Tim Roth Movies
With lean hangdog looks that make him a natural for the criminals and fringe dwellers he usually plays, Tim Roth has the uncanny and incredibly effective ability to make sleaze look sexy, or at least raggedly photogenic. Since his debut in the made-for-TV Made in Britain at the age of 18, Roth has joined fellow Briton Gary Oldman as one of the leading interpreters of society's underbelly. His ability has been particularly appreciated by director Quentin Tarantino, who helped to propel Roth to international recognition with prominent roles in Resevoir Dogs and Pulp Fiction in the early '90s. Since then, Roth has continued to portray a variety of gritty characters, occasionally making room for the odd sympathetic or lighthearted role.Born in London on May 14, 1961, to a journalist father and landscape painter mother, Roth initially wanted to become a sculptor. After an education at London's Camberwell School of Art, he decided to try his hand at acting, first appearing in a production of Jean Genet's The Screens. Roth's television debut in the 1981 film Made in Britain garnered critical raves for the actor, who portrayed a poverty-stricken juvenile delinquent with profanity-spewing gusto. The same year, he appeared with Gary Oldman in Mike Leigh's Meantime, a made-for-TV movie that was eventually released theatrically, but Roth's bona fide screen debut didn't come until 1984, when he played an apprentice hitman in Stephen Frears' The Hit. Co-starring Terence Stamp and John Hurt, the film did moderately well and earned Roth an Evening Standard Award for Most Promising Newcomer. Thanks to such positive notices, the young actor continued to find work throughout the rest of the decade, making appearances in a variety of films, including former Kinks frontman Ray Davies' 1985 musical Return to Waterloo.
In 1990, Roth began to enjoy a limited amount of international attention, thanks to two starring roles, his acclaimed portrayal of Vincent Van Gogh in Robert Altman's Vincent and Theo and a title role in the critically lauded film adaptation of Tom Stoppard's Rosencrantz and Guildenstern Are Dead. Starring opposite Gary Oldman, Roth made an impression on many a filmgoer, including Quentin Tarantino. Tarantino cast Roth as undercover policeman Mr. Orange in his 1992 ensemble piece Resevoir Dogs, a film that allowed the actor to prove he could do an American accent and bleed to death convincingly. The success of Resevoir Dogs paved the way for more Hollywood work for Roth. In a drastic departure from his previous work, he next starred in the 1993 comedy Bodies, Rest & Motion alongside Bridget Fonda, Phoebe Cates, and Eric Stoltz.
The following year, Roth returned to more familiar territory, as a hit man in Little Odessa and as one of the robbers who catalyzes the action of Tarantino's Pulp Fiction. After the enormous success of the latter film, the actor appeared the same year in the psychologically terrifying TV adaptation of Joseph Conrad's Heart of Darkness alongside John Malkovich, who played the unhinged Kurtz. After a disastrous third collaboration with Tarantino, the critically and commercially disemboweled Four Rooms (1995), Roth had significantly greater success portraying an ominously prissy English nobleman in Rob Roy, winning a Best Supporting Actor Oscar nomination for his work, along with a Golden Globe nomination and a British Academy Award.
Staying true to his habit of jumping from genre to genre, Roth next appeared as a convict with a jones for Drew Barrymore in Woody Allen's musical comedy Everyone Says I Love You (1996) before playing a mobster in 1930s Harlem in Hoodlum (1997). Roth remained in a down and dirty milieu for his next film, Vondie Curtis-Hall's Gridlock'd, which featured the actor, as well as Thandie Newton and Tupac Shakur, as modern-day heroin addicts. Although the film received critical praise, it failed to make a significant impression at the box office. Roth's subsequent films unfortunately suffered from similarly lackluster performances: 1998's Liar went straight to video and the actor's film with Cinema Paradiso director Giuseppe Tornatore, La Leggenda del Pianista Sull'Oceano, remained mired in obscurity. However, Roth continued to keep busy with other projects, appearing in the 1998 Sundance entry Animals (And the Tollkeeper) and making his directing debut the same year with The War Zone. Though it gained positive critical notice for its' downbeat story of a disfunctional family skidding towards oblivion, the subject matter found the film getting little exposure even though it won multiple film festival awards.
