John Rothman Movies

The Pulitzer Prize-winning novel The Killer Angels by Michael Shaara becomes this sprawling historical epic. As in Shaara's novel, director Ronald Maxwell focuses on a handful of major players to dramatize the events of July 1863, when the armies of the Union and Confederacy clash at the small Pennsylvania town of the title. Among them are Martin Sheen as General Robert E. Lee, who disagrees with his top advisor, General James Longstreet (Tom Berenger) over battle strategy, and Jeff Daniels as Colonel Joshua Lawrence Chamberlain, a college professor whose unorthodox techniques save the day (and possibly the war) for his beleaguered army. Other cast standouts include Richard Jordan in his final film appearance as the ill-fated General Lewis Armistead, and cameo roles for Civil War buff Ken Burns and media mogul producer Ted Turner. Filmed on-location at Gettysburg National Military Park, Gettysburg was shot as a television miniseries for Turner's TNT cable channel, but earned a limited theatrical release. ~ Karl Williams, All Movie Guide

Paul Mazursky directed this comedy, which blends a broad satire of the film industry with a thoughtful tale of a middle-aged man looking back on his life's failures. Harry Stone (Danny Aiello) is a film director who desperately needs a hit -- so desperately that he gets talked into directing an inane sci-fi film about a group of farm kids (led by Ally Sheedy) who grow an enormous pickle that they turn into a spaceship, allowing them to visit the planet Cleveland (ruled by Little Richard and his right hand man, Griffin Dunne) where everyone eats nothing but meat. Convinced that the film will flop, Harry is in a state of panic as he returns to New York with his Parisian girlfriend Francoise (Clotilde Courau), a mere 20 years his junior, and visits his ex-wife Ellen (Dyan Cannon); his mother Yetta (Shelley Winters); and his son Gregory (Chris Penn). Meanwhile Harry flashes back on his childhood and the film he could have made of it, and pitches his dream film (a historical epic about the life of Montezuma) to studio executives, who instead want him to make a movie kids can relate to. The Pickle was filmed in 1991, but only received a token theatrical release two years later. Actually, the sci-fi story with Little Richard as the undisputed ruler of Cleveland looks like it might have been an ideal vehicle for Edward D. Wood Jr.. ~ Mark Deming, All Movie Guide

Summoned to an expensive Upper West Side elementary school, detectives Greevey (George Dzundza) and Logan (Chris Noth) find a young pupil in a semi-comatose state. The investigation leads to prominent therapist Jacob Lowenstein (David Groh), a chronic philanderer, and Lowenstein's wife Carla (Marcia Jean Kurtz), who shows signs of being severely battered. After the death of the Lowensteins' daughter, assistant D.A. Stone (Michael Moriarty) realizes that the only way to find out who was responsible is to turn the defiantly protective Mrs. Lowenstein against her control-freak husband -- or vice versa. Clearly inspired by the infamous "Steinberg Case," this was the Law & Order telecast which prompted the series' producers to include a disclaimer at the beginning of each subsequent "based on fact" episode. ~ Hal Erickson, All Movie Guide

Produced for theatrical released by PBS' American Playhouse, Bloodhounds of Broadway is not exactly a remake of the 1952 film of the same name, though both pictures use the same Damon Runyon stories as inspiration. The scene is Broadway: the time is New Year's Eve, 1928. Madonna plays small town girl-turned-hoofer Hortense Hathaway, who loves gambler Feet Samuels (Randy Quaid) more than somewhat. Since it is known far and wide that Feet has not a penny to his name, he must find some way to pay off his debts in a hurry. So he offers to sell his huge feet to a demented-an operation which will, alas, cost Feet the use of his life. Upon waking up to the fact that Hortense loves him, Feet decides that he prefers breathing to pushing up daisies. Meanwhile, a society doll named Harriet MacKyle (Julie Hagerty) turns on the spigots when her pet parrot is laid low by a clumsy gunman. And while all this is transpiring, high-roller Regret (Matt Dillon) has to beat a murder rap. Even while Regret is sweating it out, "The Brain" (Rutger Hauer), who is bleeding profusely after confronting the business end of a shiv, searches high and low for someone willing to donate blood to save his life. If you can, keep an eye out for author William Burroughs as a butler. Bloodhounds of Broadway was the first non-documentary effort of filmmaker Howard Brookner-and the last, since he died before the film was released. To gloss over the film's plot holes, the distributors added a Winchell-like narrator to the proceedings, courtesy of actor Joseph Sommer. ~ Hal Erickson, All Movie Guide

