Ivan Roth Movies

Pierce Brosnan stars as Danny O'Neill, an FBI explosives expert on the trail of a mad bomber in this made-for-cable thriller. ~ Jason Ankeny, All Movie Guide

Ricochet, a suspenseful, exciting police thriller that loses its way at the end, is the story of a good cop whose life is destroyed by an obsessed psychotic criminal whom he sent to prison years before. Nick (Denzel Washington) is a successful happily married police officer with a distinguished record. He is drugged, kidnapped and framed by Blake (John Lithgow) who has never forgiven him for arresting him years before. Nick must redeem himself both to the police force, his family and the public who had come to love and respect him. Denzel Washington is excellent in his role of the good man in an impossible situation. John Lithgow, while always interesting, is completely over-the-top as the psychotic criminal, and the film looses plausibility during an extended and highly improbable and unbelievable final chase sequence around the Watts Towers. Despite these flaws, Ricochet is an exiting suspense film with a fine performance by Washington and worth watching despite its disappointing conclusion. ~ Linda Rasmussen, All Movie Guide

Although many genre filmmakers have managed to blend horror and humor with great success, movies employing this formula often run the risk of both elements canceling each other out, resulting in a horror comedy that is neither scary nor funny. Alas, Dead Heat is a textbook example of this kind of failure. It details the weird misadventures of a pair of mismatched L.A. cops -- the straitlaced and by-the-book Roger Mortis (Treat Williams) and wisecracking loose cannon Doug Bigelow (muscle-headed Saturday Night Live alum Joe Piscopo). Their quest is to reach the heart of a sinister crime ring that employs indestructible undead henchmen. In a strange twist, their inept handling of the case results in both cops -- first Williams, then Piscopo -- being killed in action and subsequently reanimated in a secret laboratory managed by the barely seen Vincent Price (whose walk-on role is more entertaining than the combined performances of the two leads). The potential for "splatstick" comedy in the mode of Evil Dead 2 or Peter Jackson's Bad Taste is defeated by two major obstacles: first, the painfully unfunny mugging of Piscopo, who was unwisely allowed to ad-lib much of his performance; and second, the MPAA's trimming of several minutes from Steve Johnson's sensational makeup effects in order to avoid the dreaded X rating -- including a clever scene involving a zombie go-go girl played by Linnea Quigley. ~ Cavett Binion, All Movie Guide

This slick throwback to the giant-mutant-insect movies of the 1950's has built a small reputation solely on its irrelevant title -- the film contains no monkeys, blue or otherwise -- which confused both reviewers and viewers alike. (This dilemma was solved in its second video incarnation, under the more honest title Insect.) The story begins when a gardener becomes infected with a plant-borne insect larva, which he disgorges upon his arrival at the County Memorial Hospital. When the bug-baby ingests a large dose of growth hormone called NAC-5 (hospitals are always leaving that stuff around where bugs can get at it), it immediately bulks up to the size of a bulldozer. The plot quickly shifts into Alien mode, as scientists, police (namely wild-eyed cop Steve Railsback) and hospital personnel creep down the hospital's labyrinthine corridors in search of the insectoid monster, which they hope to destroy with conveniently-provided experimental laser equipment before it can test the capacity of the maternity ward with a few million larvae. Despite the lurid promotional materials (showing pretty nurses SCREAMING IN HORROR!!), the story is played quite straight -- more of an homage to films like Them! than a parody of same -- and benefits from good performances (John Vernon is great as the hospital director), a tight script and a strong emphasis on suspense and action from director William Fruet. ~ Cavett Binion, All Movie Guide

Street gang member Jeff (Adam Baldwin) leaves the organization, seeking out a quieter existence. Meanwhile, gang leader Cinco (Danny De La Paz) and his minions have taken over the local high school, dispensing drugs with impunity. When Cinco is arrested, a rumor spreads that he's been sold out by Jeff. In the ensuing hostilities, Jeff's girlfriend (Deborah Foreman) is beaten and bloodied. A showdown is inevitable, and, per the film's title, it takes place just after the last school bell has rung. Filmed in 1984, 3:15 - The Moment of Truth wasn't released until 1986. ~ Hal Erickson, All Movie Guide

Virtually unnoticed during its brief theatrical run, this wildly entertaining horror-comedy achieved healthy cult status following its home-video and cable TV releases. The directorial debut of Fred Dekker (writer of the successful horror parody House), this low-budget effort throws alien monsters, axe-wielding killers, flesh-eating zombies, nudity, and (gasp!) drunken fraternity shenanigans into a blender, spiced with witty one-liners and references to dozens of horror classics (and anti-classics). The result is a satisfying treat that will tickle the tastebuds of horror fans. The film's nominal protagonists are a pair of randy fraternity pledges (Jason Lively, Steve Marshall) who open a literal can of worms when they steal a corpse from the campus medical facility and release a horde of space-leeches, which proceed to infest the bodies of everyone in sight. The host bodies subsequently become homicidal zombies with a penchant for popping in on unsuspecting (and undressing) sorority girls. The town's only hope (such as it is) seems to be a hard-boiled ex-cop (Tom Atkins), who has uncovered the secret link between the zombie invasion and a 30-year-old axe-murder case... and who's also several sandwiches shy of a picnic. Dekker keeps things moving at a brisk pace thanks to some outrageous set-pieces (some of which happen so quickly they'll have viewers reaching for the pause button) and clever dialogue, particularly for Atkins ("Girls, the good news is your dates are here; the bad news is, they're dead"), who dives into his crusty character with relish. ~ Cavett Binion, All Movie Guide