Roth's next turn as the menacing General Thade in Tim Burton's Planet of the Apes (2001) would be arguably his most mainstream, prolific and scenery-chewing role to date. As the sinister simian on an obsessive quest to kill Mark Wahlberg's Capt. Leo Davis at any cost, Roth provided more than enough gusto to adequately fill the film's evil villian quota. While the film was a box-office hit, Roth opted to follow it up by returning to more obscure films. However, his visibility was raised considerably in 2004 by a pair of projects. First, he acted alongside the likes of Oscar-winners Chris Cooper and Richard Dreyfuss in director John Sayles' highly-anticipated political film Silver City and then showed up opposite Jennifer Connelly and John C. Reilly in Dark Water. ~ Rebecca Flint Marx, All Movie Guide
Director Alan Clarke's influential television drama Made in Britain marked the screen debut of actor Tim Roth. Roth plays Trevor, a skinhead with a swastika tattoo on his forehead who lashes out verbally and sometimes physically at everything that surrounds him. Cinematographer Chris Menges (who would go on to win Oscars for his work on The Killing Fields and The Mission), gets his camera right in Roth's snarling face, as the film tracks Trevor's progress through the British justice system. In the courtroom, charged with attacking a Pakistani man and vandalizing his store, Trevor displays absolutely no remorse as he matter-of-factly admits that he knew the man would have to be hospitalized for his injuries. Trevor's social worker, Harry (Eric Richard), recognizes Trevor's intelligence, but he's running out of ways to convince Trevor to straighten out his life. Harry takes him to a juvenile detention center for "assessment," after which he'll be sentenced. Trevor immediately dismisses Peter (Bill Stewart), the put-upon supervisor of the center, as a "wanker." He meets his black roommate, Errol (Terry Richards), whom he quickly convinces to come out with him on a car-stealing, glue-sniffing, job-center-vandalizing day trip. Brazenly returning to the detention center in a stolen car, Trevor eventually provokes Peter into locking him in a classroom, so a police superintendent (Geoffrey Hutchings) can harangue him about the hopeless path his life is taking. Trevor refuses to accept the center's (and society's) standards for "good behavior," raging that they all just want everyone to follow the rules and keep their mouths shut. The script was written by David Leland (Wish You Were Here) and the songs on the soundtrack are by the anarchist hardcore band the Exploited. ~ Josh Ralske, All Movie Guide
Colin (Tim Roth, making his screen debut) and his brother Mark (Phil Daniels, who starred in Quadrophenia) are down and out. They live in a squalid flat with their unemployed father, Frank (Jeff Robert), and their put-upon mother, Mavis (Pam Ferris). They're on the dole, and Mark is constantly scrounging for cash and cadging drinks from his friends, among them Coxy (Gary Oldman in his screen debut), a skinhead. Colin, shy and perhaps mentally disabled, has a crush on a good-natured local girl, Hayley (Tilly Vosburgh). But when Coxy brings him over to her apartment, he can only watch helplessly as a rather ugly scene unfolds. Mark, who is constantly mocking Frank's hypocritical and outdated world view, also makes fun of Colin and calls him "Kermit" and "muppet." Barbara (Marion Bailey, who would later appear in All or Nothing), the boys' middle-class aunt, drops by one day and offers Colin work helping her redecorate her house. Colin seems only mildly interested, but his parents pressure him to take the offer. Mark says that Barbara is exploiting Colin, but his family suspects that Mark is just resentful because Barbara didn't offer him the job. On Colin's first day, Mark turns up at Barbara's to learn that Colin hasn't shown up yet. As Mark and Barbara search the neighborhood for Colin, Mark makes insinuations about the state of Barbara's troubled relationship with her husband, John (Alfred Molina). Meantime, conceived and directed by Mike Leigh, was produced for British television, and shown at the 1984 Berlin International Film Festival. ~ Josh Ralske, All Movie Guide
- Starring:
- Marion Bailey, Phil Daniels, (more)
