Lillian Roth Movies
Born Lillian Rutstein, she began working in show business at the age of six; appearing in films, plays, and revues, she was billed as "Broadway's youngest star." In the late '20s and early '30s she starred onstage in Earl Carroll's Vanities and Ziegfeld's Midnight Frolics, meanwhile also starring in a number of successful Hollywood films. However, by the late 30's her career declined and she no longer performed anywhere. In 1953 she told her story on the TV series This Is Your Life; a year later she released her autobiography, I'll Cry Tomorrow, which became an international best seller and was made into a hit film starring Susan Hayward (1955). She made a modest comeback in nightclubs, onstage (she appeared in the Broadway shows I Can Get It For You Wholesale and 70 Girls 70), and on TV, and in 1977 she appeared in the film Communion. She was married eight times. ~ All Movie Guide
The shockingly brutal murder of a little girl in a church where she was just about to receive her first Communion sets a strong tone for terror in this disturbing horror film. The prime suspect in the death of Karen Spages (Brooke Shields) is her sister, Alice (Paula Sheppard), who happily tormented Karen by donning a mask and a raincoat to scare her. Comforting the grieving mother, Catherine Spages (Linda G. Miller), is her sister, Annie (Jane Lowry); local priest Father Tom (Rudolph Willrich); and Catherine's estranged husband, Dominick (Niles McMaster). Other characters include Father Tom's quirky housekeeper, Mrs. Tredoni (Mildred Clinton); a pair of detectives (Tom Signorelli, Michael Hardstark); and Catherine Spages' obese, cat-loving landlord (Alphonso De Noble). While the police investigation and all visual clues quickly point to Alice, director Alfred Sole manages to cast doubt on the killer's identity while the masked madman strikes several more times. About two-thirds of the way through the movie, Sole allows the viewer to see the killer. However, he smartly keeps his characters in the dark setting up a tense finale which culminates in yet another bloody slaying on holy ground before the lunatic is finally stopped. ~ Patrick Legare, All Movie Guide
- Starring:
- Linda G. Miller, Mildred Clinton, (more)
Susan Hayward pulls out all the stops, and then some, in this cinemadaptation of singer Lillian Roth's autobiography I'll Cry Tomorrow. In as harshly realistic a manner as possible in the still censor-dominated Hollywood of 1955, the film recounts Roth's rise to fame, her precipitous fall and her tearful comeback. The fact that Roth loves not wisely but too well is only part of the problem (only two of her eight husbands are portrayed in the film); contributing factors to her self-destruction also included her witchlike "stage mother" (Jo Van Fleet) and the pressures of fame and fortune. The principal reason for Roth's fall from the height of fame to the depths of squalor and despair is booze -- at least until she begins to pull herself together with the help of Alcoholics-Anonymous representative Burt McGuire (Eddie Albert). The story concludes with a testimonial staged in Roth's honor on the TV series This is Your Life (the original of which still exists in kinescope form). Having been personally coached by the real Lillian Roth, Susan Hayward does an excellent job of copying the singer's unique style. Though Hayward did not win an Oscar for her performance, she did cop the "Best Actress" prize at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Richard Conte, (more)
- 1933
Take a Chance was based on the hit Broadway musical of the same name, though only one of the original songs, Eadie Was a Lady, has been retained. The thinnish plot involves the misadventures of a pair of pickpockets, played on Broadway by Jack Haley and Sid Silvers and on film by James Dunn and Cliff "Ukelele Ike" Edwards. Tired of fleecing the suckers in a travelling carnival, our heroes head to Broadway, where they get mixed up with gangsters. The soubrette role originally played on stage by Ethel Merman is herein essayed by Lillian Roth, hardly a fair trade. Billed last in the huge cast is Marjorie Main, 15 years before stepping into her trademark role as Ma Kettle. ~ Hal Erickson, All Movie Guide
- Starring:
- James Dunn, Cliff Edwards, (more)
- 1933
