Polly Rowles Movies

Alan Alda wrote, directed, and starred in this satirical film about the corruption of the film industry's approach to history. Alda plays Michael Burgess, a college professor who has written a historical novel about the American Revolution. The book has been turned into a script, and a Hollywood film crew descends on his North Carolina hometown to make the movie. Predictably, the director and actors make a mess of his concept, and Burgess becomes frustrated as the town is turned upside down. Desperately, he tries to salvage his concept with some last-minute script changes. To make things more complicated, Burgess falls in love with the glamorous female lead in the film, Faith Healy (Michelle Pfeiffer). Meanwhile, his long-time girlfriend, Gretchen (Lise Hilboldt) is pressuring him to get married. The film's male star, Elliott James (Michael Caine), finally shows up in town and becomes Burgess's rival for Faith's affections. Silent film star Lillian Gish appears as Burgess's smother. ~ Michael Betzold, Rovi

Based on the novel by Mary McCarthy, The Group was one of the slickest, and most highly publicized, cinematic soap operas of the 1960s. Filmed largely in New York, the story charts the exploits of eight young women, all of whom graduate from an exclusive Vassar-ish college in the middle of the Depression. Among the talented young actresses making their screen debuts herein are Candice Bergen as Lakey, the group's resident Lesbian; Joan Hackett as Dottie, a repressed socialite who takes up with bohemian artist Dick Brown (Richard Mulligan); Joanna Pettet as Kay, who marries philandering playwright Harald Peterson (Larry Hagman); and Kathleen Widdoes as Helena, the wealthiest of the girls who insists upon proving her value in the workplace. The other girls are Pokey (Marin-Robin Redd), who seems happiest when pregnant; Jessica Walter as Libby, the group's viper-tongued gossip and the darling of the Manhattan literary set (some have suggested that McCarthy based this character on herself); Elizabeth Hartman as Priss, the requisite heart-on-sleeve liberal; and Shirley Knight as Polly, whose bumpy love life culminates in a very colorful engagement party. Hal Holbrook, likewise making his first screen appearance, plays Gus LeRoy. Sumptuously produced, The Group is a bit empty dramatically, though the sheer volume of continuing characters manages to sustain audience interest. (Incidentally, here's a note for "blooper" spotters: wasn't the Pan Am building constructed in the 1950s? ) ~ Hal Erickson, Rovi

An early Technicolor musical that concentrates on the fashions of the late 1930s, this film was reissued under the title All This and Glamour Too. The top models of the era, including several who are advertising household products, are in the cast. The plot centers around a chic boutique, whose owner, George Curson (Warner Baxter), tries hard to please his customers while keeping peace with his unhappy wife. A wealthy young woman, Wendy Van Klettering (Joan Bennett), decides to take a job as a model at the fashion house, just to amuse herself, but her presence annoys Curson, who must put together the best possible show to compete with rival fashion houses at the Seven Arts Ball. The film includes several hit songs, including the Oscar-nominated "That Old Feeling" by Sammy Fain and Lew Brown. ~ Michael Betzold, Rovi

Some Blondes are Dangerous is a remake of 1931's The Iron Man, using the same W. R. Burnett novel as its source. Noah Beery Jr. stars as Bud "Iron Man" Mason, a talented but rather dimwitted prizefighter. Against the advice of his crusty old manager George Regan (William Gargan), Mason dumps his ever-loving girlfriend Judy Williams (Nan Grey) in favor of sexy blonde chorine Rose Whitney (Dorothea Kent in a rare unsympathetic role). Immediately after his marriage to the selfish Rose, Mason's ring career goes right into the dumpster. Upon finding on that Rose has been "carrying on" behind his back, Mason gives her the ozone, but by now he's so out of shape that his pugilistic career is over. With the help of faithful Judy, Mason finally realizes that there's more to life than boxing and blondes. Some Blondes are Dangerous was refilmed under the property's original title The Iron Man in 1951. ~ Hal Erickson, Rovi

Gene Autry and veteran Western director Jospeh Kane team up for this lightweight effort. Gene (Gene Autry) is the foreman of a ranch which has just been put under new ownership, though he soon has his doubts about his new boss -- Sandra Knight (Polly Rowles), a pretty young woman with a college degree in animal husbandry but little practical experience of life on the range. When Sandra decides to raise sheep instead of cattle, it doesn't settle with the neighboring ranchers, and Gene is forced to make peace with both factions. As usual, Springtime In The Rockies features a handful of songs from Autry, with Jimmy LeFuer and his Saddle Pals providing accompaniment. ~ Mark Deming, Rovi