In this offbeat crime film, Willie Parker (Terence Stamp) an English mobster turned informant, has been given a new identity and has been living in a small, isolated village in Spain for 10 years. Unfortunately for Parker, the men he has betrayed have ascertained his whereabouts and send Braddock (John Hurt), a professional hitman, and his apprentice Myron (Tim Roth) to bring Parker to Paris where his ex-associates await. After kidnapping Parker, nothing goes as planned. Now they are followed by a Spanish policeman (Fernando Rey) who seems to anticipate each of their moves, and they are burdened by Maggie (Laura del Sol), the mistress of a fellow mobster they were forced to kill. What should have been a routine hit becomes a psychological battle between all the participants as Parker, in a fight for time and for his life, plays one against the other. Set against the bleak Spanish landscape and featuring evocative and memorable theme music, the film builds to a surprising conclusion where the true nature of all the characters is revealed. Terence Stamp develops the character of Parker in a subtle but surprisingly comic performance and Laura del Sol shines as a woman who will do what is necessary to survive. Tim Roth, in his film debut, plays a brutal, but oddly endearing thug. But it is John Hurt, in a sensitive and nuanced performance, who brings a perceptive intelligence and depth to his role which adds a philosophical and psychological dimension to the film. Hurt plays his difficult role without a misstep and with a rare economy of action. Thoughtful and frequently amusing, The Hit, superbly written by Peter Prince, is both a compelling and suspenseful crime drama and also a deep and profound meditation on life, death and courage. ~ Linda Rasmussen, All Movie Guide
- 1985
Helen Hayes makes her second TV appearance as Agatha Christie's female sleuth Miss Marple in Murder with Mirrors. Marple has been summoned to the lavish country estate of her old friend Carrie Louise Serrocold (Bette Davis). Carrie's stepson has been killed, and she fears that his won't be the last corpse to befoul the estate. She's right, and the game is afoot for Miss Marple once more, with a full contingent of prime suspects (including John Mills, Leo McKern and Dorothy Tutin). Murder with Mirrors was filmed on location on a genuine 13th century British estate. If Helen Hayes seems more spirited than Bette Davis (eight years Helen's junior), it's because Bette was seriously ill prior to and during shooting. ~ Hal Erickson, All Movie Guide
- Starring:
- Helen Hayes, Bette Davis, (more)
Ray Davies, leader of the group The Kinks and one of the most well-respected songwriters in the history of British rock, made his directorial debut with this film produced for British television. A man (played by Kenneth Colley) boards a commuter train and reads his newspaper, glancing at a story in which a man who looks just like him is wanted for a brutal rape. As the miles roll by, he wonders about the fate of his missing daughter (Dominique Barnes) and the sad state of his relationship with his wife (Valerie Holliman). He also banters with an attractive women (Gretchen Franklin) sitting nearby, watches a group of businessmen cheerfully singing about their careers, and observes a group of older people wondering what became of their lives and the world they once knew. Davies himself has a small role as a singer in a tube station (he wrote several original songs for the project). Also, keep an eye peeled for Tim Roth in a small role as a punk rocker. As a bonus, the DVD release also features eight music videos by The Kinks, including concept videos for "Come Dancing," "Predictable," and "State of Confusion," and live clips of the band performing earlier hits such as "Lola," "You Really Got Me," and "Celluloid Heroes." ~ Mark Deming, All Movie Guide
- Starring:
- Kenneth Colley, Valerie Holliman, (more)
Cinematographer Chris Menges' first directorial effort, A World Apart was inspired by the lives of South African journalist Ruth First and her daughter Shawn Slovo (who wrote the film's screenplay). Barbara Hershey plays the fictional counterpart to Ms. First, Diana Roth, with Jodhi May as her daughter. Told from the daughter's viewpoint, the film shows us that Diana and her husband Jeroen Krabbe are so busy with their anti-Apartheid political activism that they totally shut May out of their lives. In 1963, Hershey is arrested by the South African police, becoming the first white woman to be held under the infamous 90-day-detention act. Left despondent and suicidal by two separate arrests and by constant harassment from the police, Diana still won't include her daughter in her life until the girl presses the issue in a climactic confrontation. Some critics felt that Shawn Slovo was using A World Apart to settle unresolved issues in her own life: Ruth First was killed under suspicious circumstances in 1982, without ever reconciling with her daughter. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Hershey, Jodhi May, (more)
- 1989
- R
