Henry Rowland Movies

Not long after divorcing his wife Valerie (Julie Adams), Roy Comstock (John Conte) apparently commits suicide. In truth, both the divorce and the phony suicide are part of an elaborate scheme to swindle Comstock's partner Peter Brent (Carleton Carpenter). When Comstock turns up dead for real, it is Brent who is charged with murder--whereupon Perry Mason (Raymond Burr) sets about to untangle the web of deceit that has already enmeshed this sordid affair. ~ Hal Erickson, All Movie Guide

In this adventurous yarn, a group of former Army buddies have a reunion in New Orleans and decide to go looking for buried treasure. ~ Sandra Brennan, All Movie Guide

Though several concessions to the censors and the box-office were made in adapting Irwin Shaw's bestseller The Young Lions to the screen, the end result is generally effective and satisfying. Set during World War 2, the film concentrates on three individuals, one German, two American. Marlon Brando plays an idealistic German whose early fascination with Nazism leads to doubt and disillusionment. American entertainer Dean Martin, on the verge of the Big Time, does his best to dodge the draft but ends up in uniform all the same. And American Jew Montgomery Clift, so sensitive that he's practically breakable, must come to grips with anti-Semitism, not only from the Germans but also from his fellow soldiers. Romance enters the picture in the form of Hope Lange as Clift's gentile girlfrind, Barbara Rush as the socialite who shames Martin into joining up, and May Britt as Brando's vis-a-vis. Screenwriter Edward Anhalt was obliged to shoehorn in a boot-camp sequence indicating that the Brass disapproved of the bigoted behavior of Clift's topkick Lee van Cleef (as if racism was a mere aberration during the 1940s), and to "slightly" alter the ending of the book, in which the embittered but still patriotic Brando character, shouting "Welcome to Germany!," machine-guns the Martin and Clift characters (in the film, it is Brando who bites the dust, symbolically dying for Hitler's sins). Maximillian Schell offers a starmaking turn as Brando's cynical comrade, while an uncredited John Banner, "Sergeant Schultz" on Hogan's Heroes, shows up as a pompous burgomeister who feigns ignorance of the hellish concentration camp in his community. ~ Hal Erickson, All Movie Guide

Chicago Confidential may not have been the best of the late-1950s "expose" films, but it certainly boasted one of the most impressive casts. Based on the factual best-seller by Jack Lait and Lee Mortimer, the film stars Brian Keith as a State Attorney who vows to bring corrupt Chicago union officials to justice. It turns out that the union crooks are in cahoots with a gambling syndicate, conspiring to frame uncooperative union leader Dick Foran for murder. With the considerable assistance of his coworker-fiancee Beverly Garland, Keith strives to prove Foran's innocence and punish the genuine miscreants. Crucial to the plotline is nightclub comedian Buddy Lewis, cast as an impressionist who helps to frame the troublesome Foran; also in the cast are such crime-flick perennials as Elisha Cook Jr., Paul Langton, Douglas Kennedy, Jack Lambert, John Indrisano, Phyllis Coates, and Thomas B. Henry. ~ Hal Erickson, All Movie Guide

Original slated for release through United Artists, the Wisberg-Yarborough production Women of Pitcairn Island was ultimately distributed by 20th Century-Fox. The film purports to detail the aftermath of the mutiny on the Bounty in the late 18th century. When the last of the male mutineers dies, the wives and daughters of the Bounty crew are left behind to make the best of things on Pitcairn Island. Trouble arises in the form of a band of pirates, who've landed on Pitcairn with the intention of hiding a cache of stolen pearls. After dallying with the ladies, the pirates come to grief by fighting amongst themselves. James Craig hams it up as the bearded pirate captain, while second-billed Lynn Bari seems grimly determined to get the film over with as quickly as possible. ~ Hal Erickson, All Movie Guide

In this episode of the long-running "Bowery Boys" series, Sach reminisces about the time he and the gang spent helping the Allies in North Africa during WW II. The boys were working as spies and were assigned to bring in "The Hawk" a key member of the African underground. ~ Sandra Brennan, All Movie Guide