One of the earliest girls-in-prison yarns, Ladies They Talk About has everything but Ida Lupino as the warden--and had she been in Hollywood at the time, she would probably be here as well. Gun moll Barbara Stanwyck is thrown into San Quentin (which looks more like a summer resort than a house of detention), thanks to her involvement in a bank robbery and the machinations of D.A./preacher David Slade (Preston Foster). It isn't political ambition that motivates Slade: he's in love with Stanwyck, and hopes that her incarceration will rehabilitate her. Instead, Stanwyck becomes a hard-bitten prison-block leader, spearheading a jailbreak. When things go awry, she holds Slade responsible. Upon her release, she goes gunning for Slade, and doesn't realize that she's really in love with him until she nearly puts him six feet under. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Preston S. Foster, (more)
- 1930
The 1916 Alice Duer Miller play Come Out of the Kitchen, previously filmed in 1921 with Marguerite Clark, was expertly transformed into early musical Honey. The story takes place in a poverty-stricken Virginia household, where blue-blooded brother and sister Olivia and Charles Dangerfield (Nancy Carroll and Skeets Gallagher) are reduced to renting out their mansion. Pretentious Yankee dowager Mrs. Falkner (Jobyna Howland) moves in with her spunky daughter Cora (Lillian Roth) in tow, while Olivia and Charles remain as servants. It isn't long before Cora has fallen in love with Charles, and Olivia has done likewise with Cora's former fiancee Burton Crane (Stanley Smith). The songs range from the self-spoofing "In My Little Hope Chest" to the lively "Sing You Sinners" (later used as a jazzy leitmotif in several Popeye and Betty Boop cartoons!) The Alice Duer Miller original was filmed again in 1934 as the British comedy Come Out of the Pantry. ~ Hal Erickson, All Movie Guide
- Starring:
- Nancy Carroll, Stanley Smith, (more)
- 1930
Here we go again. Sailor "Searchlight" Hogan (Jack Oakie) has a yen for every pretty girl who crosses his path. Imagine his delight, then, when Hogan is assigned to the European vessel captained by a man (Albert Conti) with a host of gorgeous daughters. The most gorgeous of the bunch is Adrienne (Lilian Roth), who lets Hogan chase her until she catches him. By way of plot development, a two-million-dollar inheritance is wedged into the storyline, with our man Hogan as the sole heir. Eugene Pallette and Harry Green offer their patented comical embroiderings as Hogan's best pal and Jewish lawyer, respectively. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Oakie, Harry Green, (more)
- 1930
The legend of renegade French poet Francois Villon was dramatized in the 1901 Justin McCarthy play If I Were King. This theatrical piece inspired several films, as well as the Rudolph Friml/Brian Hooker musical play The Vagabond King (1927). Dennis King recreated his original London and Broadway stage role as Villon when Vagabond King was transferred to celluloid in 1930. The story is the familiar one of politically savvy Louis XVI (O.P. Heggie), hoping to enlist the French peasants in his upcoming battle against the Burgundians, appointing Francois Villon king of France for one day. Jeanette MacDonald is the high-born girl whom Villon pines for, while Lillian Roth is the street urchin who gives up her life to save her beloved poet. This early-talkie Vagabond King has scarcely been seen since the 1956 MGM remake, which starred the never-to-be-remembered opera luminary Oreste. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis King, Jeanette MacDonald, (more)
- 1930
Considered the best of the all-star "studio" musicals of 1929 and 1930, Paramount on Parade utilized the talents of practically everyone on the Paramount Pictures payroll. Under the supervision of British musical-comedy favorite Elsie Janis, 11 top directors contributed to the project: Dorothy Arzner, Otto Brower, Edmund Goulding, Victor Heerman, Edwin H. Knopf, Rowland V. Lee, Ernst Lubitsch, Lothar Mendes, Victor Schertzinger, Edward Sutherland and Frank Tuttle. Introduced by masters of ceremonies Jack Oakie, Skeets Gallegher and Leon Errol, the film is a vaudeville-like maelstrom of musical duets, comedy sketches, occasional dramatic interludes, and spectacular production numbers. To mention all the highlights would take a book in itself but among them are Nancy Carroll's rendition of "Dancing to Save Your Sole" (performed inside a giant shoe!); Maurice Chevalier (and chorus) soaring heavenward in "Sweeping the Clouds Away" ; child actress Mitzi Green's dead-on impersonations of Chevalier, George Arliss, Moran & Mack and Helen "Boop-a-doop" Kane; Ernst Lubitsch's witty staging of an Apache dance in the style of a polite boudoir farce, with Chevalier (again) and Evelyn Brent; Clara Bow's saucy "I'm True to the Navy Now" ; the wish-fulfillment sketch "Impulses," in which George