One of the first films by Polish director Agnieszka Holland to gain international acclaim, this drama is a joint French-American production based loosely on the real-life story of the dissident Polish priest Jerzy Popieluszko. In the early 1980s, as the democracy and labor movement known as Solidarity was challenging Soviet authority in Poland, an outspoken priest, Father Alek (Christopher Lambert), defies martial law and continues to rally followers around the cause of Solidarity. The Soviet-controlled Polish government enlists a police official, Stefan (Ed Harris), to stop the priest. Stefan, a devoted party follower, finds that the only way he can silence Father Alek is to have him killed. Along the way, however, the priest has a profound influence on Stefan. Among those in minor roles are Joanne Whalley-Kilmer, Pete Postlethwaite, and Tim Roth. Holland would go on to direct The Secret Garden and Washington Square. ~ Michael Betzold, All Movie Guide
- Starring:
- Christopher Lambert, Ed Harris, (more)
- 1989
- NC17
This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway's other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director's usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway's peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny's brilliant camerawork, Jean-Paul Gaultier's gaudily stylized costumes, and Michael Nyman's somber, pulsating music, which will haunt the viewer long after the film's end. ~ Yuri German, All Movie Guide
- Starring:
- Richard Bohringer, Michael Gambon, (more)
- 1990
Europeans (and Americans) have a horror of their citizens "going native" in non-Western counties. It is considered to be a form of insanity, demonstrating a lack of character in those who do it. In this story, Anton (Tim Roth), an English writer, visits Ethiopia with his girlfriend Julie (Marie Matheron), and chances upon a house once inhabited by the French decadent poet Rimbaud. Soon enough, he has abandoned her and taken up with the daughter of the impressive old wise-woman who owns the house. He is growing ever more interested in local customs and ways. Despite urgent pleas from Julia, Anton progressively divests himself of his western lifestyle and manners, and eventually heads out into the desert. ~ Clarke Fountain, All Movie Guide
- Starring:
- Tim Roth, Marie Matheron, (more)
The relationship between the obsessive, brilliant painter Vincent Van Gogh and his more practical brother Theo is at the center of director Robert Altman's well-received biography, originally produced as a miniseries for European television. Now universally acknowledged as masterpieces, Vincent Van Gogh's works were ignored in his lifetime, despite the best efforts of Theo, a struggling gallery owner. When he fails to make a profit from his brother's work, Theo finds himself torn between art and commerce, a conflict deepened by Vincent's increasing emotional neediness. Soon, the situation worsens, and both brothers are forced to struggle with depression and madness. Altman's distinctive directorial approach avoids clichés, allowing his leads to create contradictory and sometimes unlikable characters. Tim Roth captures Vincent's devotion to his art, his difficult personality, and his descent into mental illness without resorting to histrionics, while Paul Rhys provides equally proficient work as the more repressed Theo. The cinematography by Jean Lepine illuminates the links between Altman's trademark wandering camera and Van Gogh's impressionistic painting style. ~ Judd Blaise, All Movie Guide
- 1990
- PG
- Add Rosencrantz and Guildenstern Are Dead to QueueAdd Rosencrantz and Guildenstern Are Dead to top of Queue
Much as he would later do with Shakespeare in Love (1998), writer Tom Stoppard delivered a tale of Shakespearean origin from a skewed and unexpected perspective. In this case, it's the perspective of two relatively minor characters from Hamlet, Rosencrantz (Gary Oldman) and Guildenstern (Tim Roth), courtiers who, in the original play, were dispatched offstage before the narrative's conclusion. In Stoppard's script (which he also directed), the two supporting players take center stage as the events unfold in Elsinore Castle. Unable to determine the source of the prince's tortured despair, the duo ponders the question of fate as their predetermined roles are played out. Meanwhile, they dabble in a little verbal tennis and some ill-advised science experiments, and endure the puzzling attentions of mysterious wandering thespians led by (Richard Dreyfuss). Ordered to accompany Hamlet (Iain Glen) to England, the pair learn that the letter they carry instructs that nation's king to decapitate their mentally unbalanced and irksome charge, a revelation that Hamlet overhears. ~ Karl Williams, All Movie Guide
- Starring:
