Gregory Rozakis Movies

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

In the first episode of a two-part story, Kojak (Telly Savalas) is all set to spend a romantic day off with his current lady love Laura Martinson (Maud Adams). Alas, the detective is persistently interrupted by the demands of his job. For starters, a stolen Rolls Royce is recovered with a corpse in its trunk; and as if that wasn't enough, a woman (Kitty Wynn) who has deserted her child is also suspected of killing her husband. The huge supporting cast features early TV appearances by William Hurt, Ken Kercheval, Danielle Brisebois and Fyvush Finkel, the latter showing up in the uncredited role of a tailor. ~ Hal Erickson, All Movie Guide

A doctor is murdered, and the chief suspect is a grieving young father who held the victim responsible for his son's death. Placed in custody, the perpetrator escapes, embarking upon a seemingly senseless murder spree. In his efforts to nab the rampaging killer, undercover detective Tony Baretta (Robert Blake) tries to figure out his quarry's motives -- and his next move. ~ Hal Erickson, All Movie Guide

This drama about a man who takes the law into his own hands was wildly controversial upon first release, sparking much debate about the perceived pro-vigilante stance of the story, and established Charles Bronson as a major box office draw in the United States. Paul Kersey (Charles Bronson) is a liberal architect living in New York City. One day, a group of drug-crazed thugs break into his apartment while he's gone, killing his wife Joanna (Hope Lange) and brutally raping his married daughter, leaving her comatose. When the police are unable to find the culprits, Kersey arms himself and begins patrolling the streets, killing muggers and thieves as he encounters them. While his obsessive search for street justice sickens him at first, in time Kersey begins to enjoy it and becomes a hunted man himself, as Police Detective Frank Ochoa (Vincent Gardenia) tries to find the man who is doing the police's job for them, and a bit too well. Jeff Goldblum made his screen debut as one of the lunatics who attacks Joanna. ~ Mark Deming, All Movie Guide

Filmmaker Elia Kazan based America, America on the early life of his Greek-immigrant uncle. Stavros Topouzoglow is the young immigrant, whose starry-eyed impressions of America are soon compromised by reality. Despite the casual cruelties, betrayals, and career setbacks, Stavros forms strong and lasting friendships which help him weather the worst. An Oscar went to the painstakingly accurate art direction of Gene Callahan. Despite moments that are not suitable for children, America, America won a rare "bell-ringer" rating from the high-school oriented Scholastic magazines back in 1963; in the years since, it has become a stalwart of the American Movie Classics cable service. ~ Hal Erickson, All Movie Guide