Jean Rougerie Movies

In this farcical look at a female detective/mystery story writer, Cathy Palmer (JoBeth Williams) is an ordinary housewife living in Ohio with a condescending husband who is far from ideal. When Cathy wins a writing contest and has the chance to go to Paris and meet the author of the romance novels she loves, her husband tries to prevent the trip. In the end, Cathy's interests prevail, though her husband still refuses to go with her. After arriving in Paris, Cathy is knocked down by a car and wakes up in the hospital with all memory of her past life erased. In its place, she believes she is Rebecca Ryan, the heroine in the romance novels she has read. Carrying her unconscious role to the hilt, she dresses in elegant clothes and meets the comically rattled Alan McMann (Tom Conti) who becomes her partner, of sorts. Little does she know that Alan is not Rebecca's secretary, but the actual ghost writer of the Ryan novels. Cathy begins to suspect that villains are lurking everywhere, and her intuition in that regard is unerring -- she has doubts about the klutzy leader of the French opposition party (Giancarlo Giannini), and it turns out her doubts are well-founded. As the plot thickens, it becomes apparent that sooner or later Cathy-cum-Rebecca will have to realize the truth about her identity, but in the meantime, much skullduggery awaits. ~ Eleanor Mannikka, Rovi

Buffet Froid is an absurd black comedy that cunningly reverses the conventions of the crime thriller to comment on the alienating and dehumanizing effects of contemporary urban life. It starts with Alphonse Tram (Gérard Depardieu) discovering that his casual subway acquaintance (Michel Serrault) is lying down with Alphonse's penknife sticking out of his belly. When he tries to report the crime to his neighbor, a police inspector (Bernard Blier), the latter refuses to listen, saying that he is not at work now. Later, Alphonse's wife is killed, and her hapless murderer (Jean Carmet) almost immediately confesses to Alphonse, but neither the husband nor the police inspector seem to be shocked. The three embark on a series of adventures and bizarre encounters in modern Paris. ~ Yuri German, Rovi

Nicolas (Francis Perrin) is the director of a swinging club for singles in this routine sex comedy. In addition to his own amorous conquests, he tries to help his shy friend improve his lonely love life. Nicolas eventually begins to wonder if settling down in a relationship with the right woman is the way to go. ~ Dan Pavlides, Rovi

This tragic musical drama chronicles the star-crossed love between beloved French singer Edith Piaf and World Middleweight boxing champion Marcel Cerdan who died in a plane crash. The tumultuous affair is paralleled by the love affair of a French POW and his young pen pal who get engaged after writing to each other for four years and having never met. Their romances are framed by the sad, torchy songs of Piaf. ~ Sandra Brennan, Rovi

This smart, upbeat French comedy explores the differing attitudes surround children. Martin, a 35-year old advertising executive, is busily working upon ad campaigns for the Floppy dog-food company. It was his ex-wife's idea that he work for them. When the family au pair, 23-year old Sally tells Martin she is pregnant with his child as a result of their one-night stand, Martin seeks the counsel of his friends and family. Compounding the matter is the fact that Sally, who wants the baby, simple considers Martin to be a donor. Martin's militantly left-wing mother wants Sally to get an abortion because she believes it immoral to bring another European into the world. Julien, Martin's best friend, is an equally militant pro-lifer and will end the friendship if he allows Sally to abort. His barren ex-wife subversively influences Sally into keeping the baby. Meanwhile, Martin becomes friends with a pregnant teen who unexpectedly gives birth. ~ Sandra Brennan, Rovi

Antoine has a promising political career in front of him, if he can only keep from getting sidelined by inappropriate love affairs. He is a junior minister in France's socialist government, and he has had a hand in writing a number of important pieces of legislation. He has put his heart into crafting and promoting a bill to reform higher education. However, he is a little too young and idealistic to accept it when his party sacrifices his bill in order to gain a concession from the opposition on another important goal. Meanwhile, his love affair with a right-wing businessman's wife has been exceedingly difficult to consummate quietly. Antoine and Florence eventually decide they don't care that much about their reputations and throw caution to the winds. ~ Clarke Fountain, Rovi

Fush (Claude Brasseur) and Ballestrat (Claude Rich) are the rival police detectives who head different departments trying to capture a notorious gangster in this crime thriller. Both are not above using underhanded and illegal means to attain their goals. Marie (Marlene Jobert) a the female cop in Ballestrat's department who adds to the tension by having an affair with Fush. When an ambush attempt goes wrong, Fush puts his life in danger by confronting the gangster whose criminal activities sparked the intense manhunt. ~ Dan Pavlides, Rovi