- Gary Oldman, Tim Roth, (more)
- 1992
- R
This bleak, provocative drama, the debut of filmmaker Jeff Stanzler, gives a haunting look at the effects of drug abuse upon those who care for the user. It tells the story of unemployed, depressed and just-divorced Bronx-resident Manny who hears burglars in his kitchen one morning and walks in to find his little brother Danny and Danny's girlfriend Jeanette rifling around for money to support their crack cocaine habits. Using the baseball bat he carries, Manny nearly beats his errant brother to death. He grabs their drugs and bundles them into his car for a long drive to the graveyard where their recently deceased father is buried. Thus begins a long, depressing journey between the disparate brothers as they try to make peace with their pasts and find redemption for their wasted lives amidst the ruins of their old neighborhood. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tim Roth, Alexis Arquette, (more)
In 1992, Reservoir Dogs transformed Quentin Tarantino practically overnight from an obscure, unproduced screenwriter and part-time actor to the most influential new filmmaker of the 1990s. The story looks at what happens before and after (but not during) a botched jewelry store robbery organized by Joe Cabot (Lawrence Tierney). Mr. White (Harvey Keitel) is a career criminal who takes a liking to newcomer Mr. Orange (Tim Roth) and enjoys showing him the ropes. Mr. Pink (Steve Buscemi) is a weaselly loner obsessed with professionalism. Mr. Blonde (Michael Madsen) has just gotten out of jail after taking the rap on a job for Cabot; he's grateful for the work but isn't the same person he used to be. While Mr. Blonde goes nuts during the heist, the thieves are surprised by the sudden arrival of the police, and Mr. Pink is convinced one of their team is a cop. So who's the rat? What do they do about Mr. Blonde? And what do they do with Mr. Orange, who took a bullet in the gut and is slowly bleeding to death? Reservoir Dogs jumps back and forth between pre- and post-robbery events, occasionally putting the narrative on pause to let the characters discuss such topics as the relative importance of tipping, who starred in Get Christie Love!, and what to do when you enter a men's room full of cops carrying a briefcase full of marijuana. ~ Mark Deming, All Movie Guide
- Starring:
- Harvey Keitel, Tim Roth, (more)
- 1992
While in prison, Jack had two momentous experiences: he got religion, and at his baptism he met the woman who would become his wife. He and Alison are devoted to the idea of staying in God's good graces, so they have moved to a remote power station in central Australia, far from anything. There, they carry out their chores while muttering inspirational messages to themselves from the Bible. Into this possibly idyllic arrangement comes a rootless young man who the power company has hired on to be the station's handyman. Tensions escalate between the two men as their conflicting worldviews and values rub up against one another. ~ Clarke Fountain, All Movie Guide
This international co-production is loosely based on the works of Dostoyevsky (most notably The Eternal Husband) but it is set and lensed in Prague. Musician and incorrigible duellist Milan (Tim Roth) seduces Teresa (Ana Belen), the wife of his unsuspecting friend Franz (Peter Firth). Many years later, after Teresa's death, Franz comes to Milan with a little daughter. Milan suspects that Franz knows about his longtime affair with Teresa and that the daughter might be Milan's own. When the girl dies from a grave illness, Milan challenges Franz, but the latter refuses to shoot him at the duel. ~ Yuri German, All Movie Guide
Michael Steinberg, co-director of The Waterdance, made his solo directorial debut with the Gen-X character study Bodies, Rest & Motion. Written by Roger Hedden, based on his own play, the film's title refers to Newton's First Law of Motion, which states essentially that a body at rest or in motion will remain in that state until acted upon by an external force. The film is set in the desert town of Enfield, AZ. Nick (Tim Roth) is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth (Bridget Fonda), will move to Butte, MT, which he's read is "the city of the future." "I read that a while ago, so the future should be there by now," he enthuses. He waits until the last moment to tell Carol (Phoebe Cates), his ex and Beth's best friend, about the move. While Nick is working his last day, Sid (Eric Stoltz) comes to the couple's house to paint it for the next tenants. He quickly develops an interest in Beth. He, Beth, and Carol get stoned and hang out. When Sid hears about the move, he tells Beth that he's never left Enfield, and has no interest in traveling. Meanwhile, Nick decides to take off on his own. When Beth gets word of this from Carol, she finds solace in Sid's arms. Sid proclaims his love the next morning, and implores Beth to stay. Meanwhile, Nick visits his childhood home, looking for his parents, has an epiphany, and decides to return to Carol. The film features Alicia Witt (Urban Legend) in her first substantial part. There's also a very brief cameo by Peter Fonda, Bridget's father. Hedden would go on to collaborate with Stoltz again on Sleep With Me and Hedden's directorial debut, Hi-Life. ~ Josh Ralske, All Movie Guide