James Woods and Sean Young were still "an item" when they costarred in The Boost. The stars play an investment broker and his girlfriend, who begin snorting cocaine on a recreational basis. Inevitably, the drug takes its toll, and soon Woods and Young have thrown away their lives in their desperate pursuit of their next fix. ~ Hal Erickson, All Movie Guide

Writer Susan Isaacs and director Frank Perry of Compromising Positions re-team for this unsuccessful resurrection fantasy comedy. Shelley Long plays Lucy Chadman, the accident-prone wife of plastic surgeon Jason Chadman (Corbin Bernsen). When she chokes to death after eating a South Korean chicken ball, a funeral is held and she is mourned, but then everyone goes on with their lives and forgets about her. Everyone, that is, except her sister Zelda (Judith Ivey). Zelda runs an occult bookstore and as she peruses one of her books of incantations, she discovers a magical chant that can raise the dead. Obeying the rules of the incantation -- it has to be performed a year after the person dies and the resurrected person must find love within 30 days or the person will die again -- she brings back Lucy to life. Lucy immediately proceeds to her husband's home and finds that he is married to her best friend Kim (Sela Ward). She now has to deal with the changed circumstances of her husband, along with a burgeoning love affair with Kevin Scanlon (Gabriel Byrne), the emergency-room doctor who had tried to save her life. ~ Paul Brenner, All Movie Guide

Woody Allen blurs the the boundaries between the real and unreal in this unique comic fantasy. The scene is a small town in the mid-1930s. Trapped in a dead-end job and an abusive marriage, Cecelia (Mia Farrow) regularly seeks refuge in the local movie house. She becomes so enraptured by the latest attraction, an RKO screwball comedy called The Purple Rose of Cairo, that she returns to the theatre day after day. During one of these visits, the film's main character Tom Baxter (Jeff Daniels), pauses in his dialogue, turns towards the audience, and says to Cecelia, "My God, how you must love this picture." Then he climbs out of the movie, much to the consternation of the rest of the audience and the other characters on screen. Liberated from his customary black-and-white environs, he accompanies Cecelia on a tour of the town, eventually falling in love with her. Meanwhile, the other Purple Rose characters, unable to proceed with the film, carry on a discussion with themselves. Desperately, the RKO executives seek out Gil Shepherd, the actor who played the hero of Purple Rose. Shepherd (also played by Daniels), is sent to Cecelia's hometown to see if he can repair the damage. ~ Hal Erickson, All Movie Guide

Leonard Zelig, the "human chameleon", is profiled in this mock-documentary. Director Woody Allen appears as Zelig in scenes that purport to be vintage newsreel clips of the 1920s and 1930s, but are actually clever recreations, "aged" and scratched-up Citizen Kane-style by special-effects maestros Joel Hynick, Stuart Robinson and R. Greenberg Associates. An appropriately pompous narrator details the life and times of Leonard Zelig, whose overwhelming desire for conformity is manifested in his ability to take on the facial and vocal characteristics of whomever he happens to be around at the moment. He shows up at batting practice with Babe Ruth, among William Randolph Hearst's guests as San Simeon, side by side with Pope Pius at the Vatican, and peering anxiously over the shoulder of Adolf Hitler at the Nuremberg Rally. Becoming a celebrity in his own right, Zelig inspires a song, a dance craze, and a Warner Bros. biopic. Mia Farrow plays Dr. Eudora Fletcher , a psychiatrist who tries to "reach" Zelig and ultimately falls in love with him (all of Farrow's scenes are in black-and-white and allegedly culled from archive footage; Ellen Garrison, whose resemblance to Farrow is uncanny, plays the older Dr. Fletcher in the interview sequences). In the manner of Reds, the influence of the fictional Leonard Zelig on popular culture is discussed by such real-life notables as Susan Sontag, Irving Howe, Saul Bellow and Dr. Bruno Bettenheim. ~ Hal Erickson, All Movie Guide

Woody Allen's tenth film as writer/director, Stardust Memories opens with a scene reminiscent of the opening of 8 1/2 and continues to use that film for inspiration. Sandy Bates (Allen) sits in a train at a train station, the car filled with very unhappy looking people. In a train on another set of tracks, Bates sees a wonderful party going on. A beautiful woman blows him a kiss as the happy train pulls out of the station. Bates is a famous film director who has been invited to attend a festival of his work being held at the Stardust hotel. He attends the event, but is ceaselessly harassed by fans who accost him and repel him in equal measure. While consistently hearing the complaints from fans, critics, and even space aliens that his earlier comedies are superior to his dramatic work, Bates juggles a trio of women in his private life. His encounters during the course of the retrospective force Bates to take a long look at himself. Sharon Stone makes one of her first film appearances as the woman who blows Sandy a kiss. ~ Perry Seibert, All Movie Guide