Bancroft and Kay Francis delightedly upset a dinner party by saying what's really on their minds; and best of all, "Murder Will Out," a murder-mystery parody wherein Fu Manchu (Warner Oland) bumps off Sherlock Holmes (Clive Brook) and Philo Vance (William Powell) when they refuse to give him proper credit for his killing of Jack Oakie. Only the dramatic sketch with Frederic March and Ruth Chatterton truly creaks when seen today. Originally released at 102 minutes, Paramount on Parade is presently available only in an 80-minute version, with all its Technicolor sequences missing: casualties include the elaborate "Drink to the Girl of My Dreams" number, directed by Edmund Goulding and featuring Gary Cooper, Jean Arthur and Fay Wray, and Harry Green's dialect song "Isadore the Toreodor". ~ Hal Erickson, All Movie Guide
- Starring:
- Maurice Chevalier, Richard Arlen, (more)
Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house. ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Harpo Marx, (more)
- 1930
The second of Cecil B. DeMille's talkies (as well as his second for MGM), Madam Satan is an exercise in incoherence, but this doesn't detract one iota from its entertainment value. Kay Johnson plays the sedate wife of philandering Reginald Denny, who is currently carrying on with "jazz baby" Lillian Roth. In a desperate effort to win back her husband, Johnson disguises herself as the alluring, provocatively clothed "Madame Satan." In this guise, she attends a lavish charity costume party being thrown by socialite Roland Young on a dirigible moored high above New York Harbor. Failing to recognize his mousey little wife, Denny arranges for a rendezvous with Madame Satan. When she reveals her true identity, Denny is outraged and threatens divorce. Suddenly, the dirigible is struck by lightning; it breaks loose from its moorings, tossing its terrified passengers around and about. Denny behaves heroically in shepherding the passengers into their parachutes; meanwhile, Johnson gives up her own parachute to save Roth. Coming to the mutual realization that each is worthy of the other's love, Johnson and Denny are reunited. Though when taken out of context, the dirigible sequence appears to be the ultimate in campy melodrama, this scene and all the scenes that built up to it are played for laughs: DeMille didn't take this farrago any more seriously in 1930 than we do today. Highlights include several unexpected and charmingly innapropriate musical numbers, including a bizarre "Ballet Mechanique" featuring dancer Theodore Kosloff. Though DeMille carefully threw in every ingredient that he hoped would appeal to a mass audience, Madam Satan was one of his few box office flops. ~ Hal Erickson, All Movie Guide
- 1929
Carlee Thorpe (Buddy Rogers) and Claire Jernigan (Nancy Carol) enjoy considerable success with their vaudeville magic act. Offstage, Carlee thrives as a solo, performing various bits of sleight-of-hand at fancy society parties. At one such function, he falls in love with Hilt (June Collyer), the daughter of wealthy social-climber Jake Schmidlap (Knute Erickson). Heartbroken, Claire breaks up her act with Carlee and signs on as a "human target" for stage sharpshooter Magus (Rychard Cramer). Her depression deepening over Carlee's affair with Hilda, Claire suicidally replaces Magus' blank pistol cartridges with real bullets, hoping to be killed in the course of their act. Sure enough, Claire ends up being wounded on stage, but when she awakens in the hospital, the repentant Carlee is at her bedside. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles "Buddy" Rogers, Nancy Carroll, (more)
- 1929
Director Ernst Lubitsch's first talking picture, The Love Parade was a witty souffle about a royal "marriage of state." Jeanette MacDonald, the queen of Sylvania, is required to take a husband. Maurice Chevalier is a highborn Sylvanian diplomat called back to his country due to his amorous escapades. It is arranged for Chevalier to marry MacDonald, but though he is ostensibly the "king" of the boudoir, he is not allowed to participate in any affairs of state. Gradually the royal protocol erodes the marriage, as the formerly footloose Chevalier bristles at being a mere consort. After numerous complications and misunderstandings, Chevalier asserts his authority over the secretly willing MacDonald. Counterpointing the main plot is the backstairs romance of servants Lupino Lane and Lillian Roth, who, like the stars, get to cut loose in the occasional musical number. ~ Hal Erickson, All Movie Guide
- Starring:
- Maurice Chevalier, Jeanette MacDonald, (more)