With a superb music score by Django Reinhardt, this is a Louis Malle film about the German occupation of France. Based on his own experiences in France during the occupation, Malle's film does not paint a pretty picture of the French Resistance and eventually he emigrated to America because of the critical reaction to this film. Essentially the tale of a young boy who wants to join the Resistance but is shunned by them because of his youth, he joins the Gestapo. Unfortunately, he then falls in love with a young Jewish girl. Push comes to shove and he suddenly has the unsympathetic Resistance and the Gestapo hot on his trail. Not a pretty picture of either side. ~ Tana Hobart, Rovi

Insurance investigator Ronald Fox Terrier (Michel Serrault) looks into a questionable claim of disability feigned by Papu (Jean Poiret) in this situation comedy. When both men are dunked into the waters at a holy shrine, the faking Papu finds himself unable to get out of his wheelchair, while Ronald's mute voice is miraculously restored. Terrier has an affair with the vamp Sabine (Jeanne Moreau) before returning home to his emotionally detached wife (Sylvie Joly). ~ Dan Pavlides, Rovi

Marie (Marlene Jobert) is a pretty female physician who attracts the strong romantic interest of two brothers during World War I in this uninspired drama by Gérard Vergez. The brothers meet her when she is on duty in Turkey -- one brother is stationed there and the other becomes her ambulance driver. Since Marie has just lost her husband in combat, she is not at first open to another relationship but finally begins an affair with the older brother. Jealousy rears its ugly head, and the younger and older brother start to compete for her favors. She is eventually separated from the two brothers after the oldest -- imprisoned for supposed sympathy with the Russians -- is sprung from jail. Marie is later imprisoned herself, and it will be a long time before she is able to find out the fate of those she knew during the days of combat, including the two brothers. ~ Eleanor Mannikka, Rovi

Dick Richards directed this French Foreign Legion adventure that's at once parodies and pays tribute to the venerable Hollywood epics that preceded it. Gene Hackman stars as Major William Sherman Foster, a soldier who has been kicked out of West Point but has managed to obtain command of a group of Legionnaires after the end of World War I. His troops have been ordered to accompany an archeological expedition traveling to Morocco headed by Francois Marneau (Max von Sydow). Foster's motley band includes an on-the-lam cat burglar named Marco Segrain (Terence Hill), an ex-guardsman from the deposed Russian monarchy named Ivan (Jack O'Halloran), an adventure-seeking aristocrat named Fred Hastings (Paul Sherman), and an alluring beauty named Simone Picard (Catherine Deneuve). As the band makes their way to Morocco, they cross paths with the fervid and bloodthirsty Arab leader El Krim (Ian Holm), who vows to unite his people to expel foreigners from their land. ~ Paul Brenner, Rovi

This 1990 French film presents idyllic episodes from the childhood of novelist and filmmaker Marcel Pagnol (1895-1974). Together, the episodes present a portrait of an ordinary family with an extraordinary ability to love. Set in Provencal in the late 19th and early 20th centuries, the film first introduces members of the family, including Marcel (Julien Ciamaca). When he is still a preschooler, his father Joseph, a teacher, takes him to classes to watch over him. Marcel, however, learns along with the other children and starts to read out loud in class. Astonished, Joseph (Philippe Caubère) writes a sentence on the blackboard and asks, "What does that say?" Marcel, reading the words, says, "The father is proud of his little boy." This little scene establishes the tone and meaning of the film. Flashing ahead seven years, the camera then follows the Pagnols after they leave Marseilles for a summer vacation in the Provencal countryside, there to bask in the simplicity of rural life. From then on, it is not what happens to the family that engages audiences; it is how it happens -- with a quiet exuberance and joie de vivre. Besides Marcel and his father, the vacationers include his mother, Augustine (Nathalie Roussel), a beautiful and kindly homemaker; Marcel's little brother Paul (Victorien Delamare); and his Uncle Jules (Didier Pain) and Aunt Rose (Thérèse Liotard). After they arrive at their cottage, 11-year-old Marcel wastes no time wading into the greenery in search of adventure. What he finds is another adventuresome boy, Lili de Bellons (Joris Molinas), a native of the region. They become friends and fellow explorers, capturing cicadas, climbing rocks, and even invading an eagle's cave. Sometimes they just have fun shouting to hear an echo boomeranging back. At meal times -- often outdoors -- fresh fruit and good-natured repartee satisfy appetites. For spectator sport, the diners listen to the occasional religious arguments between Uncle Jules, a God-fearing Catholic, and Joseph, a God-doubting agnostic. Augustine and Aunt Rose avoid the polemics, for they have more important matters on their minds: keeping house, watching children, and planning the next day's menu. And then the film takes a turn toward real drama. Uncle Jules, full of tales about his prowess as a hunter, persuades Joseph, full of ignorance about guns and hunting, to go on a bird hunt. Woe is Papa, Marcel thinks. When the day of the great hunt arrives, Marcel secretly follows Joseph and Uncle Jules into the woods, setting the stage for the film's climactic moment. ~ Mike Cummings, Rovi