guide

Adapted from Norman Krasna's Broadway hit A Small Miracle, Four Hours to Kill is a multi-plotted effort that can best be described as "Grand Hotel goes to the theater." Richard Barthelmess stars as Tony, a condemned murderer, who is handcuffed to Detective Taft (Charles Wilson) while en route to the death house. Tony breaks loose and heads for the theater, where the man who squealed on him is attending a play. As the killer prepares to rub out the stoolie, the action cuts away to the romance between a hatcheck boy (Joe Morrison) and his girlfriend (Helen Mack), which is complicated by the clerk's allegedly pregnant former love (Dorothy Tree). Another subplot involves unfaithful wife Gertrude Michael and her lover Ray Milland. All the various plotlines are knitted together in the climax, wherein Tony closes in on his intended victim. ~ Hal Erickson, All Movie Guide

The old British musical-hall ditty "The Man Who Broke the Bank at Monte Carlo" provides the title for this lightweight Ronald Colman vehicle. Colman, playing a refugee Russian prince, is the "man" in question, and the owners of the "broken bank"--that is, the proprietors of the Monte Carlo casino where Colman scored the big win--are anxious to get their money back. They dispatch the beautiful Joan Bennett to lure Colman back into the casino. He falls for her and loses his winnings in the process, but she has pangs of remorse when she learns that Colman had been gambling on behalf of his impoverished countrymen. Bennett joins Colman as he merrily heads off to chase another rainbow. ~ Hal Erickson, All Movie Guide