In this drama, two prospectors search the Colorado Territory for precious radioactive metal. They find large deposits and become rich men. Unfortunately, their friendship almost disintegrates after they fall in love with the same sexy woman. She pits them against each other. Fortunately, their mutual sense of loyalty and honor kicks in just before they dissolve their lucrative partnership. In the end, they both dump the troublesome lady and return to their work. ~ Sandra Brennan, All Movie Guide

This is one of the last episodes of the long-running Bowery Boys film series. This time the trouble begins when a spoiled child television star swipes their car. They go to get it back and in so doing teach the kid a lesson or two. TV executives, frustrated from trying to deal with the youth on their own are so impressed that they hire the boys to keep the kid in line. Of course, that's not nearly as easy as it sounds, especially after the little star gets kidnapped. ~ Sandra Brennan, All Movie Guide

Phil Carey is his usual rough-and-tumble self in the Columbia western programmer Wyoming Renegade. Carey plays Brady Sutton, a former outlaw who wants to go straight. Trouble is, everyone is convinced that Sutton is still a no-good -- everyone, that is, except heroine Nancy Warren (Martha Hyer). When it appears as though Sutton has joined the "Hole in the Wall" gang headed by Butch Cassidy (Gene Evans), it looks like Nancy was wrong and everyone else was right. Ah, but Sutton's motives are honorable, though it takes him half the movie to prove it. William Bishop is fourth-billed as Butch Cassidy's cohort Sundance, while desperado Blackjack Ketchum makes a cameo appearance in the form of bit player A. Guy Teague. ~ Hal Erickson, All Movie Guide

Once again Edward G. Robinson takes a script from the trash bin and makes it into a palatable movie. A remake of The Mouthpiece, this is the story of a district attorney with a conscience. When he discovers that a man he's sent to the electric chair was innocent, he takes to the bottle. His assistants encourage him to get off the booze, stop prosecuting and, instead, become a defense attorney. He agrees but his first client is a notorious gangster who has been in business for so long because of leaks from Robinson's own office when he was the district attorney. Push comes to shove and soon, through multiple machinations and mishaps, Robinson becomes the defender of his former assistant on charges of murder. ~ Tana Hobart, All Movie Guide

Famed German filmmaker E. A. Dupont, who in his peak years was responsible for such classics as Variety, merely goes through the motions in this updated sequel to Robert Louis Stevenson's Treasure Island. Instead of Jim Hawkins, the film offers Jim's beautiful female descendant Jamesina (Dawn Addams), who manages to get her hands on Captain Flint's fabled treasure map. This makes Jamesina the target of a variety of scurrilous fortune-hunters, including phony archeologist Harris (Porter Hall) and the malevolent, sightless Newman (James Seay). It is handsome archeological student Clive Stone (Tab Hunter) who helps Jamesina locate the treasure and elude the villains. At least Return to Treasure Island wasn't intended to be taken seriously. ~ Hal Erickson, All Movie Guide

Previously adapted to film in 1923, Ben Ames Williams' rousing sea adventure All the Brothers Were Valiant was given the prestige MGM treatment in 1953. Robert Taylor and Stewart Granger star as seafaring siblings Joel and Mark Shore. When Mark disappears during a whaling expedition, Joel and his wife Priscilla Holt (Ann Blyth) set sail in search of his missing brother. They discover to their chagrin that Mark has become a conscienceless reprobate, a disgrace to his family. Not only does Mark make a play for Priscilla, but he foments a mutiny on board Joel's ship so that he may commandeer the vessel and embark on a search for a valuable bed of pearls. Eventually, one of the brothers comes to a literally sticky demise, with Priscilla looking on in wide-mouthed horror. Cast as Priscilla's father is that grand old trouper Lewis Stone, in his final film role. ~ Hal Erickson, All Movie Guide

Vigilante Terror was one of the last of the "Wild Bill" Elliot westerns for Columbia. This time, Elliot comes to rescue an imperiled storekeeper. A band of masked vigilantes is laying waste to the countryside, and the storekeeper is blamed. Wild Bill saves the day by going undercover -- or under hood, as it were. Lewis Collins directed ably, as he did on most of the valedictory entries in the Wild Bill Elliot series. ~ Hal Erickson, All Movie Guide