Jean Rougeul Movies

1991  
 
In this coming-of-age drama, based on a novel by Charles Juliet, François is a sensitive and thoughtful student at a military boarding school in 1948. He is fourteen and an orphan, and the French are still fighting in Indochina, as they will continue to do for many years. He believes he will be sent to fight there when he graduates, and he is sure he will die in that far-away place. While he sees himself as stubbornly principled, others, including the school's bullies, simply see him as stubborn and a nuisance besides. In fact, his humiliation by the school's bullies is so constant that one of his persistent fantasies is to become a skilled boxer and trounce them all. That is one reason why he has become fixated on one of the school's military instructors, a handsome sergeant who was a championship boxer. While there may be an unformed erotic component to his fixation, it does not manifest overtly but adds fuel to his sexual initiation with the sergeant's wife. ~ Clarke Fountain, All Movie Guide

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Starring:
Laurent GrévillMartin Lamotte, (more)
1978  
 
The Hypothesis of the Stolen Painting is the film most responsible for bringing director Raul Ruiz to international prominence. The intricate film is structured as an unfolding puzzle, a bafflingly complex mystery where the detectives use the techniques of art history. The film is narrated by an art collector and an unnamed interviewer who dissect a series of six 19th-century paintings. The collector argues that certain imperfections in the artwork -- errors in perspective, anachronistic objects, misplaced shadows -- are not in fact imperfections, but clues left by the artist. He feels these are keys to a larger secret, one related to a grand historical conspiracy. However, this theory presupposes the existence of a seventh painting, the crucial, missing link in the chain. The collector believes this painting has been stolen, but the interviewer claims it never existed. Ruiz transforms these academic discussions into cinema by exploring the riddle of the paintings from the inside. He re-creates each painting with live actors and real locations then views the scenes from different angles, presenting a visual equivalent to the spoken analysis, a meditation on history, art, and the problem of interpretation. ~ Judd Blaise, All Movie Guide

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Starring:
Jean RougeulAnne Debois, (more)
1972  
 
Well-known actor Gian Maria Volonte carries this Italian biographical film almost single-handedly in his role as the industrialist Enrico Mattei. Mattei gave Italian industry a much-needed shot in the arm in the postwar era and died under suspicious circumstances in 1962. However, like many larger-than-life figures, he is not without his flaws. He created a giant monopolistic industry, which he is thought to have maintained free from interference by the government through the application of generous bribes. When he set out to make Italy a power in the petroleum world, however, he ran into serious difficulties. ~ Clarke Fountain, All Movie Guide

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Starring:
Gian Maria Volontè
1972  
PG  
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Originally titled Giù la Testa, Duck, You Sucker! is a Mexican-revolution yarn, filmed in Italy by spaghetti Western maven Sergio Leone. James Coburn is top-billed as John H. Mallory, an Irish soldier of fortune with a penchant for explosives. Rod Steiger plays Juan Miranda, another mercenary who wants to utilize Mallory's specialty to blast into a bank. Despite his avaricious intentions, Miranda becomes a hero when the hole he blows in the bank wall frees dozens of political prisoners. Duck, You Sucker originally ran 150 minutes, with U.S. release prints heavily trimmed. Taking into consideration the previous "Man With No Name" films masterminded by Leone, the distributors of Duck, You Sucker! reissued the film as A Fistful of Dynamite. ~ Hal Erickson, All Movie Guide

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Starring:
Rod SteigerJames Coburn, (more)
1968  
 
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A Pope contends with the prospects of nuclear world destruction in this Cold-War saga of religious faith and international politics. (Anthony Quinn) plays a Russian priest who has spent 20 years in a Siberian labor camp. When Russian and Chinese relations deteriorate, Russian Premier Kamenev (Laurence Olivier) releases him and he is made a cardinal. Kamenev wishes to have a representative at the Vatican in Rome for future political situations. When the Pope (John Gielgud) dies, a series of events makes the Russian priest the first Pope from a communist country. Taking the name of the saint who spread the gospel to Russia, he becomes Pope Kiril Lakota. He often leaves the Vatican in disguise to mingle with the people to remain in touch with the poor and the needy. When millions of Chinese face starvation, the Pope offers to sell the riches of the church on order to feed the hungry, and he asks that all wealthy countries do the same. David Janssen is the television reporter stationed in Rome whose wife (Barbara Jefford) receives counseling from Kiril, unaware he is the Pope. In a symbolic gesture, Kiril offers his crown as a down payment in an attempt to bring world peace and end the starving of millions. Although a fine drama with a competent international cast, the movie failed at the box office to recoup the 9-million-dollar production costs. ~ Dan Pavlides, All Movie Guide

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Starring:
Anthony QuinnLaurence Olivier, (more)
1963  
 
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Fresh off of the international success of La Dolce Vita, master director Federico Fellini moved into the realm of self-reflexive autobiography with what is widely believed to be his finest and most personal work. Marcello Mastroianni delivers a brilliant performance as Fellini's alter ego Guido Anselmi, a film director overwhelmed by the large-scale production he has undertaken. He finds himself harangued by producers, his wife, and his mistress while he struggles to find the inspiration to finish his film. The stress plunges Guido into an interior world where fantasy and memory impinge on reality. Fellini jumbles narrative logic by freely cutting from flashbacks to dream sequences to the present until it becomes impossible to pry them apart, creating both a psychological portrait of Guido's interior world and the surrealistic, circus-like exterior world that came to be known as "Felliniesque." 8 1/2 won an Academy Award for Best Foreign-Language Film, as well as the grand prize at the Moscow Film Festival, and was one of the most influential and commercially successful European art movies of the 1960s, inspiring such later films as Bob Fosse's All That Jazz (1979), Woody Allen's Stardust Memories (1980), and even Lucio Fulci's Italian splatter film Un Gatto nel Cervello (1990). ~ Jonathan Crow, All Movie Guide

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Starring:
Marcello MastroianniClaudia Cardinale, (more)

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