- Starring:
- Phoebe Cates, Bridget Fonda, (more)
- 1993
The miserable life and long-overdue death of thrill killer Charles Starkweather is the basis of the two-part TV movie Murder in the Heartland. Over a bloody few months in 1958, Starkweather (Tim Roth), a 19-year-old high school dropout, embarked on a killing spree, snuffing out 11 victims. Along for the ride was Charlie's 14-year-old girlfriend Caril Ann Fugate (Fairuza Balk). The debate still goes on as to whether Caril Ann was a willing accomplice or a reluctant prisoner; as played by Ms. Balk, she comes off as dumb as mud. A shorter, fictionalized account of the Starkweather killings was offered in the critically acclaimed 1973 theatrical feature Badlands, starring Martin Sheen and Sissy Spacek. Murder in the Heartland originally aired May 3 and 4, 1993. ~ Hal Erickson, All Movie Guide
- Starring:
- Tim Roth, Fairuza Balk, (more)
A somber portrait of organized crime and family trauma, Little Odessa centers on the trouble caused when hit man Joshua Shapira (Tim Roth) returns to his old neighborhood of Brighton Beach, Brooklyn. A hired killer for the Russian Mafia, Joshua is given an assignment in his hometown, where he renews contact with his younger brother Reuben (Edward Furlong) and an old flame (Moira Kelly). But others do not welcome Joshua's return, particularly his harsh, estranged father (Maximillian Schell), who had disowned Joshua years before and currently attempts to keep him from visiting his seriously ill mother (Vanessa Redgrave). The pressure of these family crises combine with Joshua's deepening involvement in the local crime scene, ultimately triggering a bloody confrontation. First-time director James Gray creates a solemn, oppressive atmosphere that emphasizes the already grim nature of his story. The slow pace and familiar crime narrative were attacked by many viewers, contributing to a mixed critical reaction, but Little Odessa nevertheless won admiration for Gray's visual sense and the skilled performance by Roth in the unsympathetic lead role. ~ Judd Blaise, All Movie Guide
- Starring:
- Tim Roth, Edward Furlong, (more)
This dramatic love story takes place in a British prison. Rachel, a young dentist, decides to take a part-time job at a nearby prison after she and her husband are separated. There, she meets Philip, whose ten-year incarceration for killing his girlfriend is almost up. Rachel and Philip fall in love, which is a breach of Rachel's professional contract. Towler, fellow inmate and former drug dealer, finds out and blackmails Rachel into bringing contraband to prison. When Rachel learns that she is to bring a gun to Towler, she changes her mind, but as she tries to leave she finds herself a target in a shoot-out. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tim Roth, Julia Ormond, (more)
Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, All Movie Guide
- Starring:
- John Travolta, Samuel L. Jackson, (more)
- 1994
Previously the inspiration for Francis Ford Coppola's Apocalypse Now (1979), the dark novella Heart of Darkness by Joseph Conrad, a parable about greed-inspired colonialism, was adapted into this television movie by offbeat filmmaker Nicolas Roeg. Ambitious sailor Marlow (Tim Roth) is employed by a British trading company. His mission is a journey to a remote colony in the Belgian Congo, the source of the consortium's profitable supply of ivory, where he's to retrieve some stranded cargo. As he travels upriver visiting the trading stations which acquire the precious commodity through exploitative barter with natives, Marlow hears wild tales of Kurtz (John Malkovich), a hugely-successful company manager whose post is deep in the jungle. It seems that Kurtz is revered as a god by the locals, both worshipped and greatly feared. Reaching Kurtz's compound, however, Marlow finds that the man has become a fiend, committing blasphemous atrocities and driven mad by power and disease. Malkovich was nominated for a Screen Actors Guild Award and a Golden Globe for his performance as Kurtz. ~ Karl Williams, All Movie Guide
